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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A37CEC it is the complementary color #5C8313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A37CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A37CEC shade: #A87CE7, #B98EFA, #CAA0FF, #DBB2FF and #ECC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A37CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A37CEC shade: #A37CEC, #926AD9, #8158C6, #7046B3 and #5F34A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A37CEC shade: #A47DEC, #C27DEC, #E07DEC, #EC7DDB and #EC7DBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A37CEC shade: #A47DEC, #867DEC and #7D7DEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A37CEC shade matches the following richer shades: #A47DEC and #A071F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A37CEC shade: #A47DEC, #A789E0, #AB95D4, #AFA1C8 and #B2ADBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A37CEC shade: #7D93EC, #847DEC, #A27DEC, #C07DEC and #DD7DEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A37CEC shade: #7135E2, #8A59E7, #A47DEC, #BDA1F1 and #D6C5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A37CEC shade: #A37CEC, #EC7DB1 and #84EC7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A37CEC shade: #A37CEC, #ECA27D and #7DECA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A37CEC shade: #A37CEC, #EC7DB1, #C7EC7D and #7DECB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A37CEC shade: #A37CEC, #EC7D90, #C7EC7D and #7DECDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

Complementary color

CMYK 30 / 0 / 85 / 49

HEX #5C8313

RGB 92 131 19

HSL 80.89, 0.75%, 0.29%

LAB 50.16, -29.92, 50.29

 

CMYK 27 / 46 / 0 / 9

HEX #A87CE7

RGB 168 124 231

HSL 264.67, 0.69%, 0.7%

LAB 60.35, 38.55, -48.17

 

CMYK 26 / 43 / 0 / 2

HEX #B98EFA

RGB 185 142 250

HSL 263.89, 0.92%, 0.77%

LAB 66.95, 37.68, -48.12

 

CMYK 21 / 37 / 0 / 0

HEX #CAA0FF

RGB 202 160 255

HSL 266.53, 1%, 0.81%

LAB 72.84, 33.68, -41.48

 

CMYK 14 / 30 / 0 / 0

HEX #DBB2FF

RGB 219 178 255

HSL 271.95, 1%, 0.85%

LAB 78.53, 28.91, -32.53

 

CMYK 7 / 23 / 0 / 0

HEX #ECC4FF

RGB 236 196 255

HSL 280.68, 1%, 0.88%

LAB 84.24, 24.52, -23.66

 

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

CMYK 33 / 51 / 0 / 15

HEX #926AD9

RGB 146 106 217

HSL 261.62, 0.59%, 0.63%

LAB 53.42, 39.45, -51.46

 

CMYK 35 / 56 / 0 / 22

HEX #8158C6

RGB 129 88 198

HSL 262.36, 0.49%, 0.56%

LAB 46.61, 40.51, -51.59

 

CMYK 37 / 61 / 0 / 30

HEX #7046B3

RGB 112 70 179

HSL 263.12, 0.44%, 0.49%

LAB 39.71, 41.61, -51.68

 

CMYK 41 / 68 / 0 / 37

HEX #5F34A0

RGB 95 52 160

HSL 263.89, 0.51%, 0.42%

LAB 32.76, 42.68, -51.68

 

CMYK 31 / 47 / 0 / 7

HEX #A47DEC

RGB 164 125 236

HSL 261.08, 0.74%, 0.71%

LAB 60.44, 38.15, -50.82

 

CMYK 18 / 47 / 0 / 7

HEX #C27DEC

RGB 194 125 236

HSL 277.3, 0.74%, 0.71%

LAB 63.5, 46.21, -45.78

 

CMYK 5 / 47 / 0 / 7

HEX #E07DEC

RGB 224 125 236

HSL 293.51, 0.74%, 0.71%

LAB 66.95, 54.54, -40.12

 

CMYK 0 / 47 / 7 / 7

HEX #EC7DDB

RGB 236 125 219

HSL 309.19, 0.74%, 0.71%

LAB 67.74, 55, -29.38

 

CMYK 0 / 47 / 20 / 7

HEX #EC7DBD

RGB 236 125 189

HSL 325.41, 0.74%, 0.71%

LAB 66.65, 50.33, -14.26

 

CMYK 31 / 47 / 0 / 7

HEX #A47DEC

RGB 164 125 236

HSL 261.08, 0.74%, 0.71%

LAB 60.44, 38.15, -50.82

 

CMYK 43 / 47 / 0 / 7

HEX #867DEC

RGB 134 125 236

HSL 244.86, 0.74%, 0.71%

LAB 57.84, 30.67, -55.12

 

CMYK 47 / 47 / 0 / 7

HEX #7D7DEC

RGB 125 125 236

HSL 240, 0.74%, 0.71%

LAB 57.16, 28.59, -56.25

 

CMYK 31 / 47 / 0 / 7

HEX #A47DEC

RGB 164 125 236

HSL 261.08, 0.74%, 0.71%

LAB 60.44, 38.15, -50.82

 

CMYK 35 / 54 / 0 / 3

HEX #A071F8

RGB 160 113 248

HSL 260.89, 0.91%, 0.71%

LAB 58.1, 46.84, -61.24

 

CMYK 31 / 47 / 0 / 7

HEX #A47DEC

RGB 164 125 236

HSL 261.08, 0.74%, 0.71%

LAB 60.44, 38.15, -50.82

 

CMYK 25 / 39 / 0 / 12

HEX #A789E0

RGB 167 137 224

HSL 260.69, 0.58%, 0.71%

LAB 62.92, 29.26, -40.23

 

CMYK 19 / 30 / 0 / 17

HEX #AB95D4

RGB 171 149 212

HSL 260.95, 0.42%, 0.71%

LAB 65.68, 20.84, -29.25

 

CMYK 13 / 20 / 0 / 22

HEX #AFA1C8

RGB 175 161 200

HSL 261.54, 0.26%, 0.71%

LAB 68.59, 12.73, -18.11

 

CMYK 5 / 8 / 0 / 26

HEX #B2ADBC

RGB 178 173 188

HSL 260, 0.1%, 0.71%

LAB 71.54, 4.64, -7.02

 

CMYK 47 / 38 / 0 / 7

HEX #7D93EC

RGB 125 147 236

HSL 228.11, 0.74%, 0.71%

LAB 62.75, 15.62, -47.37

 

CMYK 44 / 47 / 0 / 7

HEX #847DEC

RGB 132 125 236

HSL 243.78, 0.74%, 0.71%

LAB 57.68, 30.2, -55.38

 

CMYK 31 / 47 / 0 / 7

HEX #A27DEC

RGB 162 125 236

HSL 260, 0.74%, 0.71%

LAB 60.25, 37.63, -51.13

 

CMYK 19 / 47 / 0 / 7

HEX #C07DEC

RGB 192 125 236

HSL 276.22, 0.74%, 0.71%

LAB 63.28, 45.67, -46.14

 

CMYK 6 / 47 / 0 / 7

HEX #DD7DEC

RGB 221 125 236

HSL 291.89, 0.74%, 0.71%

LAB 66.59, 53.7, -40.71

 

CMYK 50 / 77 / 0 / 11

HEX #7135E2

RGB 113 53 226

HSL 260.81, 0.75%, 0.55%

LAB 40.49, 62.63, -77.68

 

CMYK 40 / 61 / 0 / 9

HEX #8A59E7

RGB 138 89 231

HSL 260.7, 0.75%, 0.63%

LAB 49.88, 50.61, -65.09

 

CMYK 31 / 47 / 0 / 7

HEX #A47DEC

RGB 164 125 236

HSL 261.08, 0.74%, 0.71%

LAB 60.44, 38.15, -50.82

 

CMYK 22 / 33 / 0 / 5

HEX #BDA1F1

RGB 189 161 241

HSL 261, 0.74%, 0.79%

LAB 71.32, 26.18, -36.33

 

CMYK 13 / 20 / 0 / 4

HEX #D6C5F6

RGB 214 197 246

HSL 260.82, 0.73%, 0.87%

LAB 82.32, 15.23, -21.97

 

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

CMYK 0 / 47 / 25 / 7

HEX #EC7DB1

RGB 236 125 177

HSL 331.89, 0.74%, 0.71%

LAB 66.27, 48.64, -8.06

 

CMYK 44 / 0 / 47 / 7

HEX #84EC7D

RGB 132 236 125

HSL 116.22, 0.74%, 0.71%

LAB 85.19, -51.69, 44.41

 

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

CMYK 0 / 31 / 47 / 7

HEX #ECA27D

RGB 236 162 125

HSL 20, 0.74%, 0.71%

LAB 72.99, 23.28, 30.29

 

CMYK 47 / 0 / 31 / 7

HEX #7DECA2

RGB 125 236 162

HSL 140, 0.74%, 0.71%

LAB 85.48, -47.8, 26.29

 

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

CMYK 0 / 47 / 25 / 7

HEX #EC7DB1

RGB 236 125 177

HSL 331.89, 0.74%, 0.71%

LAB 66.27, 48.64, -8.06

 

CMYK 16 / 0 / 47 / 7

HEX #C7EC7D

RGB 199 236 125

HSL 80, 0.74%, 0.71%

LAB 88.74, -29.2, 49.59

 

CMYK 47 / 0 / 22 / 7

HEX #7DECB8

RGB 125 236 184

HSL 151.89, 0.74%, 0.71%

LAB 85.91, -43.6, 15.51

 

CMYK 31 / 47 / 0 / 7

HEX #A37CEC

RGB 163 124 236

HSL 260.89, 0.75%, 0.71%

LAB 60.12, 38.46, -51.34

 

CMYK 0 / 47 / 39 / 7

HEX #EC7D90

RGB 236 125 144

HSL 349.73, 0.74%, 0.71%

LAB 65.37, 44.55, 9.33

 

CMYK 16 / 0 / 47 / 7

HEX #C7EC7D

RGB 199 236 125

HSL 80, 0.74%, 0.71%

LAB 88.74, -29.2, 49.59

 

CMYK 47 / 0 / 8 / 7

HEX #7DECDA

RGB 125 236 218

HSL 170.27, 0.74%, 0.71%

LAB 86.71, -36.12, -1.13

 

Description

Color code: HEX #A37CEC | qconv.com Color code: HEX #A37CEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 124 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 124 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 47 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 47% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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