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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38375 it is the complementary color #5C7C8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A38375 shade: #A88370, #B99583, #CAA796, #DBB9A9 and #ECCBBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A38375 shade: #A38375, #927162, #815F4F, #704D3C and #5F3B29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A38375 shade: #A38375, #A37675 and #A37575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A38375 shade: #A38375, #A38F75, #A39C75, #9DA375 and #91A375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A38375 shade matches the following richer shades: #A38375, #B57C62, #C87450, #DA6D3D and #ED662B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A38375 shade: #A38375, #908A87, #7E919A, #6B99AC and #58A0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A38375 shade: #A37580, #A37675, #A38375, #A38F75 and #A39B75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A38375 shade: #765B4F, #8F6E5F, #A38375, #B3998E and #C4AFA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A38375 shade: #A38375, #8CA375 and #7579A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A38375 shade: #A38375, #75A383 and #8375A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A38375 shade: #A38375, #8CA375, #7595A3 and #8C75A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A38375 shade: #A38375, #7EA375, #7595A3 and #9A75A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

Complementary color

CMYK 33 / 10 / 0 / 46

HEX #5C7C8A

RGB 92 124 138

HSL 198.26, 0.2%, 0.45%

LAB 50.13, -7.76, -11.27

 

CMYK 0 / 22 / 33 / 34

HEX #A88370

RGB 168 131 112

HSL 20.36, 0.24%, 0.55%

LAB 57.78, 11.45, 15.71

 

CMYK 0 / 19 / 29 / 27

HEX #B99583

RGB 185 149 131

HSL 20, 0.28%, 0.62%

LAB 64.52, 10.8, 14.61

 

CMYK 0 / 17 / 26 / 21

HEX #CAA796

RGB 202 167 150

HSL 19.62, 0.33%, 0.69%

LAB 71.14, 10.24, 13.59

 

CMYK 0 / 16 / 23 / 14

HEX #DBB9A9

RGB 219 185 169

HSL 19.2, 0.41%, 0.76%

LAB 77.65, 9.74, 12.65

 

CMYK 0 / 14 / 20 / 7

HEX #ECCBBC

RGB 236 203 188

HSL 18.75, 0.56%, 0.83%

LAB 84.06, 9.29, 11.76

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 23 / 33 / 43

HEX #927162

RGB 146 113 98

HSL 18.75, 0.2%, 0.48%

LAB 50.46, 10.77, 13.32

 

CMYK 0 / 26 / 39 / 49

HEX #815F4F

RGB 129 95 79

HSL 19.2, 0.24%, 0.41%

LAB 43.38, 11.55, 14.56

 

CMYK 0 / 31 / 46 / 56

HEX #704D3C

RGB 112 77 60

HSL 19.62, 0.3%, 0.34%

LAB 36.14, 12.51, 15.99

 

CMYK 0 / 38 / 57 / 63

HEX #5F3B29

RGB 95 59 41

HSL 20, 0.4%, 0.27%

LAB 28.7, 13.72, 17.68

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 28 / 28 / 36

HEX #A37675

RGB 163 118 117

HSL 1.3, 0.2%, 0.55%

LAB 54.06, 17.51, 7.53

 

CMYK 0 / 28 / 28 / 36

HEX #A37575

RGB 163 117 117

HSL 0, 0.2%, 0.55%

LAB 53.81, 18.08, 7.17

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 12 / 28 / 36

HEX #A38F75

RGB 163 143 117

HSL 33.91, 0.2%, 0.55%

LAB 60.53, 3.37, 16.6

 

CMYK 0 / 4 / 28 / 36

HEX #A39C75

RGB 163 156 117

HSL 50.87, 0.2%, 0.55%

LAB 64.04, -3.79, 21.39

 

CMYK 4 / 0 / 28 / 36

HEX #9DA375

RGB 157 163 117

HSL 67.83, 0.2%, 0.55%

LAB 65.47, -9.94, 23.24

 

CMYK 11 / 0 / 28 / 36

HEX #91A375

RGB 145 163 117

HSL 83.48, 0.2%, 0.55%

LAB 64.56, -14.62, 21.86

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 31 / 46 / 29

HEX #B57C62

RGB 181 124 98

HSL 18.8, 0.36%, 0.55%

LAB 57.19, 19.05, 23.12

 

CMYK 0 / 42 / 60 / 22

HEX #C87450

RGB 200 116 80

HSL 18, 0.52%, 0.55%

LAB 57.41, 29.62, 33.93

 

CMYK 0 / 50 / 72 / 15

HEX #DA6D3D

RGB 218 109 61

HSL 18.34, 0.68%, 0.55%

LAB 58.21, 39.29, 45.55

 

CMYK 0 / 57 / 82 / 7

HEX #ED662B

RGB 237 102 43

HSL 18.25, 0.84%, 0.55%

LAB 59.6, 49.18, 56.35

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 4 / 6 / 44

HEX #908A87

RGB 144 138 135

HSL 20, 0.04%, 0.55%

LAB 57.9, 1.67, 2.39

 

CMYK 18 / 6 / 0 / 40

HEX #7E919A

RGB 126 145 154

HSL 199.29, 0.12%, 0.55%

LAB 58.99, -4.76, -7.04

 

CMYK 38 / 11 / 0 / 33

HEX #6B99AC

RGB 107 153 172

HSL 197.54, 0.28%, 0.55%

LAB 60.68, -10.59, -14.86

 

CMYK 54 / 16 / 0 / 25

HEX #58A0BF

RGB 88 160 191

HSL 198.06, 0.45%, 0.55%

LAB 62.49, -13.74, -22.89

 

CMYK 0 / 28 / 21 / 36

HEX #A37580

RGB 163 117 128

HSL 345.65, 0.2%, 0.55%

LAB 54.1, 19.75, 1.16

 

CMYK 0 / 28 / 28 / 36

HEX #A37675

RGB 163 118 117

HSL 1.3, 0.2%, 0.55%

LAB 54.06, 17.51, 7.53

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 12 / 28 / 36

HEX #A38F75

RGB 163 143 117

HSL 33.91, 0.2%, 0.55%

LAB 60.53, 3.37, 16.6

 

CMYK 0 / 5 / 28 / 36

HEX #A39B75

RGB 163 155 117

HSL 49.57, 0.2%, 0.55%

LAB 63.77, -3.24, 21.02

 

CMYK 0 / 23 / 33 / 54

HEX #765B4F

RGB 118 91 79

HSL 18.46, 0.2%, 0.39%

LAB 41.05, 9.18, 11.16

 

CMYK 0 / 23 / 34 / 44

HEX #8F6E5F

RGB 143 110 95

HSL 18.75, 0.2%, 0.47%

LAB 49.27, 10.84, 13.39

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 0 / 15 / 21 / 30

HEX #B3998E

RGB 179 153 142

HSL 17.84, 0.2%, 0.63%

LAB 65.22, 7.85, 9.34

 

CMYK 0 / 11 / 15 / 23

HEX #C4AFA6

RGB 196 175 166

HSL 18, 0.2%, 0.71%

LAB 72.99, 6.06, 7.36

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 14 / 0 / 28 / 36

HEX #8CA375

RGB 140 163 117

HSL 90, 0.2%, 0.55%

LAB 64.2, -16.53, 21.32

 

CMYK 28 / 26 / 0 / 36

HEX #7579A3

RGB 117 121 163

HSL 234.78, 0.2%, 0.55%

LAB 51.95, 8.34, -22.95

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 28 / 0 / 20 / 36

HEX #75A383

RGB 117 163 131

HSL 138.26, 0.2%, 0.55%

LAB 63.02, -22.28, 11.72

 

CMYK 20 / 28 / 0 / 36

HEX #8375A3

RGB 131 117 163

HSL 258.26, 0.2%, 0.55%

LAB 52.05, 15.2, -22.7

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 14 / 0 / 28 / 36

HEX #8CA375

RGB 140 163 117

HSL 90, 0.2%, 0.55%

LAB 64.2, -16.53, 21.32

 

CMYK 28 / 9 / 0 / 36

HEX #7595A3

RGB 117 149 163

HSL 198.26, 0.2%, 0.55%

LAB 59.82, -7.75, -11

 

CMYK 14 / 28 / 0 / 36

HEX #8C75A3

RGB 140 117 163

HSL 270, 0.2%, 0.55%

LAB 52.89, 18.17, -21.35

 

CMYK 0 / 20 / 28 / 36

HEX #A38375

RGB 163 131 117

HSL 18.26, 0.2%, 0.55%

LAB 57.37, 10.11, 12.21

 

CMYK 23 / 0 / 28 / 36

HEX #7EA375

RGB 126 163 117

HSL 108.26, 0.2%, 0.55%

LAB 63.27, -21.71, 19.89

 

CMYK 28 / 9 / 0 / 36

HEX #7595A3

RGB 117 149 163

HSL 198.26, 0.2%, 0.55%

LAB 59.82, -7.75, -11

 

CMYK 6 / 28 / 0 / 36

HEX #9A75A3

RGB 154 117 163

HSL 288.26, 0.2%, 0.55%

LAB 54.28, 22.89, -19.09

 

Description

Color code: HEX #A38375 | qconv.com Color code: HEX #A38375 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 131 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 131 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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