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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38F41 it is the complementary color #5C70BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A38F41 shade: #A88F3C, #B9A14F, #CAB362, #DBC575 and #ECD788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A38F41 shade: #A38F41, #927D2E, #816B1B, #705908 and #5F4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A38F41 shade: #A48F41, #A47541, #A45A41 and #A44141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A38F41 shade: #A48F41, #9DA441, #83A441, #68A441 and #4DA441

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A38F41 shade matches the following richer shades: #A48F41, #B69A2E, #C9A51C and #DBB009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A38F41 shade: #A48F41, #918453, #7E7966, #6C6E79 and #59638B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A38F41 shade: #A45A41, #A47441, #A48E41, #9FA441 and #84A441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A38F41 shade: #695C29, #867635, #A48F41, #BAA553 and #C6B571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A38F41 shade: #A38F41, #43A441 and #6741A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A38F41 shade: #A38F41, #41A48E and #8E41A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A38F41 shade: #A38F41, #43A441, #4156A4 and #A241A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A38F41 shade: #A38F41, #41A45D, #4156A4 and #A44188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

Complementary color

CMYK 52 / 41 / 0 / 25

HEX #5C70BE

RGB 92 112 190

HSL 227.76, 0.43%, 0.55%

LAB 48.98, 14.8, -43.36

 

CMYK 0 / 15 / 64 / 34

HEX #A88F3C

RGB 168 143 60

HSL 46.11, 0.47%, 0.45%

LAB 60.16, -0.44, 46.42

 

CMYK 0 / 13 / 57 / 27

HEX #B9A14F

RGB 185 161 79

HSL 46.42, 0.43%, 0.52%

LAB 66.8, -1.39, 45.26

 

CMYK 0 / 11 / 51 / 21

HEX #CAB362

RGB 202 179 98

HSL 46.73, 0.5%, 0.59%

LAB 73.34, -2.18, 44.01

 

CMYK 0 / 10 / 47 / 14

HEX #DBC575

RGB 219 197 117

HSL 47.06, 0.59%, 0.66%

LAB 79.77, -2.85, 42.77

 

CMYK 0 / 9 / 42 / 7

HEX #ECD788

RGB 236 215 136

HSL 47.4, 0.72%, 0.73%

LAB 86.11, -3.41, 41.55

 

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

CMYK 0 / 14 / 68 / 43

HEX #927D2E

RGB 146 125 46

HSL 47.4, 0.52%, 0.38%

LAB 52.92, -1.28, 44.47

 

CMYK 0 / 17 / 79 / 49

HEX #816B1B

RGB 129 107 27

HSL 47.06, 0.65%, 0.31%

LAB 45.99, 0.02, 45.04

 

CMYK 0 / 21 / 93 / 56

HEX #705908

RGB 112 89 8

HSL 46.73, 0.87%, 0.24%

LAB 38.91, 1.68, 44.35

 

CMYK 0 / 25 / 100 / 63

HEX #5F4700

RGB 95 71 0

HSL 44.84, 1%, 0.19%

LAB 31.67, 3.84, 40.7

 

CMYK 0 / 13 / 60 / 36

HEX #A48F41

RGB 164 143 65

HSL 47.27, 0.43%, 0.45%

LAB 59.82, -1.86, 43.55

 

CMYK 0 / 29 / 60 / 36

HEX #A47541

RGB 164 117 65

HSL 31.52, 0.43%, 0.45%

LAB 52.95, 12.7, 35.59

 

CMYK 0 / 45 / 60 / 36

HEX #A45A41

RGB 164 90 65

HSL 15.15, 0.43%, 0.45%

LAB 46.43, 27.92, 27.67

 

CMYK 0 / 60 / 60 / 36

HEX #A44141

RGB 164 65 65

HSL 0, 0.43%, 0.45%

LAB 41.3, 40.95, 21.15

 

CMYK 0 / 13 / 60 / 36

HEX #A48F41

RGB 164 143 65

HSL 47.27, 0.43%, 0.45%

LAB 59.82, -1.86, 43.55

 

CMYK 4 / 0 / 60 / 36

HEX #9DA441

RGB 157 164 65

HSL 64.24, 0.43%, 0.45%

LAB 65.04, -16.1, 49.19

 

CMYK 20 / 0 / 60 / 36

HEX #83A441

RGB 131 164 65

HSL 80, 0.43%, 0.45%

LAB 63.14, -26.91, 46.56

 

CMYK 37 / 0 / 60 / 36

HEX #68A441

RGB 104 164 65

HSL 96.36, 0.43%, 0.45%

LAB 61.55, -37.16, 44.33

 

CMYK 53 / 0 / 60 / 36

HEX #4DA441

RGB 77 164 65

HSL 112.73, 0.43%, 0.45%

LAB 60.35, -45.78, 42.64

 

CMYK 0 / 13 / 60 / 36

HEX #A48F41

RGB 164 143 65

HSL 47.27, 0.43%, 0.45%

LAB 59.82, -1.86, 43.55

 

CMYK 0 / 15 / 75 / 29

HEX #B69A2E

RGB 182 154 46

HSL 47.65, 0.6%, 0.45%

LAB 64.37, -0.98, 57.12

 

CMYK 0 / 18 / 86 / 21

HEX #C9A51C

RGB 201 165 28

HSL 47.51, 0.76%, 0.45%

LAB 69.05, 0.95, 67.61

 

CMYK 0 / 20 / 96 / 14

HEX #DBB009

RGB 219 176 9

HSL 47.71, 0.92%, 0.45%

LAB 73.63, 2.75, 75.18

 

CMYK 0 / 13 / 60 / 36

HEX #A48F41

RGB 164 143 65

HSL 47.27, 0.43%, 0.45%

LAB 59.82, -1.86, 43.55

 

CMYK 0 / 9 / 43 / 43

HEX #918453

RGB 145 132 83

HSL 47.42, 0.27%, 0.45%

LAB 55.22, -2.39, 28.21

 

CMYK 0 / 4 / 19 / 51

HEX #7E7966

RGB 126 121 102

HSL 47.5, 0.11%, 0.45%

LAB 50.77, -1.52, 11.12

 

CMYK 11 / 9 / 0 / 53

HEX #6C6E79

RGB 108 110 121

HSL 230.77, 0.06%, 0.45%

LAB 46.61, 1.61, -6.36

 

CMYK 36 / 29 / 0 / 45

HEX #59638B

RGB 89 99 139

HSL 228, 0.22%, 0.45%

LAB 42.63, 6.49, -23.34

 

CMYK 0 / 45 / 60 / 36

HEX #A45A41

RGB 164 90 65

HSL 15.15, 0.43%, 0.45%

LAB 46.43, 27.92, 27.67

 

CMYK 0 / 29 / 60 / 36

HEX #A47441

RGB 164 116 65

HSL 30.91, 0.43%, 0.45%

LAB 52.69, 13.26, 35.29

 

CMYK 0 / 13 / 60 / 36

HEX #A48E41

RGB 164 142 65

HSL 46.67, 0.43%, 0.45%

LAB 59.54, -1.31, 43.24

 

CMYK 3 / 0 / 60 / 36

HEX #9FA441

RGB 159 164 65

HSL 63.03, 0.43%, 0.45%

LAB 65.2, -15.24, 49.41

 

CMYK 20 / 0 / 60 / 36

HEX #84A441

RGB 132 164 65

HSL 79.39, 0.43%, 0.45%

LAB 63.21, -26.51, 46.65

 

CMYK 0 / 12 / 61 / 59

HEX #695C29

RGB 105 92 41

HSL 47.81, 0.44%, 0.29%

LAB 39.27, -1.78, 30.77

 

CMYK 0 / 12 / 60 / 47

HEX #867635

RGB 134 118 53

HSL 48.15, 0.43%, 0.37%

LAB 49.84, -2.33, 37.39

 

CMYK 0 / 13 / 60 / 36

HEX #A48F41

RGB 164 143 65

HSL 47.27, 0.43%, 0.45%

LAB 59.82, -1.86, 43.55

 

CMYK 0 / 11 / 55 / 27

HEX #BAA553

RGB 186 165 83

HSL 47.77, 0.43%, 0.53%

LAB 68, -2.79, 44.72

 

CMYK 0 / 9 / 43 / 22

HEX #C6B571

RGB 198 181 113

HSL 48, 0.43%, 0.61%

LAB 73.7, -3.44, 36.78

 

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

CMYK 59 / 0 / 60 / 36

HEX #43A441

RGB 67 164 65

HSL 118.79, 0.43%, 0.45%

LAB 60, -48.42, 42.15

 

CMYK 37 / 60 / 0 / 36

HEX #6741A4

RGB 103 65 164

HSL 263.03, 0.43%, 0.45%

LAB 36.64, 38.32, -47.77

 

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

CMYK 60 / 0 / 13 / 36

HEX #41A48E

RGB 65 164 142

HSL 166.67, 0.43%, 0.45%

LAB 61.33, -34.27, 2.85

 

CMYK 13 / 60 / 0 / 36

HEX #8E41A4

RGB 142 65 164

HSL 286.67, 0.43%, 0.45%

LAB 41.55, 48.07, -39.63

 

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

CMYK 59 / 0 / 60 / 36

HEX #43A441

RGB 67 164 65

HSL 118.79, 0.43%, 0.45%

LAB 60, -48.42, 42.15

 

CMYK 60 / 48 / 0 / 36

HEX #4156A4

RGB 65 86 164

HSL 227.27, 0.43%, 0.45%

LAB 38.66, 16.7, -44.7

 

CMYK 1 / 60 / 0 / 36

HEX #A241A4

RGB 162 65 164

HSL 298.79, 0.43%, 0.45%

LAB 44.44, 53.28, -34.88

 

CMYK 0 / 12 / 60 / 36

HEX #A38F41

RGB 163 143 65

HSL 47.76, 0.43%, 0.45%

LAB 59.72, -2.3, 43.41

 

CMYK 60 / 0 / 43 / 36

HEX #41A45D

RGB 65 164 93

HSL 136.97, 0.43%, 0.45%

LAB 60.31, -44.83, 28.43

 

CMYK 60 / 48 / 0 / 36

HEX #4156A4

RGB 65 86 164

HSL 227.27, 0.43%, 0.45%

LAB 38.66, 16.7, -44.7

 

CMYK 0 / 60 / 17 / 36

HEX #A44188

RGB 164 65 136

HSL 316.97, 0.43%, 0.45%

LAB 43.43, 49.15, -19.58

 

Description

Color code: HEX #A38F41 | qconv.com Color code: HEX #A38F41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 143 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 143 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 60 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 60% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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