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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39751 it is the complementary color #5C68AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39751 shade: #A8974C, #B9A95F, #CABB72, #DBCD85 and #ECDF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39751 shade: #A39751, #92853E, #81732B, #706118 and #5F4F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39751 shade: #A49750, #A48150, #A46A50, #A45450 and #A45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39751 shade: #A49750, #99A450, #83A450, #6CA450 and #56A450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39751 shade matches the following richer shades: #A49750, #B7A53C, #CBB329, #DFC115 and #F3CF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39751 shade: #A49750, #908964, #7C7B78, #686D8C and #545FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39751 shade: #A46B50, #A48150, #A49750, #9AA450 and #84A450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39751 shade: #6C6435, #887E43, #A49750, #B5A968 and #C2B984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39751 shade: #A39751, #50A454 and #7650A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39751 shade: #A39751, #50A497 and #9750A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39751 shade: #A39751, #50A454, #505DA4 and #A4509F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39751 shade: #A39751, #50A46D, #505DA4 and #A45086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

Complementary color

CMYK 47 / 40 / 0 / 32

HEX #5C68AE

RGB 92 104 174

HSL 231.22, 0.34%, 0.52%

LAB 45.95, 14.71, -38.88

 

CMYK 0 / 10 / 55 / 34

HEX #A8974C

RGB 168 151 76

HSL 48.91, 0.38%, 0.48%

LAB 62.49, -3.58, 41.3

 

CMYK 0 / 9 / 49 / 27

HEX #B9A95F

RGB 185 169 95

HSL 49.33, 0.39%, 0.55%

LAB 69.12, -4.28, 40.05

 

CMYK 0 / 7 / 44 / 21

HEX #CABB72

RGB 202 187 114

HSL 49.77, 0.45%, 0.62%

LAB 75.65, -4.85, 38.8

 

CMYK 0 / 6 / 39 / 14

HEX #DBCD85

RGB 219 205 133

HSL 50.23, 0.54%, 0.69%

LAB 82.06, -5.33, 37.59

 

CMYK 0 / 6 / 36 / 7

HEX #ECDF98

RGB 236 223 152

HSL 50.71, 0.69%, 0.76%

LAB 88.39, -5.74, 36.43

 

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

CMYK 0 / 9 / 58 / 43

HEX #92853E

RGB 146 133 62

HSL 50.71, 0.4%, 0.41%

LAB 55.31, -4.58, 39.43

 

CMYK 0 / 11 / 67 / 49

HEX #81732B

RGB 129 115 43

HSL 50.23, 0.5%, 0.34%

LAB 48.39, -3.67, 40.54

 

CMYK 0 / 13 / 79 / 56

HEX #706118

RGB 112 97 24

HSL 49.77, 0.65%, 0.27%

LAB 41.31, -2.47, 41.18

 

CMYK 0 / 17 / 95 / 63

HEX #5F4F05

RGB 95 79 5

HSL 49.33, 0.9%, 0.2%

LAB 34.06, -0.9, 40.63

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164 129 80

HSL 35, 0.34%, 0.48%

LAB 56.26, 7.21, 31.56

 

CMYK 0 / 35 / 51 / 36

HEX #A46A50

RGB 164 106 80

HSL 18.57, 0.34%, 0.48%

LAB 50.43, 20.25, 24.12

 

CMYK 0 / 49 / 51 / 36

HEX #A45450

RGB 164 84 80

HSL 2.86, 0.34%, 0.48%

LAB 45.38, 32.49, 17.43

 

CMYK 0 / 51 / 51 / 36

HEX #A45050

RGB 164 80 80

HSL 0, 0.34%, 0.48%

LAB 44.53, 34.62, 16.29

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 7 / 0 / 51 / 36

HEX #99A450

RGB 153 164 80

HSL 67.86, 0.34%, 0.48%

LAB 64.89, -16.5, 41.83

 

CMYK 20 / 0 / 51 / 36

HEX #83A450

RGB 131 164 80

HSL 83.57, 0.34%, 0.48%

LAB 63.31, -25.44, 39.56

 

CMYK 34 / 0 / 51 / 36

HEX #6CA450

RGB 108 164 80

HSL 100, 0.34%, 0.48%

LAB 61.93, -34.07, 37.57

 

CMYK 48 / 0 / 51 / 36

HEX #56A450

RGB 86 164 80

HSL 115.71, 0.34%, 0.48%

LAB 60.88, -41.28, 36.05

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 0 / 10 / 67 / 28

HEX #B7A53C

RGB 183 165 60

HSL 51.22, 0.51%, 0.48%

LAB 67.5, -5.7, 54.67

 

CMYK 0 / 12 / 80 / 20

HEX #CBB329

RGB 203 179 41

HSL 51.11, 0.66%, 0.48%

LAB 72.96, -5.18, 67.45

 

CMYK 0 / 13 / 91 / 13

HEX #DFC115

RGB 223 193 21

HSL 51.09, 0.83%, 0.48%

LAB 78.39, -4.22, 77.29

 

CMYK 0 / 15 / 100 / 5

HEX #F3CF01

RGB 243 207 1

HSL 51.07, 0.99%, 0.48%

LAB 83.8, -2.98, 84.32

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 0 / 5 / 31 / 44

HEX #908964

RGB 144 137 100

HSL 50.45, 0.18%, 0.48%

LAB 56.82, -3.45, 20.83

 

CMYK 0 / 1 / 3 / 51

HEX #7C7B78

RGB 124 123 120

HSL 45, 0.02%, 0.48%

LAB 51.62, -0.21, 1.76

 

CMYK 26 / 22 / 0 / 45

HEX #686D8C

RGB 104 109 140

HSL 231.67, 0.15%, 0.48%

LAB 46.68, 5.41, -17.61

 

CMYK 48 / 41 / 0 / 37

HEX #545FA0

RGB 84 95 160

HSL 231.32, 0.31%, 0.48%

LAB 42.17, 13.93, -36.65

 

CMYK 0 / 35 / 51 / 36

HEX #A46B50

RGB 164 107 80

HSL 19.29, 0.34%, 0.48%

LAB 50.67, 19.69, 24.43

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164 129 80

HSL 35, 0.34%, 0.48%

LAB 56.26, 7.21, 31.56

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 6 / 0 / 51 / 36

HEX #9AA450

RGB 154 164 80

HSL 67.14, 0.34%, 0.48%

LAB 64.96, -16.09, 41.94

 

CMYK 20 / 0 / 51 / 36

HEX #84A450

RGB 132 164 80

HSL 82.86, 0.34%, 0.48%

LAB 63.37, -25.05, 39.66

 

CMYK 0 / 7 / 51 / 58

HEX #6C6435

RGB 108 100 53

HSL 51.27, 0.34%, 0.32%

LAB 42.09, -3.93, 27.63

 

CMYK 0 / 7 / 51 / 47

HEX #887E43

RGB 136 126 67

HSL 51.3, 0.34%, 0.4%

LAB 52.47, -4.68, 33.25

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 0 / 7 / 43 / 29

HEX #B5A968

RGB 181 169 104

HSL 50.65, 0.34%, 0.56%

LAB 68.9, -5.03, 35.04

 

CMYK 0 / 5 / 32 / 24

HEX #C2B984

RGB 194 185 132

HSL 51.29, 0.34%, 0.64%

LAB 74.72, -4.94, 28.1

 

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

CMYK 51 / 0 / 49 / 36

HEX #50A454

RGB 80 164 84

HSL 122.86, 0.34%, 0.48%

LAB 60.69, -42.45, 33.73

 

CMYK 28 / 51 / 0 / 36

HEX #7650A4

RGB 118 80 164

HSL 267.14, 0.34%, 0.48%

LAB 41.64, 33.49, -39.67

 

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

CMYK 51 / 0 / 8 / 36

HEX #50A497

RGB 80 164 151

HSL 170.71, 0.34%, 0.48%

LAB 62.08, -28.75, -1.07

 

CMYK 8 / 51 / 0 / 36

HEX #9750A4

RGB 151 80 164

HSL 290.71, 0.34%, 0.48%

LAB 45.63, 42.88, -33.1

 

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

CMYK 51 / 0 / 49 / 36

HEX #50A454

RGB 80 164 84

HSL 122.86, 0.34%, 0.48%

LAB 60.69, -42.45, 33.73

 

CMYK 51 / 43 / 0 / 36

HEX #505DA4

RGB 80 93 164

HSL 230.71, 0.34%, 0.48%

LAB 41.56, 15.49, -40.01

 

CMYK 0 / 51 / 3 / 36

HEX #A4509F

RGB 164 80 159

HSL 303.57, 0.34%, 0.48%

LAB 47.15, 45.74, -27.64

 

CMYK 0 / 7 / 50 / 36

HEX #A39751

RGB 163 151 81

HSL 51.22, 0.34%, 0.48%

LAB 62.1, -5.29, 38.18

 

CMYK 51 / 0 / 34 / 36

HEX #50A46D

RGB 80 164 109

HSL 140.71, 0.34%, 0.48%

LAB 61.1, -38.21, 20.94

 

CMYK 51 / 43 / 0 / 36

HEX #505DA4

RGB 80 93 164

HSL 230.71, 0.34%, 0.48%

LAB 41.56, 15.49, -40.01

 

CMYK 0 / 51 / 18 / 36

HEX #A45086

RGB 164 80 134

HSL 321.43, 0.34%, 0.48%

LAB 46.11, 41.5, -14.28

 

Description

Color code: HEX #A39751 | qconv.com Color code: HEX #A39751 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 151 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 151 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 50 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 50% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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