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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39009 it is the complementary color #5C6FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39009 shade: #A89004, #B9A217, #CAB42A, #DBC63D and #ECD850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39009 shade: #A39009, #927E00, #816C00, #705A00 and #5F4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39009 shade: #A49108, #A46708, #A43D08, #A41308 and #A40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39009 shade: #A49108, #8DA408, #63A408, #39A408 and #0FA408

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39009 shade matches the following richer shades: #A49108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39009 shade: #A49108, #968616, #887C24, #7A7132 and #6C6740

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39009 shade: #A43C08, #A46608, #A48F08, #8FA408 and #66A408

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39009 shade: #564C04, #7D6E06, #A49108, #CBB40A and #F2D60D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39009 shade: #A39009, #08A413 and #5108A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39009 shade: #A39009, #08A48F and #8F08A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39009 shade: #A39009, #08A413, #081DA4 and #A4089A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39009 shade: #A39009, #08A441, #081DA4 and #A4086B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

Complementary color

CMYK 63 / 55 / 0 / 4

HEX #5C6FF6

RGB 92 111 246

HSL 232.6, 0.9%, 0.66%

LAB 52.17, 33.75, -69.95

 

CMYK 0 / 14 / 98 / 34

HEX #A89004

RGB 168 144 4

HSL 51.22, 0.95%, 0.34%

LAB 60.14, -3.02, 63.73

 

CMYK 0 / 12 / 88 / 27

HEX #B9A217

RGB 185 162 23

HSL 51.48, 0.78%, 0.41%

LAB 66.69, -4.69, 66.21

 

CMYK 0 / 11 / 79 / 21

HEX #CAB42A

RGB 202 180 42

HSL 51.75, 0.66%, 0.48%

LAB 73.13, -6.1, 67.27

 

CMYK 0 / 10 / 72 / 14

HEX #DBC63D

RGB 219 198 61

HSL 52.03, 0.69%, 0.55%

LAB 79.49, -7.3, 67.35

 

CMYK 0 / 8 / 66 / 7

HEX #ECD850

RGB 236 216 80

HSL 52.31, 0.8%, 0.62%

LAB 85.77, -8.32, 66.87

 

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

CMYK 0 / 14 / 100 / 43

HEX #927E00

RGB 146 126 0

HSL 51.78, 1%, 0.29%

LAB 52.99, -3.39, 58.25

 

CMYK 0 / 16 / 100 / 49

HEX #816C00

RGB 129 108 0

HSL 50.23, 1%, 0.25%

LAB 46.17, -1.31, 52.62

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 0 / 24 / 100 / 63

HEX #5F4800

RGB 95 72 0

HSL 45.47, 1%, 0.19%

LAB 31.96, 3.22, 40.9

 

CMYK 0 / 12 / 95 / 36

HEX #A49108

RGB 164 145 8

HSL 52.69, 0.91%, 0.34%

LAB 60.03, -5.34, 62.87

 

CMYK 0 / 37 / 95 / 36

HEX #A46708

RGB 164 103 8

HSL 36.54, 0.91%, 0.34%

LAB 49.02, 18.14, 54.78

 

CMYK 0 / 63 / 95 / 36

HEX #A43D08

RGB 164 61 8

HSL 20.38, 0.91%, 0.34%

LAB 39.99, 40.48, 48.56

 

CMYK 0 / 88 / 95 / 36

HEX #A41308

RGB 164 19 8

HSL 4.23, 0.91%, 0.34%

LAB 34.75, 54.91, 45.28

 

CMYK 0 / 95 / 95 / 36

HEX #A40808

RGB 164 8 8

HSL 0, 0.91%, 0.34%

LAB 34.16, 56.63, 44.93

 

CMYK 0 / 12 / 95 / 36

HEX #A49108

RGB 164 145 8

HSL 52.69, 0.91%, 0.34%

LAB 60.03, -5.34, 62.87

 

CMYK 14 / 0 / 95 / 36

HEX #8DA408

RGB 141 164 8

HSL 68.85, 0.91%, 0.34%

LAB 63.53, -25.46, 64.7

 

CMYK 40 / 0 / 95 / 36

HEX #63A408

RGB 99 164 8

HSL 85, 0.91%, 0.34%

LAB 60.98, -42.21, 61.59

 

CMYK 65 / 0 / 95 / 36

HEX #39A408

RGB 57 164 8

HSL 101.15, 0.91%, 0.34%

LAB 59.38, -54.66, 59.63

 

CMYK 91 / 0 / 95 / 36

HEX #0FA408

RGB 15 164 8

HSL 117.31, 0.91%, 0.34%

LAB 58.67, -60.86, 58.75

 

CMYK 0 / 12 / 95 / 36

HEX #A49108

RGB 164 145 8

HSL 52.69, 0.91%, 0.34%

LAB 60.03, -5.34, 62.87

 

CMYK 0 / 12 / 95 / 36

HEX #A49108

RGB 164 145 8

HSL 52.69, 0.91%, 0.34%

LAB 60.03, -5.34, 62.87

 

CMYK 0 / 11 / 85 / 41

HEX #968616

RGB 150 134 22

HSL 52.5, 0.74%, 0.34%

LAB 55.68, -5.5, 56.04

 

CMYK 0 / 9 / 74 / 47

HEX #887C24

RGB 136 124 36

HSL 52.8, 0.58%, 0.34%

LAB 51.58, -5.89, 47.1

 

CMYK 0 / 7 / 59 / 52

HEX #7A7132

RGB 122 113 50

HSL 52.5, 0.42%, 0.34%

LAB 47.21, -5.24, 35.61

 

CMYK 0 / 5 / 41 / 58

HEX #6C6740

RGB 108 103 64

HSL 53.18, 0.26%, 0.34%

LAB 43.15, -4.41, 22.71

 

CMYK 0 / 63 / 95 / 36

HEX #A43C08

RGB 164 60 8

HSL 20, 0.91%, 0.34%

LAB 39.82, 40.95, 48.44

 

CMYK 0 / 38 / 95 / 36

HEX #A46608

RGB 164 102 8

HSL 36.15, 0.91%, 0.34%

LAB 48.78, 18.71, 54.6

 

CMYK 0 / 13 / 95 / 36

HEX #A48F08

RGB 164 143 8

HSL 51.92, 0.91%, 0.34%

LAB 59.48, -4.25, 62.45

 

CMYK 13 / 0 / 95 / 36

HEX #8FA408

RGB 143 164 8

HSL 68.08, 0.91%, 0.34%

LAB 63.68, -24.6, 64.88

 

CMYK 38 / 0 / 95 / 36

HEX #66A408

RGB 102 164 8

HSL 83.85, 0.91%, 0.34%

LAB 61.13, -41.13, 61.78

 

CMYK 0 / 12 / 95 / 66

HEX #564C04

RGB 86 76 4

HSL 52.68, 0.91%, 0.18%

LAB 32.16, -3.7, 39.07

 

CMYK 0 / 12 / 95 / 51

HEX #7D6E06

RGB 125 110 6

HSL 52.44, 0.91%, 0.26%

LAB 46.35, -4.25, 51.2

 

CMYK 0 / 12 / 95 / 36

HEX #A49108

RGB 164 145 8

HSL 52.69, 0.91%, 0.34%

LAB 60.03, -5.34, 62.87

 

CMYK 0 / 11 / 95 / 20

HEX #CBB40A

RGB 203 180 10

HSL 52.85, 0.91%, 0.42%

LAB 73.13, -6.37, 74

 

CMYK 0 / 12 / 95 / 5

HEX #F2D60D

RGB 242 214 13

HSL 52.66, 0.9%, 0.5%

LAB 85.5, -6.85, 84.44

 

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

CMYK 95 / 0 / 88 / 36

HEX #08A413

RGB 8 164 19

HSL 124.23, 0.91%, 0.34%

LAB 58.65, -60.93, 56.85

 

CMYK 51 / 95 / 0 / 36

HEX #5108A4

RGB 81 8 164

HSL 268.08, 0.91%, 0.34%

LAB 25.57, 58.26, -65.94

 

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

CMYK 95 / 0 / 13 / 36

HEX #08A48F

RGB 8 164 143

HSL 171.92, 0.91%, 0.34%

LAB 60.41, -40.48, 0.83

 

CMYK 13 / 95 / 0 / 36

HEX #8F08A4

RGB 143 8 164

HSL 291.92, 0.91%, 0.34%

LAB 35.39, 66.25, -49.5

 

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

CMYK 95 / 0 / 88 / 36

HEX #08A413

RGB 8 164 19

HSL 124.23, 0.91%, 0.34%

LAB 58.65, -60.93, 56.85

 

CMYK 95 / 82 / 0 / 36

HEX #081DA4

RGB 8 29 164

HSL 231.92, 0.91%, 0.34%

LAB 22.34, 46.7, -71.47

 

CMYK 0 / 95 / 6 / 36

HEX #A4089A

RGB 164 8 154

HSL 303.85, 0.91%, 0.34%

LAB 38.55, 68.24, -38.17

 

CMYK 0 / 12 / 94 / 36

HEX #A39009

RGB 163 144 9

HSL 52.6, 0.9%, 0.34%

LAB 59.66, -5.24, 62.4

 

CMYK 95 / 0 / 60 / 36

HEX #08A441

RGB 8 164 65

HSL 141.92, 0.91%, 0.34%

LAB 58.96, -56.99, 40.68

 

CMYK 95 / 82 / 0 / 36

HEX #081DA4

RGB 8 29 164

HSL 231.92, 0.91%, 0.34%

LAB 22.34, 46.7, -71.47

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

Description

Color code: HEX #A39009 | qconv.com Color code: HEX #A39009 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 144 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 144 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 94 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 94% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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