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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39029 it is the complementary color #5C6FD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39029 shade: #A89024, #B9A237, #CAB44A, #DBC65D and #ECD870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39029 shade: #A39029, #927E16, #816C03, #705A00 and #5F4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39029 shade: #A39028, #A36F28, #A34E28, #A32D28 and #A32828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39029 shade: #A39028, #95A328, #74A328, #53A328 and #32A328

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39029 shade matches the following richer shades: #A39028, #B39B18 and #C4A607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39029 shade: #A39028, #928439, #827949, #716E5A and #61626A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39029 shade: #A34D28, #A36E28, #A38E28, #96A328 and #76A328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39029 shade: #615518, #827220, #A39028, #C4AD31 and #D2BD4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39029 shade: #A39029, #28A32C and #5D28A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39029 shade: #A39029, #28A38E and #8E28A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39029 shade: #A39029, #28A32C, #283DA3 and #A3289F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39029 shade: #A39029, #28A351, #283DA3 and #A3287A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

Complementary color

CMYK 57 / 48 / 0 / 16

HEX #5C6FD6

RGB 92 111 214

HSL 230.66, 0.6%, 0.6%

LAB 50.1, 23.19, -55.32

 

CMYK 0 / 14 / 79 / 34

HEX #A89024

RGB 168 144 36

HSL 49.09, 0.65%, 0.4%

LAB 60.25, -2.26, 56.39

 

CMYK 0 / 12 / 70 / 27

HEX #B9A237

RGB 185 162 55

HSL 49.38, 0.54%, 0.47%

LAB 66.85, -3.5, 56.13

 

CMYK 0 / 11 / 63 / 21

HEX #CAB44A

RGB 202 180 74

HSL 49.69, 0.55%, 0.54%

LAB 73.35, -4.53, 55.34

 

CMYK 0 / 10 / 58 / 14

HEX #DBC65D

RGB 219 198 93

HSL 50, 0.64%, 0.61%

LAB 79.75, -5.4, 54.31

 

CMYK 0 / 8 / 53 / 7

HEX #ECD870

RGB 236 216 112

HSL 50.32, 0.77%, 0.68%

LAB 86.06, -6.13, 53.17

 

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

CMYK 0 / 14 / 85 / 43

HEX #927E16

RGB 146 126 22

HSL 50.32, 0.74%, 0.33%

LAB 53.05, -2.93, 53.67

 

CMYK 0 / 16 / 98 / 49

HEX #816C03

RGB 129 108 3

HSL 50, 0.95%, 0.26%

LAB 46.18, -1.25, 51.93

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 0 / 24 / 100 / 63

HEX #5F4800

RGB 95 72 0

HSL 45.47, 1%, 0.19%

LAB 31.96, 3.22, 40.9

 

CMYK 0 / 12 / 75 / 36

HEX #A39028

RGB 163 144 40

HSL 50.73, 0.61%, 0.4%

LAB 59.79, -4.35, 54.35

 

CMYK 0 / 32 / 75 / 36

HEX #A36F28

RGB 163 111 40

HSL 34.63, 0.61%, 0.4%

LAB 51.05, 14.1, 45.85

 

CMYK 0 / 52 / 75 / 36

HEX #A34E28

RGB 163 78 40

HSL 18.54, 0.61%, 0.4%

LAB 43.34, 32.46, 37.94

 

CMYK 0 / 72 / 75 / 36

HEX #A32D28

RGB 163 45 40

HSL 2.44, 0.61%, 0.4%

LAB 37.51, 47.85, 31.61

 

CMYK 0 / 75 / 75 / 36

HEX #A32828

RGB 163 40 40

HSL 0, 0.61%, 0.4%

LAB 36.85, 49.68, 30.87

 

CMYK 0 / 12 / 75 / 36

HEX #A39028

RGB 163 144 40

HSL 50.73, 0.61%, 0.4%

LAB 59.79, -4.35, 54.35

 

CMYK 9 / 0 / 75 / 36

HEX #95A328

RGB 149 163 40

HSL 66.83, 0.61%, 0.4%

LAB 63.95, -20.55, 57.86

 

CMYK 29 / 0 / 75 / 36

HEX #74A328

RGB 116 163 40

HSL 82.93, 0.61%, 0.4%

LAB 61.71, -34.2, 54.94

 

CMYK 49 / 0 / 75 / 36

HEX #53A328

RGB 83 163 40

HSL 99.02, 0.61%, 0.4%

LAB 60.06, -45.86, 52.77

 

CMYK 69 / 0 / 75 / 36

HEX #32A328

RGB 50 163 40

HSL 115.12, 0.61%, 0.4%

LAB 59, -54.3, 51.37

 

CMYK 0 / 12 / 75 / 36

HEX #A39028

RGB 163 144 40

HSL 50.73, 0.61%, 0.4%

LAB 59.79, -4.35, 54.35

 

CMYK 0 / 13 / 87 / 30

HEX #B39B18

RGB 179 155 24

HSL 50.71, 0.76%, 0.4%

LAB 64.24, -3.62, 63.76

 

CMYK 0 / 15 / 96 / 23

HEX #C4A607

RGB 196 166 7

HSL 50.48, 0.93%, 0.4%

LAB 68.77, -2.15, 70.84

 

CMYK 0 / 12 / 75 / 36

HEX #A39028

RGB 163 144 40

HSL 50.73, 0.61%, 0.4%

LAB 59.79, -4.35, 54.35

 

CMYK 0 / 10 / 61 / 43

HEX #928439

RGB 146 132 57

HSL 50.56, 0.44%, 0.4%

LAB 54.98, -4.42, 41.52

 

CMYK 0 / 7 / 44 / 49

HEX #827949

RGB 130 121 73

HSL 50.53, 0.28%, 0.4%

LAB 50.57, -3.88, 27.52

 

CMYK 0 / 3 / 20 / 56

HEX #716E5A

RGB 113 110 90

HSL 52.17, 0.11%, 0.4%

LAB 46.18, -2.5, 11.59

 

CMYK 8 / 8 / 0 / 58

HEX #61626A

RGB 97 98 106

HSL 233.33, 0.04%, 0.4%

LAB 41.72, 1.35, -4.66

 

CMYK 0 / 53 / 75 / 36

HEX #A34D28

RGB 163 77 40

HSL 18.05, 0.61%, 0.4%

LAB 43.13, 32.99, 37.71

 

CMYK 0 / 33 / 75 / 36

HEX #A36E28

RGB 163 110 40

HSL 34.15, 0.61%, 0.4%

LAB 50.79, 14.67, 45.59

 

CMYK 0 / 13 / 75 / 36

HEX #A38E28

RGB 163 142 40

HSL 49.76, 0.61%, 0.4%

LAB 59.24, -3.26, 53.83

 

CMYK 8 / 0 / 75 / 36

HEX #96A328

RGB 150 163 40

HSL 66.34, 0.61%, 0.4%

LAB 64.02, -20.12, 57.96

 

CMYK 28 / 0 / 75 / 36

HEX #76A328

RGB 118 163 40

HSL 81.95, 0.61%, 0.4%

LAB 61.83, -33.42, 55.1

 

CMYK 0 / 12 / 75 / 62

HEX #615518

RGB 97 85 24

HSL 50.14, 0.6%, 0.24%

LAB 36.18, -2.72, 35.65

 

CMYK 0 / 12 / 75 / 49

HEX #827220

RGB 130 114 32

HSL 50.2, 0.6%, 0.32%

LAB 48.11, -3.28, 45.13

 

CMYK 0 / 12 / 75 / 36

HEX #A39028

RGB 163 144 40

HSL 50.73, 0.61%, 0.4%

LAB 59.79, -4.35, 54.35

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 0 / 10 / 64 / 18

HEX #D2BD4C

RGB 210 189 76

HSL 50.6, 0.6%, 0.56%

LAB 76.45, -5.69, 58.02

 

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

CMYK 75 / 0 / 73 / 36

HEX #28A32C

RGB 40 163 44

HSL 121.95, 0.61%, 0.4%

LAB 58.81, -55.76, 49.64

 

CMYK 43 / 75 / 0 / 36

HEX #5D28A3

RGB 93 40 163

HSL 265.85, 0.61%, 0.4%

LAB 30.61, 49.1, -56.99

 

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 13 / 75 / 0 / 36

HEX #8E28A3

RGB 142 40 163

HSL 289.76, 0.61%, 0.4%

LAB 37.69, 58.49, -45.2

 

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

CMYK 75 / 0 / 73 / 36

HEX #28A32C

RGB 40 163 44

HSL 121.95, 0.61%, 0.4%

LAB 58.81, -55.76, 49.64

 

CMYK 75 / 63 / 0 / 36

HEX #283DA3

RGB 40 61 163

HSL 229.76, 0.61%, 0.4%

LAB 30.48, 28.85, -57.4

 

CMYK 0 / 75 / 2 / 36

HEX #A3289F

RGB 163 40 159

HSL 301.95, 0.61%, 0.4%

LAB 40.91, 62.26, -37.45

 

CMYK 0 / 12 / 75 / 36

HEX #A39029

RGB 163 144 41

HSL 50.66, 0.6%, 0.4%

LAB 59.79, -4.3, 53.99

 

CMYK 75 / 0 / 50 / 36

HEX #28A351

RGB 40 163 81

HSL 140, 0.61%, 0.4%

LAB 59.2, -51.2, 33.16

 

CMYK 75 / 63 / 0 / 36

HEX #283DA3

RGB 40 61 163

HSL 229.76, 0.61%, 0.4%

LAB 30.48, 28.85, -57.4

 

CMYK 0 / 75 / 25 / 36

HEX #A3287A

RGB 163 40 122

HSL 320, 0.61%, 0.4%

LAB 39.09, 56.83, -17.68

 

Description

Color code: HEX #A39029 | qconv.com Color code: HEX #A39029 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 144 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 144 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 75 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 75% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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