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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39A19 it is the complementary color #5C65E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39A19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39A19 shade: #A89A14, #B9AC27, #CABE3A, #DBD04D and #ECE260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39A19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39A19 shade: #A39A19, #928806, #817600, #706400 and #5F5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39A19 shade: #A39A19, #A37519, #A34F19, #A32A19 and #A31919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39A19 shade: #A39A19, #87A319, #61A319, #3CA319 and #19A31B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39A19 shade matches the following richer shades: #A39A19 and #B2A70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39A19 shade: #A39A19, #938C28, #847F38, #757247 and #666556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39A19 shade: #A35019, #A37519, #A39A19, #87A319 and #62A319

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39A19 shade: #5B560E, #7F7813, #A39A19, #C6BB1F and #DED330

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39A19 shade: #A39A19, #19A32B and #6219A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39A19 shade: #A39A19, #19A39A and #9A19A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39A19 shade: #A39A19, #19A32B, #1922A3 and #A31990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39A19 shade: #A39A19, #19A355, #1922A3 and #A31967

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

Complementary color

CMYK 60 / 56 / 0 / 10

HEX #5C65E6

RGB 92 101 230

HSL 236.09, 0.73%, 0.63%

LAB 48.63, 34.57, -66.73

 

CMYK 0 / 8 / 88 / 34

HEX #A89A14

RGB 168 154 20

HSL 54.32, 0.79%, 0.37%

LAB 62.92, -8.14, 63.16

 

CMYK 0 / 7 / 79 / 27

HEX #B9AC27

RGB 185 172 39

HSL 54.66, 0.65%, 0.44%

LAB 69.45, -9.49, 64.32

 

CMYK 0 / 6 / 71 / 21

HEX #CABE3A

RGB 202 190 58

HSL 55, 0.58%, 0.51%

LAB 75.88, -10.61, 64.42

 

CMYK 0 / 5 / 65 / 14

HEX #DBD04D

RGB 219 208 77

HSL 55.35, 0.66%, 0.58%

LAB 82.22, -11.54, 63.94

 

CMYK 0 / 4 / 59 / 7

HEX #ECE260

RGB 236 226 96

HSL 55.71, 0.79%, 0.65%

LAB 88.48, -12.33, 63.13

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 0 / 7 / 96 / 43

HEX #928806

RGB 146 136 6

HSL 55.71, 0.92%, 0.3%

LAB 55.82, -8.78, 59.26

 

CMYK 0 / 9 / 100 / 49

HEX #817600

RGB 129 118 0

HSL 54.88, 1%, 0.25%

LAB 49.04, -6.97, 54.66

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 14 / 100 / 63

HEX #5F5200

RGB 95 82 0

HSL 51.79, 1%, 0.19%

LAB 34.94, -2.87, 42.99

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 0 / 28 / 85 / 36

HEX #A37519

RGB 163 117 25

HSL 40, 0.73%, 0.37%

LAB 52.49, 10.12, 53

 

CMYK 0 / 52 / 85 / 36

HEX #A34F19

RGB 163 79 25

HSL 23.48, 0.73%, 0.37%

LAB 43.43, 31.36, 45.15

 

CMYK 0 / 74 / 85 / 36

HEX #A32A19

RGB 163 42 25

HSL 7.39, 0.73%, 0.37%

LAB 36.95, 48.45, 39.36

 

CMYK 0 / 85 / 85 / 36

HEX #A31919

RGB 163 25 25

HSL 0, 0.73%, 0.37%

LAB 35.11, 53.63, 37.67

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 17 / 0 / 85 / 36

HEX #87A319

RGB 135 163 25

HSL 72.17, 0.73%, 0.37%

LAB 62.86, -27.13, 60.89

 

CMYK 40 / 0 / 85 / 36

HEX #61A319

RGB 97 163 25

HSL 88.7, 0.73%, 0.37%

LAB 60.61, -42.01, 58.06

 

CMYK 63 / 0 / 85 / 36

HEX #3CA319

RGB 60 163 25

HSL 104.78, 0.73%, 0.37%

LAB 59.18, -53.04, 56.25

 

CMYK 85 / 0 / 83 / 36

HEX #19A31B

RGB 25 163 27

HSL 120.87, 0.73%, 0.37%

LAB 58.49, -58.95, 54.83

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 0 / 6 / 94 / 30

HEX #B2A70A

RGB 178 167 10

HSL 56.07, 0.89%, 0.37%

LAB 67.37, -10.67, 68.69

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 0 / 5 / 73 / 42

HEX #938C28

RGB 147 140 40

HSL 56.07, 0.57%, 0.37%

LAB 57.18, -9.42, 51.34

 

CMYK 0 / 4 / 58 / 48

HEX #847F38

RGB 132 127 56

HSL 56.05, 0.4%, 0.37%

LAB 52.25, -8.03, 38.58

 

CMYK 0 / 3 / 39 / 54

HEX #757247

RGB 117 114 71

HSL 56.09, 0.24%, 0.37%

LAB 47.33, -5.86, 24.26

 

CMYK 0 / 1 / 16 / 60

HEX #666556

RGB 102 101 86

HSL 56.25, 0.09%, 0.37%

LAB 42.47, -2.49, 8.65

 

CMYK 0 / 51 / 85 / 36

HEX #A35019

RGB 163 80 25

HSL 23.91, 0.73%, 0.37%

LAB 43.65, 30.83, 45.34

 

CMYK 0 / 28 / 85 / 36

HEX #A37519

RGB 163 117 25

HSL 40, 0.73%, 0.37%

LAB 52.49, 10.12, 53

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 17 / 0 / 85 / 36

HEX #87A319

RGB 135 163 25

HSL 72.17, 0.73%, 0.37%

LAB 62.86, -27.13, 60.89

 

CMYK 40 / 0 / 85 / 36

HEX #62A319

RGB 98 163 25

HSL 88.26, 0.73%, 0.37%

LAB 60.66, -41.66, 58.13

 

CMYK 0 / 5 / 85 / 64

HEX #5B560E

RGB 91 86 14

HSL 56.1, 0.73%, 0.21%

LAB 35.81, -6.78, 39.07

 

CMYK 0 / 6 / 85 / 50

HEX #7F7813

RGB 127 120 19

HSL 56.11, 0.74%, 0.29%

LAB 49.49, -8.59, 50.76

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 0 / 6 / 84 / 22

HEX #C6BB1F

RGB 198 187 31

HSL 56.05, 0.73%, 0.45%

LAB 74.6, -11.79, 71.35

 

CMYK 0 / 5 / 78 / 13

HEX #DED330

RGB 222 211 48

HSL 56.21, 0.73%, 0.53%

LAB 83.09, -13.12, 75

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 85 / 0 / 74 / 36

HEX #19A32B

RGB 25 163 43

HSL 127.83, 0.73%, 0.37%

LAB 58.58, -57.82, 49.7

 

CMYK 40 / 85 / 0 / 36

HEX #6219A3

RGB 98 25 163

HSL 271.74, 0.73%, 0.37%

LAB 29.25, 55.75, -59.2

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 85 / 0 / 6 / 36

HEX #19A39A

RGB 25 163 154

HSL 176.09, 0.73%, 0.37%

LAB 60.55, -35.9, -5.16

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 85 / 0 / 74 / 36

HEX #19A32B

RGB 25 163 43

HSL 127.83, 0.73%, 0.37%

LAB 58.58, -57.82, 49.7

 

CMYK 85 / 79 / 0 / 36

HEX #1922A3

RGB 25 34 163

HSL 236.09, 0.73%, 0.37%

LAB 23.66, 44.33, -68.66

 

CMYK 0 / 85 / 12 / 36

HEX #A31990

RGB 163 25 144

HSL 308.26, 0.73%, 0.37%

LAB 38.72, 63.93, -31.82

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 85 / 0 / 48 / 36

HEX #19A355

RGB 25 163 85

HSL 146.09, 0.73%, 0.37%

LAB 59.03, -52.37, 30.83

 

CMYK 85 / 79 / 0 / 36

HEX #1922A3

RGB 25 34 163

HSL 236.09, 0.73%, 0.37%

LAB 23.66, 44.33, -68.66

 

CMYK 0 / 85 / 37 / 36

HEX #A31967

RGB 163 25 103

HSL 326.09, 0.73%, 0.37%

LAB 36.86, 58.77, -9.12

 

Description

Color code: HEX #A39A19 | qconv.com Color code: HEX #A39A19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 154 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 154 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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