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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39BC2 it is the complementary color #5C643D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39BC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39BC2 shade: #A89BBD, #B9ADD0, #CABFE3, #DBD1F6 and #ECE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39BC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39BC2 shade: #A39BC2, #9289AF, #81779C, #706589 and #5F5376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39BC2 shade: #A199C0, #AC99C0, #B699C0, #C099C0 and #C099B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39BC2 shade: #A199C0 and #9999C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39BC2 shade matches the following richer shades: #A199C0, #9A8CCE, #927FDB, #8A72E8 and #8265F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39BC2 shade: #A199C0, #A9A7B3, #B1B4A6, #B9C199 and #C0CE8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39BC2 shade: #99A6C0, #999CC0, #A199C0, #AC99C0 and #B699C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39BC2 shade: #7266A1, #8A80B1, #A199C0, #B9B3D0 and #D0CCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39BC2 shade: #A39BC2, #C099B1 and #A1C099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39BC2 shade: #A39BC2, #C0A199 and #99C0A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39BC2 shade: #A39BC2, #C099B1, #B9C099 and #99C0A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39BC2 shade: #A39BC2, #C099A5, #B9C099 and #99C0B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

Complementary color

CMYK 8 / 0 / 39 / 61

HEX #5C643D

RGB 92 100 61

HSL 72.31, 0.24%, 0.32%

LAB 40.78, -10.17, 21.11

 

CMYK 11 / 18 / 0 / 26

HEX #A89BBD

RGB 168 155 189

HSL 262.94, 0.2%, 0.67%

LAB 66.09, 11.42, -15.82

 

CMYK 11 / 17 / 0 / 18

HEX #B9ADD0

RGB 185 173 208

HSL 260.57, 0.27%, 0.75%

LAB 72.73, 11.06, -16.17

 

CMYK 11 / 16 / 0 / 11

HEX #CABFE3

RGB 202 191 227

HSL 258.33, 0.39%, 0.82%

LAB 79.25, 10.72, -16.52

 

CMYK 11 / 15 / 0 / 4

HEX #DBD1F6

RGB 219 209 246

HSL 256.22, 0.67%, 0.89%

LAB 85.66, 10.41, -16.87

 

CMYK 7 / 11 / 0 / 0

HEX #ECE3FF

RGB 236 227 255

HSL 259.29, 1%, 0.95%

LAB 91.68, 8.16, -12.45

 

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

CMYK 17 / 22 / 0 / 31

HEX #9289AF

RGB 146 137 175

HSL 254.21, 0.19%, 0.61%

LAB 59.06, 11.25, -18.76

 

CMYK 17 / 24 / 0 / 39

HEX #81779C

RGB 129 119 156

HSL 256.22, 0.16%, 0.54%

LAB 52.13, 11.69, -18.51

 

CMYK 18 / 26 / 0 / 46

HEX #706589

RGB 112 101 137

HSL 258.33, 0.15%, 0.47%

LAB 45.02, 12.19, -18.29

 

CMYK 19 / 30 / 0 / 54

HEX #5F5376

RGB 95 83 118

HSL 260.57, 0.17%, 0.39%

LAB 37.71, 12.75, -18.11

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 10 / 20 / 0 / 25

HEX #AC99C0

RGB 172 153 192

HSL 269.23, 0.24%, 0.68%

LAB 66.03, 14.52, -17.56

 

CMYK 5 / 20 / 0 / 25

HEX #B699C0

RGB 182 153 192

HSL 284.62, 0.24%, 0.68%

LAB 66.93, 17.87, -16.12

 

CMYK 0 / 20 / 0 / 25

HEX #C099C0

RGB 192 153 192

HSL 300, 0.24%, 0.68%

LAB 67.87, 21.27, -14.6

 

CMYK 0 / 20 / 6 / 25

HEX #C099B5

RGB 192 153 181

HSL 316.92, 0.24%, 0.68%

LAB 67.52, 19.23, -8.99

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 20 / 20 / 0 / 25

HEX #9999C0

RGB 153 153 192

HSL 240, 0.24%, 0.68%

LAB 64.45, 8.31, -20.1

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 25 / 32 / 0 / 19

HEX #9A8CCE

RGB 154 140 206

HSL 252.73, 0.4%, 0.68%

LAB 61.73, 19.37, -32.13

 

CMYK 33 / 42 / 0 / 14

HEX #927FDB

RGB 146 127 219

HSL 252.39, 0.56%, 0.68%

LAB 58.42, 27.89, -44.65

 

CMYK 41 / 51 / 0 / 9

HEX #8A72E8

RGB 138 114 232

HSL 252.2, 0.72%, 0.68%

LAB 55.34, 36.9, -56.86

 

CMYK 47 / 59 / 0 / 4

HEX #8265F5

RGB 130 101 245

HSL 252.08, 0.88%, 0.68%

LAB 52.56, 46.2, -68.63

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 6 / 7 / 0 / 30

HEX #A9A7B3

RGB 169 167 179

HSL 250, 0.07%, 0.68%

LAB 68.99, 3.04, -5.92

 

CMYK 2 / 0 / 8 / 29

HEX #B1B4A6

RGB 177 180 166

HSL 72.86, 0.09%, 0.68%

LAB 72.72, -3.6, 6.77

 

CMYK 4 / 0 / 21 / 24

HEX #B9C199

RGB 185 193 153

HSL 72, 0.24%, 0.68%

LAB 76.53, -9.64, 19.25

 

CMYK 7 / 0 / 32 / 19

HEX #C0CE8C

RGB 192 206 140

HSL 72.73, 0.4%, 0.68%

LAB 80.32, -15.49, 31.31

 

CMYK 20 / 14 / 0 / 25

HEX #99A6C0

RGB 153 166 192

HSL 220, 0.24%, 0.68%

LAB 67.91, 1.04, -14.86

 

CMYK 20 / 19 / 0 / 25

HEX #999CC0

RGB 153 156 192

HSL 235.38, 0.24%, 0.68%

LAB 65.24, 6.62, -18.9

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 10 / 20 / 0 / 25

HEX #AC99C0

RGB 172 153 192

HSL 269.23, 0.24%, 0.68%

LAB 66.03, 14.52, -17.56

 

CMYK 5 / 20 / 0 / 25

HEX #B699C0

RGB 182 153 192

HSL 284.62, 0.24%, 0.68%

LAB 66.93, 17.87, -16.12

 

CMYK 29 / 37 / 0 / 37

HEX #7266A1

RGB 114 102 161

HSL 252.2, 0.24%, 0.52%

LAB 46.52, 18.32, -30.23

 

CMYK 22 / 28 / 0 / 31

HEX #8A80B1

RGB 138 128 177

HSL 252.24, 0.24%, 0.6%

LAB 56.1, 14.35, -24.5

 

CMYK 16 / 20 / 0 / 25

HEX #A199C0

RGB 161 153 192

HSL 252.31, 0.24%, 0.68%

LAB 65.09, 10.89, -19.07

 

CMYK 11 / 14 / 0 / 18

HEX #B9B3D0

RGB 185 179 208

HSL 252.41, 0.24%, 0.76%

LAB 74.26, 7.77, -13.87

 

CMYK 7 / 9 / 0 / 12

HEX #D0CCE0

RGB 208 204 224

HSL 252, 0.24%, 0.84%

LAB 82.9, 5.13, -9.4

 

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

CMYK 0 / 20 / 8 / 25

HEX #C099B1

RGB 192 153 177

HSL 323.08, 0.24%, 0.68%

LAB 67.4, 18.51, -6.93

 

CMYK 16 / 0 / 20 / 25

HEX #A1C099

RGB 161 192 153

HSL 107.69, 0.24%, 0.68%

LAB 74.56, -17.84, 16.26

 

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

CMYK 0 / 16 / 20 / 25

HEX #C0A199

RGB 192 161 153

HSL 12.31, 0.24%, 0.68%

LAB 68.75, 10.13, 8.41

 

CMYK 20 / 0 / 16 / 25

HEX #99C0A1

RGB 153 192 161

HSL 132.31, 0.24%, 0.68%

LAB 74.22, -19.18, 11.39

 

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

CMYK 0 / 20 / 8 / 25

HEX #C099B1

RGB 192 153 177

HSL 323.08, 0.24%, 0.68%

LAB 67.4, 18.51, -6.93

 

CMYK 4 / 0 / 20 / 25

HEX #B9C099

RGB 185 192 153

HSL 70.77, 0.24%, 0.68%

LAB 76.26, -9.12, 18.88

 

CMYK 20 / 0 / 12 / 25

HEX #99C0A9

RGB 153 192 169

HSL 144.62, 0.24%, 0.68%

LAB 74.4, -17.66, 7.33

 

CMYK 16 / 20 / 0 / 24

HEX #A39BC2

RGB 163 155 194

HSL 252.31, 0.24%, 0.68%

LAB 65.85, 10.86, -19.02

 

CMYK 0 / 20 / 14 / 25

HEX #C099A5

RGB 192 153 165

HSL 341.54, 0.24%, 0.68%

LAB 67.06, 16.45, -0.73

 

CMYK 4 / 0 / 20 / 25

HEX #B9C099

RGB 185 192 153

HSL 70.77, 0.24%, 0.68%

LAB 76.26, -9.12, 18.88

 

CMYK 20 / 0 / 6 / 25

HEX #99C0B5

RGB 153 192 181

HSL 163.08, 0.24%, 0.68%

LAB 74.7, -15.25, 1.25

 

Description

Color code: HEX #A39BC2 | qconv.com Color code: HEX #A39BC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 155 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 155 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 20 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 20% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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