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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39C94 it is the complementary color #5C636B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39C94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39C94 shade: #A89C8F, #B9AEA2, #CAC0B5, #DBD2C8 and #ECE4DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39C94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39C94 shade: #A39C94, #928A81, #81786E, #70665B and #5F5448

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39C94 shade: #A39C93, #A39793 and #A39393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39C94 shade: #A39C93, #A3A093, #A2A393, #9EA393 and #99A393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39C94 shade matches the following richer shades: #A39C93, #B39D83, #C39E73, #D39F63 and #E3A053

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39C94 shade: #A39C93, #939BA3, #8399B3, #7398C3 and #6397D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39C94 shade: #A39393, #A39793, #A39C93, #A3A093 and #A2A393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39C94 shade: #7B7269, #90877D, #A39C93, #B6B0A9 and #C9C5C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39C94 shade: #A39C94, #97A393 and #9593A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39C94 shade: #A39C94, #93A39C and #9C93A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39C94 shade: #A39C94, #97A393, #939BA3 and #9F93A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39C94 shade: #A39C94, #93A394, #939BA3 and #A393A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

Complementary color

CMYK 14 / 7 / 0 / 58

HEX #5C636B

RGB 92 99 107

HSL 212, 0.08%, 0.39%

LAB 41.63, -0.88, -5.45

 

CMYK 0 / 7 / 15 / 34

HEX #A89C8F

RGB 168 156 143

HSL 31.2, 0.13%, 0.61%

LAB 65.03, 2.14, 8.38

 

CMYK 0 / 6 / 12 / 27

HEX #B9AEA2

RGB 185 174 162

HSL 31.3, 0.14%, 0.68%

LAB 71.69, 1.86, 7.56

 

CMYK 0 / 5 / 10 / 21

HEX #CAC0B5

RGB 202 192 181

HSL 31.43, 0.17%, 0.75%

LAB 78.22, 1.61, 6.78

 

CMYK 0 / 4 / 9 / 14

HEX #DBD2C8

RGB 219 210 200

HSL 31.58, 0.21%, 0.82%

LAB 84.65, 1.39, 6.05

 

CMYK 0 / 3 / 7 / 7

HEX #ECE4DB

RGB 236 228 219

HSL 31.76, 0.31%, 0.89%

LAB 90.98, 1.18, 5.34

 

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

CMYK 0 / 5 / 12 / 43

HEX #928A81

RGB 146 138 129

HSL 31.76, 0.07%, 0.54%

LAB 57.92, 1.35, 5.88

 

CMYK 0 / 7 / 15 / 49

HEX #81786E

RGB 129 120 110

HSL 31.58, 0.08%, 0.47%

LAB 50.95, 1.63, 6.73

 

CMYK 0 / 9 / 19 / 56

HEX #70665B

RGB 112 102 91

HSL 31.43, 0.1%, 0.4%

LAB 43.8, 1.95, 7.65

 

CMYK 0 / 12 / 24 / 63

HEX #5F5448

RGB 95 84 72

HSL 31.3, 0.14%, 0.33%

LAB 36.45, 2.34, 8.67

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 7 / 10 / 36

HEX #A39793

RGB 163 151 147

HSL 15, 0.08%, 0.61%

LAB 63.36, 3.7, 3.69

 

CMYK 0 / 10 / 10 / 36

HEX #A39393

RGB 163 147 147

HSL 0, 0.08%, 0.61%

LAB 62.3, 5.93, 2.15

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 2 / 10 / 36

HEX #A3A093

RGB 163 160 147

HSL 48.75, 0.08%, 0.61%

LAB 65.78, -1.27, 7.15

 

CMYK 1 / 0 / 10 / 36

HEX #A2A393

RGB 162 163 147

HSL 63.75, 0.08%, 0.61%

LAB 66.51, -3.28, 8.19

 

CMYK 3 / 0 / 10 / 36

HEX #9EA393

RGB 158 163 147

HSL 78.75, 0.08%, 0.61%

LAB 66.19, -4.76, 7.69

 

CMYK 6 / 0 / 10 / 36

HEX #99A393

RGB 153 163 147

HSL 97.5, 0.08%, 0.61%

LAB 65.81, -6.59, 7.09

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 12 / 27 / 30

HEX #B39D83

RGB 179 157 131

HSL 32.5, 0.24%, 0.61%

LAB 66.01, 4.02, 16.59

 

CMYK 0 / 19 / 41 / 24

HEX #C39E73

RGB 195 158 115

HSL 32.25, 0.4%, 0.61%

LAB 67.5, 7.88, 27.63

 

CMYK 0 / 25 / 53 / 17

HEX #D39F63

RGB 211 159 99

HSL 32.14, 0.56%, 0.61%

LAB 69.14, 12.36, 38.58

 

CMYK 0 / 30 / 63 / 11

HEX #E3A053

RGB 227 160 83

HSL 32.08, 0.72%, 0.61%

LAB 70.94, 17.29, 49.2

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 10 / 5 / 0 / 36

HEX #939BA3

RGB 147 155 163

HSL 210, 0.08%, 0.61%

LAB 63.58, -1.22, -5.17

 

CMYK 27 / 15 / 0 / 30

HEX #8399B3

RGB 131 153 179

HSL 212.5, 0.24%, 0.61%

LAB 62.39, -1.72, -16.08

 

CMYK 41 / 22 / 0 / 24

HEX #7398C3

RGB 115 152 195

HSL 212.25, 0.4%, 0.61%

LAB 61.69, -1.59, -26.24

 

CMYK 53 / 28 / 0 / 17

HEX #6397D3

RGB 99 151 211

HSL 212.14, 0.56%, 0.61%

LAB 61.21, -0.23, -36.01

 

CMYK 0 / 10 / 10 / 36

HEX #A39393

RGB 163 147 147

HSL 0, 0.08%, 0.61%

LAB 62.3, 5.93, 2.15

 

CMYK 0 / 7 / 10 / 36

HEX #A39793

RGB 163 151 147

HSL 15, 0.08%, 0.61%

LAB 63.36, 3.7, 3.69

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 2 / 10 / 36

HEX #A3A093

RGB 163 160 147

HSL 48.75, 0.08%, 0.61%

LAB 65.78, -1.27, 7.15

 

CMYK 1 / 0 / 10 / 36

HEX #A2A393

RGB 162 163 147

HSL 63.75, 0.08%, 0.61%

LAB 66.51, -3.28, 8.19

 

CMYK 0 / 7 / 15 / 52

HEX #7B7269

RGB 123 114 105

HSL 30, 0.08%, 0.45%

LAB 48.59, 1.83, 6.24

 

CMYK 0 / 6 / 13 / 44

HEX #90877D

RGB 144 135 125

HSL 31.58, 0.08%, 0.53%

LAB 56.82, 1.57, 6.58

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 3 / 7 / 29

HEX #B6B0A9

RGB 182 176 169

HSL 32.31, 0.08%, 0.69%

LAB 72.14, 0.88, 4.33

 

CMYK 0 / 2 / 4 / 21

HEX #C9C5C0

RGB 201 197 192

HSL 33.33, 0.08%, 0.77%

LAB 79.7, 0.5, 2.99

 

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

CMYK 7 / 0 / 10 / 36

HEX #97A393

RGB 151 163 147

HSL 105, 0.08%, 0.61%

LAB 65.66, -7.32, 6.86

 

CMYK 9 / 10 / 0 / 36

HEX #9593A3

RGB 149 147 163

HSL 247.5, 0.08%, 0.61%

LAB 61.57, 3.95, -8.14

 

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

CMYK 10 / 0 / 4 / 36

HEX #93A39C

RGB 147 163 156

HSL 153.75, 0.08%, 0.61%

LAB 65.59, -7.03, 1.7

 

CMYK 4 / 10 / 0 / 36

HEX #9C93A3

RGB 156 147 163

HSL 273.75, 0.08%, 0.61%

LAB 62.15, 6.41, -7.21

 

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

CMYK 7 / 0 / 10 / 36

HEX #97A393

RGB 151 163 147

HSL 105, 0.08%, 0.61%

LAB 65.66, -7.32, 6.86

 

CMYK 10 / 5 / 0 / 36

HEX #939BA3

RGB 147 155 163

HSL 210, 0.08%, 0.61%

LAB 63.58, -1.22, -5.17

 

CMYK 2 / 10 / 0 / 36

HEX #9F93A3

RGB 159 147 163

HSL 285, 0.08%, 0.61%

LAB 62.41, 7.47, -6.8

 

CMYK 0 / 4 / 9 / 36

HEX #A39C94

RGB 163 156 148

HSL 32, 0.08%, 0.61%

LAB 64.73, 1.1, 5.09

 

CMYK 10 / 0 / 9 / 36

HEX #93A394

RGB 147 163 148

HSL 123.75, 0.08%, 0.61%

LAB 65.39, -8.58, 5.87

 

CMYK 10 / 5 / 0 / 36

HEX #939BA3

RGB 147 155 163

HSL 210, 0.08%, 0.61%

LAB 63.58, -1.22, -5.17

 

CMYK 0 / 10 / 1 / 36

HEX #A393A2

RGB 163 147 162

HSL 303.75, 0.08%, 0.61%

LAB 62.73, 8.7, -5.72

 

Description

Color code: HEX #A39C94 | qconv.com Color code: HEX #A39C94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 156 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 156 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 9% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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