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Color name
HEX #A7A290

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7A290 it is the complementary color #585D6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7A290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7A290 shade: #ACA28B, #BDB49E, #CEC6B1, #DFD8C4 and #F0EAD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7A290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7A290 shade: #A7A290, #96907D, #857E6A, #746C57 and #635A44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7A290 shade: #A7A28F, #A79B8F, #A7958F and #A78F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7A290 shade: #A7A28F, #A6A78F, #9FA78F, #99A78F and #92A78F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7A290 shade matches the following richer shades: #A7A28F, #B7AB7F, #C7B46F, #D7BD5F and #E7C64F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7A290 shade: #A7A28F, #97999F, #8790AF, #7787BF and #677DCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7A290 shade: #A7958F, #A79B8F, #A7A18F, #A6A78F and #A0A78F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7A290 shade: #807A64, #958F78, #A7A28F, #B9B5A6 and #CBC8BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7A290 shade: #A7A290, #90A78F and #988FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7A290 shade: #A7A290, #8FA7A1 and #A18FA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7A290 shade: #A7A290, #90A78F, #8F95A7 and #A68FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7A290 shade: #A7A290, #8FA795, #8F95A7 and #A78FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

Complementary color

CMYK 21 / 16 / 0 / 56

HEX #585D6F

RGB 88 93 111

HSL 226.96, 0.12%, 0.39%

LAB 39.67, 2.3, -10.87

 

CMYK 0 / 6 / 19 / 33

HEX #ACA28B

RGB 172 162 139

HSL 41.82, 0.17%, 0.61%

LAB 66.88, -0.26, 13.28

 

CMYK 0 / 5 / 16 / 26

HEX #BDB49E

RGB 189 180 158

HSL 42.58, 0.19%, 0.68%

LAB 73.5, -0.52, 12.37

 

CMYK 0 / 4 / 14 / 19

HEX #CEC6B1

RGB 206 198 177

HSL 43.45, 0.23%, 0.75%

LAB 80, -0.75, 11.52

 

CMYK 0 / 3 / 12 / 13

HEX #DFD8C4

RGB 223 216 196

HSL 44.44, 0.3%, 0.82%

LAB 86.4, -0.96, 10.71

 

CMYK 0 / 3 / 10 / 6

HEX #F0EAD7

RGB 240 234 215

HSL 45.6, 0.45%, 0.89%

LAB 92.7, -1.16, 9.94

 

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

CMYK 0 / 4 / 17 / 41

HEX #96907D

RGB 150 144 125

HSL 45.6, 0.11%, 0.54%

LAB 59.81, -1.14, 10.9

 

CMYK 0 / 5 / 20 / 48

HEX #857E6A

RGB 133 126 106

HSL 44.44, 0.11%, 0.47%

LAB 52.89, -0.88, 11.86

 

CMYK 0 / 7 / 25 / 55

HEX #746C57

RGB 116 108 87

HSL 43.45, 0.14%, 0.4%

LAB 45.81, -0.57, 12.9

 

CMYK 0 / 9 / 31 / 61

HEX #635A44

RGB 99 90 68

HSL 42.58, 0.19%, 0.33%

LAB 38.52, -0.18, 14.06

 

CMYK 0 / 3 / 14 / 35

HEX #A7A28F

RGB 167 162 143

HSL 47.5, 0.12%, 0.61%

LAB 66.55, -1.53, 10.53

 

CMYK 0 / 7 / 14 / 35

HEX #A79B8F

RGB 167 155 143

HSL 30, 0.12%, 0.61%

LAB 64.68, 2.31, 7.86

 

CMYK 0 / 11 / 14 / 35

HEX #A7958F

RGB 167 149 143

HSL 15, 0.12%, 0.61%

LAB 63.09, 5.63, 5.59

 

CMYK 0 / 14 / 14 / 35

HEX #A78F8F

RGB 167 143 143

HSL 0, 0.12%, 0.61%

LAB 61.52, 8.99, 3.33

 

CMYK 0 / 3 / 14 / 35

HEX #A7A28F

RGB 167 162 143

HSL 47.5, 0.12%, 0.61%

LAB 66.55, -1.53, 10.53

 

CMYK 1 / 0 / 14 / 35

HEX #A6A78F

RGB 166 167 143

HSL 62.5, 0.12%, 0.61%

LAB 67.82, -4.61, 12.31

 

CMYK 5 / 0 / 14 / 35

HEX #9FA78F

RGB 159 167 143

HSL 80, 0.12%, 0.61%

LAB 67.27, -7.24, 11.46

 

CMYK 8 / 0 / 14 / 35

HEX #99A78F

RGB 153 167 143

HSL 95, 0.12%, 0.61%

LAB 66.82, -9.46, 10.76

 

CMYK 13 / 0 / 14 / 35

HEX #92A78F

RGB 146 167 143

HSL 112.5, 0.12%, 0.61%

LAB 66.31, -12, 9.97

 

CMYK 0 / 3 / 14 / 35

HEX #A7A28F

RGB 167 162 143

HSL 47.5, 0.12%, 0.61%

LAB 66.55, -1.53, 10.53

 

CMYK 0 / 7 / 31 / 28

HEX #B7AB7F

RGB 183 171 127

HSL 47.14, 0.28%, 0.61%

LAB 69.98, -2.53, 24.26

 

CMYK 0 / 10 / 44 / 22

HEX #C7B46F

RGB 199 180 111

HSL 47.05, 0.44%, 0.61%

LAB 73.5, -2.71, 37.58

 

CMYK 0 / 12 / 56 / 16

HEX #D7BD5F

RGB 215 189 95

HSL 47, 0.6%, 0.61%

LAB 77.08, -2.25, 50.21

 

CMYK 0 / 14 / 66 / 9

HEX #E7C64F

RGB 231 198 79

HSL 46.97, 0.76%, 0.61%

LAB 80.71, -1.29, 61.85

 

CMYK 0 / 3 / 14 / 35

HEX #A7A28F

RGB 167 162 143

HSL 47.5, 0.12%, 0.61%

LAB 66.55, -1.53, 10.53

 

CMYK 5 / 4 / 0 / 38

HEX #97999F

RGB 151 153 159

HSL 225, 0.04%, 0.61%

LAB 63.23, 0.47, -3.4

 

CMYK 23 / 18 / 0 / 31

HEX #8790AF

RGB 135 144 175

HSL 226.5, 0.2%, 0.61%

LAB 60.06, 3.66, -17.32

 

CMYK 38 / 29 / 0 / 25

HEX #7787BF

RGB 119 135 191

HSL 226.67, 0.36%, 0.61%

LAB 57.09, 8.19, -31.08

 

CMYK 50 / 40 / 0 / 19

HEX #677DCF

RGB 103 125 207

HSL 227.31, 0.52%, 0.61%

LAB 54.09, 14.76, -44.94

 

CMYK 0 / 11 / 14 / 35

HEX #A7958F

RGB 167 149 143

HSL 15, 0.12%, 0.61%

LAB 63.09, 5.63, 5.59

 

CMYK 0 / 7 / 14 / 35

HEX #A79B8F

RGB 167 155 143

HSL 30, 0.12%, 0.61%

LAB 64.68, 2.31, 7.86

 

CMYK 0 / 4 / 14 / 35

HEX #A7A18F

RGB 167 161 143

HSL 45, 0.12%, 0.61%

LAB 66.28, -0.98, 10.15

 

CMYK 1 / 0 / 14 / 35

HEX #A6A78F

RGB 166 167 143

HSL 62.5, 0.12%, 0.61%

LAB 67.82, -4.61, 12.31

 

CMYK 4 / 0 / 14 / 35

HEX #A0A78F

RGB 160 167 143

HSL 77.5, 0.12%, 0.61%

LAB 67.35, -6.87, 11.58

 

CMYK 0 / 5 / 22 / 50

HEX #807A64

RGB 128 122 100

HSL 47.14, 0.12%, 0.45%

LAB 51.18, -1.6, 12.89

 

CMYK 0 / 4 / 19 / 42

HEX #958F78

RGB 149 143 120

HSL 47.59, 0.12%, 0.53%

LAB 59.33, -1.78, 13.05

 

CMYK 0 / 3 / 14 / 35

HEX #A7A28F

RGB 167 162 143

HSL 47.5, 0.12%, 0.61%

LAB 66.55, -1.53, 10.53

 

CMYK 0 / 2 / 10 / 27

HEX #B9B5A6

RGB 185 181 166

HSL 47.37, 0.12%, 0.69%

LAB 73.62, -1.23, 8.14

 

CMYK 0 / 1 / 7 / 20

HEX #CBC8BD

RGB 203 200 189

HSL 47.14, 0.12%, 0.77%

LAB 80.56, -0.9, 5.86

 

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

CMYK 14 / 0 / 14 / 35

HEX #90A78F

RGB 144 167 143

HSL 117.5, 0.12%, 0.61%

LAB 66.17, -12.72, 9.75

 

CMYK 9 / 14 / 0 / 35

HEX #988FA7

RGB 152 143 167

HSL 262.5, 0.12%, 0.61%

LAB 60.88, 8.1, -11.41

 

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

CMYK 14 / 0 / 4 / 35

HEX #8FA7A1

RGB 143 167 161

HSL 165, 0.12%, 0.61%

LAB 66.56, -9.55, 0.29

 

CMYK 4 / 14 / 0 / 35

HEX #A18FA7

RGB 161 143 167

HSL 285, 0.12%, 0.61%

LAB 61.66, 11.24, -10.16

 

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

CMYK 14 / 0 / 14 / 35

HEX #90A78F

RGB 144 167 143

HSL 117.5, 0.12%, 0.61%

LAB 66.17, -12.72, 9.75

 

CMYK 14 / 11 / 0 / 35

HEX #8F95A7

RGB 143 149 167

HSL 225, 0.12%, 0.61%

LAB 61.76, 1.62, -10.17

 

CMYK 1 / 14 / 0 / 35

HEX #A68FA7

RGB 166 143 167

HSL 297.5, 0.12%, 0.61%

LAB 62.12, 13, -9.43

 

CMYK 0 / 3 / 14 / 35

HEX #A7A290

RGB 167 162 144

HSL 46.96, 0.12%, 0.61%

LAB 66.57, -1.36, 10.01

 

CMYK 14 / 0 / 11 / 35

HEX #8FA795

RGB 143 167 149

HSL 135, 0.12%, 0.61%

LAB 66.25, -11.94, 6.52

 

CMYK 14 / 11 / 0 / 35

HEX #8F95A7

RGB 143 149 167

HSL 225, 0.12%, 0.61%

LAB 61.76, 1.62, -10.17

 

CMYK 0 / 14 / 4 / 35

HEX #A78FA1

RGB 167 143 161

HSL 315, 0.12%, 0.61%

LAB 62.03, 12.21, -6.15

 

Description

Color code: HEX #A7A290 | qconv.com Color code: HEX #A7A290 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 162 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 162 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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