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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7ACCB it is the complementary color #585334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7ACCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7ACCB shade: #ACACC6, #BDBED9, #CED0EC, #DFE2FF and #F0F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7ACCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7ACCB shade: #A7ACCB, #969AB8, #8588A5, #747692 and #63647F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7ACCB shade: #A8ADCC, #ACA8CC, #B6A8CC, #C0A8CC and #C9A8CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7ACCB shade: #A8ADCC and #A8A8CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7ACCB shade matches the following richer shades: #A8ADCC, #9DA5D7, #919DE2, #8695ED and #7B8DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7ACCB shade: #A8ADCC, #B3B5C0, #BEBDB5, #C9C5AA and #D4CD9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7ACCB shade: #A8C0CC, #A8B7CC, #A8ADCC, #ACA8CC and #B5A8CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7ACCB shade: #747CAD, #8E94BC, #A8ADCC, #C2C5DB and #DCDEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7ACCB shade: #A7ACCB, #CCA8CA and #BBCCA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7ACCB shade: #A7ACCB, #CCA8AD and #ADCCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7ACCB shade: #A7ACCB, #CCA8CA, #CCC6A8 and #A8CCAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7ACCB shade: #A7ACCB, #CCA8BF, #CCC6A8 and #A8CCB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

Complementary color

CMYK 0 / 6 / 41 / 65

HEX #585334

RGB 88 83 52

HSL 51.67, 0.26%, 0.27%

LAB 35.02, -3.22, 18.9

 

CMYK 13 / 13 / 0 / 22

HEX #ACACC6

RGB 172 172 198

HSL 240, 0.19%, 0.73%

LAB 71.11, 5.22, -13.21

 

CMYK 13 / 12 / 0 / 15

HEX #BDBED9

RGB 189 190 217

HSL 237.86, 0.27%, 0.8%

LAB 77.67, 4.98, -13.6

 

CMYK 13 / 12 / 0 / 7

HEX #CED0EC

RGB 206 208 236

HSL 236, 0.44%, 0.87%

LAB 84.12, 4.76, -13.99

 

CMYK 13 / 11 / 0 / 0

HEX #DFE2FF

RGB 223 226 255

HSL 234.38, 1%, 0.94%

LAB 90.46, 4.55, -14.38

 

CMYK 6 / 4 / 0 / 0

HEX #F0F4FF

RGB 240 244 255

HSL 224, 1%, 0.97%

LAB 96.18, 0.69, -5.74

 

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

CMYK 18 / 16 / 0 / 28

HEX #969AB8

RGB 150 154 184

HSL 232.94, 0.19%, 0.65%

LAB 64.21, 4.94, -16.01

 

CMYK 19 / 18 / 0 / 35

HEX #8588A5

RGB 133 136 165

HSL 234.38, 0.15%, 0.58%

LAB 57.38, 5.22, -15.71

 

CMYK 21 / 19 / 0 / 43

HEX #747692

RGB 116 118 146

HSL 236, 0.12%, 0.51%

LAB 50.39, 5.53, -15.42

 

CMYK 22 / 21 / 0 / 50

HEX #63647F

RGB 99 100 127

HSL 237.86, 0.12%, 0.44%

LAB 43.21, 5.87, -15.15

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 16 / 18 / 0 / 20

HEX #ACA8CC

RGB 172 168 204

HSL 246.67, 0.26%, 0.73%

LAB 70.27, 8.72, -17.79

 

CMYK 11 / 18 / 0 / 20

HEX #B6A8CC

RGB 182 168 204

HSL 263.33, 0.26%, 0.73%

LAB 71.08, 11.99, -16.48

 

CMYK 6 / 18 / 0 / 20

HEX #C0A8CC

RGB 192 168 204

HSL 280, 0.26%, 0.73%

LAB 71.94, 15.32, -15.1

 

CMYK 1 / 18 / 0 / 20

HEX #C9A8CC

RGB 201 168 204

HSL 295, 0.26%, 0.73%

LAB 72.75, 18.35, -13.81

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 18 / 18 / 0 / 20

HEX #A8A8CC

RGB 168 168 204

HSL 240, 0.26%, 0.73%

LAB 69.96, 7.44, -18.29

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 27 / 23 / 0 / 16

HEX #9DA5D7

RGB 157 165 215

HSL 231.72, 0.42%, 0.73%

LAB 68.74, 8.26, -26.28

 

CMYK 36 / 31 / 0 / 11

HEX #919DE2

RGB 145 157 226

HSL 231.11, 0.58%, 0.73%

LAB 66.23, 12.15, -36.29

 

CMYK 43 / 37 / 0 / 7

HEX #8695ED

RGB 134 149 237

HSL 231.26, 0.74%, 0.73%

LAB 63.9, 16.92, -46.06

 

CMYK 50 / 43 / 0 / 3

HEX #7B8DF8

RGB 123 141 248

HSL 231.36, 0.9%, 0.73%

LAB 61.69, 22.28, -55.67

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 7 / 6 / 0 / 25

HEX #B3B5C0

RGB 179 181 192

HSL 230.77, 0.09%, 0.73%

LAB 73.83, 1.43, -5.82

 

CMYK 0 / 1 / 5 / 25

HEX #BEBDB5

RGB 190 189 181

HSL 53.33, 0.06%, 0.73%

LAB 76.48, -1.09, 4.15

 

CMYK 0 / 2 / 15 / 21

HEX #C9C5AA

RGB 201 197 170

HSL 52.26, 0.22%, 0.73%

LAB 79.19, -3.17, 14.05

 

CMYK 0 / 3 / 25 / 17

HEX #D4CD9F

RGB 212 205 159

HSL 52.08, 0.38%, 0.73%

LAB 81.93, -4.83, 23.83

 

CMYK 18 / 6 / 0 / 20

HEX #A8C0CC

RGB 168 192 204

HSL 200, 0.26%, 0.73%

LAB 76.3, -5.59, -8.77

 

CMYK 18 / 10 / 0 / 20

HEX #A8B7CC

RGB 168 183 204

HSL 215, 0.26%, 0.73%

LAB 73.9, -0.77, -12.35

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 16 / 18 / 0 / 20

HEX #ACA8CC

RGB 172 168 204

HSL 246.67, 0.26%, 0.73%

LAB 70.27, 8.72, -17.79

 

CMYK 11 / 18 / 0 / 20

HEX #B5A8CC

RGB 181 168 204

HSL 261.67, 0.26%, 0.73%

LAB 71, 11.66, -16.61

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 11 / 10 / 0 / 14

HEX #C2C5DB

RGB 194 197 219

HSL 232.8, 0.26%, 0.81%

LAB 79.91, 3.27, -11.29

 

CMYK 6 / 5 / 0 / 8

HEX #DCDEEA

RGB 220 222 234

HSL 231.43, 0.25%, 0.89%

LAB 88.64, 1.56, -6.09

 

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

CMYK 0 / 18 / 1 / 20

HEX #CCA8CA

RGB 204 168 202

HSL 303.33, 0.26%, 0.73%

LAB 72.96, 19, -12.36

 

CMYK 8 / 0 / 18 / 20

HEX #BBCCA8

RGB 187 204 168

HSL 88.33, 0.26%, 0.73%

LAB 79.94, -12.2, 16.03

 

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

CMYK 0 / 18 / 15 / 20

HEX #CCA8AD

RGB 204 168 173

HSL 351.67, 0.26%, 0.73%

LAB 72.13, 13.94, 2.37

 

CMYK 15 / 0 / 18 / 20

HEX #ADCCA8

RGB 173 204 168

HSL 111.67, 0.26%, 0.73%

LAB 78.98, -17.14, 14.54

 

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

CMYK 0 / 18 / 1 / 20

HEX #CCA8CA

RGB 204 168 202

HSL 303.33, 0.26%, 0.73%

LAB 72.96, 19, -12.36

 

CMYK 0 / 3 / 18 / 20

HEX #CCC6A8

RGB 204 198 168

HSL 50, 0.26%, 0.73%

LAB 79.64, -2.89, 15.8

 

CMYK 18 / 0 / 17 / 20

HEX #A8CCAA

RGB 168 204 170

HSL 123.33, 0.26%, 0.73%

LAB 78.7, -18.51, 13.03

 

CMYK 18 / 15 / 0 / 20

HEX #A7ACCB

RGB 167 172 203

HSL 231.67, 0.26%, 0.73%

LAB 70.89, 4.68, -16.33

 

CMYK 0 / 18 / 6 / 20

HEX #CCA8BF

RGB 204 168 191

HSL 321.67, 0.26%, 0.73%

LAB 72.63, 17, -6.81

 

CMYK 0 / 3 / 18 / 20

HEX #CCC6A8

RGB 204 198 168

HSL 50, 0.26%, 0.73%

LAB 79.64, -2.89, 15.8

 

CMYK 18 / 0 / 12 / 20

HEX #A8CCB4

RGB 168 204 180

HSL 140, 0.26%, 0.73%

LAB 78.93, -16.67, 8.01

 

Description

Color code: HEX #A7ACCB | qconv.com Color code: HEX #A7ACCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 172 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 172 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 15 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 15% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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