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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AD48 it is the complementary color #5852B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AD48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AD48 shade: #ACAD43, #BDBF56, #CED169, #DFE37C and #F0F58F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AD48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AD48 shade: #A7AD48, #969B35, #858922, #74770F and #636500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AD48 shade: #A6AC48, #AC9748, #AC7C48, #AC6148 and #AC4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AD48 shade: #A6AC48, #8BAC48, #70AC48, #55AC48 and #48AC56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AD48 shade matches the following richer shades: #A6AC48, #B8C034, #C9D420 and #DAE70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AD48 shade: #A6AC48, #95985C, #83846F, #727183 and #605D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AD48 shade: #AC7C48, #AC9648, #A7AC48, #8CAC48 and #72AC48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AD48 shade: #6E722F, #8A8F3C, #A6AC48, #B7BC61 and #C4C97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AD48 shade: #A7AD48, #48AC61 and #8948AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AD48 shade: #A7AD48, #48A7AC and #AC48A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AD48 shade: #A7AD48, #48AC61, #4D48AC and #AC4893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AD48 shade: #A7AD48, #48AC7F, #4D48AC and #AC4875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

Complementary color

CMYK 52 / 55 / 0 / 28

HEX #5852B7

RGB 88 82 183

HSL 243.56, 0.41%, 0.52%

LAB 40.46, 30.35, -52.95

 

CMYK 1 / 0 / 61 / 32

HEX #ACAD43

RGB 172 173 67

HSL 60.57, 0.44%, 0.47%

LAB 68.8, -14.19, 52.74

 

CMYK 1 / 0 / 55 / 25

HEX #BDBF56

RGB 189 191 86

HSL 61.14, 0.45%, 0.54%

LAB 75.3, -14.82, 51.79

 

CMYK 1 / 0 / 50 / 18

HEX #CED169

RGB 206 209 105

HSL 61.73, 0.53%, 0.62%

LAB 81.7, -15.33, 50.7

 

CMYK 2 / 0 / 45 / 11

HEX #DFE37C

RGB 223 227 124

HSL 62.33, 0.65%, 0.69%

LAB 88.01, -15.76, 49.56

 

CMYK 2 / 0 / 42 / 4

HEX #F0F58F

RGB 240 245 143

HSL 62.94, 0.84%, 0.76%

LAB 94.23, -16.11, 48.42

 

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

CMYK 3 / 0 / 66 / 39

HEX #969B35

RGB 150 155 53

HSL 62.94, 0.49%, 0.41%

LAB 61.81, -15.29, 50.81

 

CMYK 3 / 0 / 75 / 46

HEX #858922

RGB 133 137 34

HSL 62.33, 0.6%, 0.34%

LAB 55.07, -14.44, 51.12

 

CMYK 3 / 0 / 87 / 53

HEX #74770F

RGB 116 119 15

HSL 61.73, 0.78%, 0.26%

LAB 48.19, -13.33, 50.33

 

CMYK 2 / 0 / 100 / 60

HEX #636500

RGB 99 101 0

HSL 61.19, 1%, 0.2%

LAB 41.15, -11.89, 47.67

 

CMYK 3 / 0 / 58 / 33

HEX #A6AC48

RGB 166 172 72

HSL 63.6, 0.41%, 0.48%

LAB 68.08, -15.86, 49.58

 

CMYK 0 / 12 / 58 / 33

HEX #AC9748

RGB 172 151 72

HSL 47.4, 0.41%, 0.48%

LAB 62.82, -2.17, 43.76

 

CMYK 0 / 28 / 58 / 33

HEX #AC7C48

RGB 172 124 72

HSL 31.2, 0.41%, 0.48%

LAB 55.74, 12.8, 35.43

 

CMYK 0 / 44 / 58 / 33

HEX #AC6148

RGB 172 97 72

HSL 15, 0.41%, 0.48%

LAB 49.24, 27.91, 27.4

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 3 / 0 / 58 / 33

HEX #A6AC48

RGB 166 172 72

HSL 63.6, 0.41%, 0.48%

LAB 68.08, -15.86, 49.58

 

CMYK 19 / 0 / 58 / 33

HEX #8BAC48

RGB 139 172 72

HSL 79.8, 0.41%, 0.48%

LAB 66.11, -26.98, 46.82

 

CMYK 35 / 0 / 58 / 33

HEX #70AC48

RGB 112 172 72

HSL 96, 0.41%, 0.48%

LAB 64.5, -37.19, 44.55

 

CMYK 51 / 0 / 58 / 33

HEX #55AC48

RGB 85 172 72

HSL 112.2, 0.41%, 0.48%

LAB 63.26, -45.91, 42.81

 

CMYK 58 / 0 / 50 / 33

HEX #48AC56

RGB 72 172 86

HSL 128.4, 0.41%, 0.48%

LAB 62.97, -47.51, 35.49

 

CMYK 3 / 0 / 58 / 33

HEX #A6AC48

RGB 166 172 72

HSL 63.6, 0.41%, 0.48%

LAB 68.08, -15.86, 49.58

 

CMYK 4 / 0 / 73 / 25

HEX #B8C034

RGB 184 192 52

HSL 63.43, 0.57%, 0.48%

LAB 74.91, -19.56, 65.11

 

CMYK 5 / 0 / 85 / 17

HEX #C9D420

RGB 201 212 32

HSL 63.67, 0.74%, 0.48%

LAB 81.63, -22.93, 77.05

 

CMYK 6 / 0 / 95 / 9

HEX #DAE70C

RGB 218 231 12

HSL 63.56, 0.9%, 0.48%

LAB 88.01, -25.3, 85.54

 

CMYK 3 / 0 / 58 / 33

HEX #A6AC48

RGB 166 172 72

HSL 63.6, 0.41%, 0.48%

LAB 68.08, -15.86, 49.58

 

CMYK 2 / 0 / 39 / 40

HEX #95985C

RGB 149 152 92

HSL 63, 0.25%, 0.48%

LAB 61.32, -10.58, 31.19

 

CMYK 1 / 0 / 16 / 48

HEX #83846F

RGB 131 132 111

HSL 62.86, 0.09%, 0.48%

LAB 54.53, -4.24, 11.23

 

CMYK 13 / 14 / 0 / 49

HEX #727183

RGB 114 113 131

HSL 243.33, 0.07%, 0.48%

LAB 48.29, 4.26, -9.74

 

CMYK 36 / 38 / 0 / 41

HEX #605D97

RGB 96 93 151

HSL 243.1, 0.24%, 0.48%

LAB 42.08, 15.75, -31.36

 

CMYK 0 / 28 / 58 / 33

HEX #AC7C48

RGB 172 124 72

HSL 31.2, 0.41%, 0.48%

LAB 55.74, 12.8, 35.43

 

CMYK 0 / 13 / 58 / 33

HEX #AC9648

RGB 172 150 72

HSL 46.8, 0.41%, 0.48%

LAB 62.55, -1.63, 43.45

 

CMYK 3 / 0 / 58 / 33

HEX #A7AC48

RGB 167 172 72

HSL 63, 0.41%, 0.48%

LAB 68.16, -15.43, 49.69

 

CMYK 19 / 0 / 58 / 33

HEX #8CAC48

RGB 140 172 72

HSL 79.2, 0.41%, 0.48%

LAB 66.17, -26.58, 46.91

 

CMYK 34 / 0 / 58 / 33

HEX #72AC48

RGB 114 172 72

HSL 94.8, 0.41%, 0.48%

LAB 64.6, -36.48, 44.7

 

CMYK 4 / 0 / 59 / 55

HEX #6E722F

RGB 110 114 47

HSL 63.58, 0.42%, 0.32%

LAB 46.38, -11.54, 35.9

 

CMYK 3 / 0 / 58 / 44

HEX #8A8F3C

RGB 138 143 60

HSL 63.61, 0.41%, 0.4%

LAB 57.44, -13.7, 42.64

 

CMYK 3 / 0 / 58 / 33

HEX #A6AC48

RGB 166 172 72

HSL 63.6, 0.41%, 0.48%

LAB 68.08, -15.86, 49.58

 

CMYK 3 / 0 / 48 / 26

HEX #B7BC61

RGB 183 188 97

HSL 63.3, 0.4%, 0.56%

LAB 74.12, -14.81, 45.07

 

CMYK 2 / 0 / 37 / 21

HEX #C4C97E

RGB 196 201 126

HSL 64, 0.41%, 0.64%

LAB 79.05, -13.14, 36.91

 

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

CMYK 58 / 0 / 44 / 33

HEX #48AC61

RGB 72 172 97

HSL 135, 0.41%, 0.48%

LAB 63.13, -45.78, 30.01

 

CMYK 20 / 58 / 0 / 33

HEX #8948AC

RGB 137 72 172

HSL 279, 0.41%, 0.48%

LAB 42.66, 44.95, -42.66

 

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

CMYK 58 / 3 / 0 / 33

HEX #48A7AC

RGB 72 167 172

HSL 183, 0.41%, 0.48%

LAB 63.34, -26.22, -11.01

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A7

RGB 172 72 167

HSL 303, 0.41%, 0.48%

LAB 47.23, 53.3, -32.16

 

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

CMYK 58 / 0 / 44 / 33

HEX #48AC61

RGB 72 172 97

HSL 135, 0.41%, 0.48%

LAB 63.13, -45.78, 30.01

 

CMYK 55 / 58 / 0 / 33

HEX #4D48AC

RGB 77 72 172

HSL 243, 0.41%, 0.48%

LAB 36.35, 30.8, -53.13

 

CMYK 0 / 58 / 15 / 33

HEX #AC4893

RGB 172 72 147

HSL 315, 0.41%, 0.48%

LAB 46.33, 49.98, -21.66

 

CMYK 3 / 0 / 58 / 32

HEX #A7AD48

RGB 167 173 72

HSL 63.56, 0.41%, 0.48%

LAB 68.44, -15.95, 50

 

CMYK 58 / 0 / 26 / 33

HEX #48AC7F

RGB 72 172 127

HSL 153, 0.41%, 0.48%

LAB 63.68, -39.97, 14.57

 

CMYK 55 / 58 / 0 / 33

HEX #4D48AC

RGB 77 72 172

HSL 243, 0.41%, 0.48%

LAB 36.35, 30.8, -53.13

 

CMYK 0 / 58 / 32 / 33

HEX #AC4875

RGB 172 72 117

HSL 333, 0.41%, 0.48%

LAB 45.21, 45.67, -5.2

 

Description

Color code: HEX #A7AD48 | qconv.com Color code: HEX #A7AD48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 173 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 173 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 58 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 58% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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