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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AED2 it is the complementary color #58512D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AED2 shade: #ACAECD, #BDC0E0, #CED2F3, #DFE4FF and #F0F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AED2 shade: #A7AED2, #969CBF, #858AAC, #747899 and #636686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AED2 shade: #A7AED1, #ACA7D1, #B7A7D1, #C2A7D1 and #CEA7D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AED2 shade: #A7AED1 and #A7A7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AED2 shade matches the following richer shades: #A7AED1, #9CA7DC, #929FE7, #8798F2 and #7C91FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AED2 shade: #A7AED1, #B2B5C7, #BCBCBC, #C7C4B1 and #D2CBA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AED2 shade: #A7C5D1, #A7B9D1, #A7AED1, #ABA7D1 and #B7A7D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AED2 shade: #717CB5, #8C95C3, #A7AED1, #C2C7DF and #DDE0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AED2 shade: #A7AED2, #D1A7D0 and #BFD1A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AED2 shade: #A7AED2, #D1A7AE and #AED1A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AED2 shade: #A7AED2, #D1A7D0, #D1CAA7 and #A7D1A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AED2 shade: #A7AED2, #D1A7C3, #D1CAA7 and #A7D1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

Complementary color

CMYK 0 / 8 / 49 / 65

HEX #58512D

RGB 88 81 45

HSL 50.23, 0.32%, 0.26%

LAB 34.29, -2.88, 22.14

 

CMYK 16 / 15 / 0 / 20

HEX #ACAECD

RGB 172 174 205

HSL 236.36, 0.25%, 0.74%

LAB 71.86, 5.63, -15.94

 

CMYK 16 / 14 / 0 / 12

HEX #BDC0E0

RGB 189 192 224

HSL 234.86, 0.36%, 0.81%

LAB 78.4, 5.38, -16.28

 

CMYK 15 / 14 / 0 / 5

HEX #CED2F3

RGB 206 210 243

HSL 233.51, 0.61%, 0.88%

LAB 84.84, 5.15, -16.63

 

CMYK 13 / 11 / 0 / 0

HEX #DFE4FF

RGB 223 228 255

HSL 230.63, 1%, 0.94%

LAB 90.96, 3.51, -13.63

 

CMYK 6 / 4 / 0 / 0

HEX #F0F6FF

RGB 240 246 255

HSL 216, 1%, 0.97%

LAB 96.68, -0.33, -5.01

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 21 / 18 / 0 / 25

HEX #969CBF

RGB 150 156 191

HSL 231.22, 0.24%, 0.67%

LAB 64.98, 5.43, -18.76

 

CMYK 23 / 20 / 0 / 33

HEX #858AAC

RGB 133 138 172

HSL 232.31, 0.19%, 0.6%

LAB 58.17, 5.73, -18.5

 

CMYK 24 / 22 / 0 / 40

HEX #747899

RGB 116 120 153

HSL 233.51, 0.15%, 0.53%

LAB 51.2, 6.07, -18.27

 

CMYK 26 / 24 / 0 / 47

HEX #636686

RGB 99 102 134

HSL 234.86, 0.15%, 0.46%

LAB 44.06, 6.45, -18.08

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 18 / 20 / 0 / 18

HEX #ACA7D1

RGB 172 167 209

HSL 247.14, 0.31%, 0.74%

LAB 70.18, 10.38, -20.67

 

CMYK 12 / 20 / 0 / 18

HEX #B7A7D1

RGB 183 167 209

HSL 262.86, 0.31%, 0.74%

LAB 71.08, 13.92, -19.22

 

CMYK 7 / 20 / 0 / 18

HEX #C2A7D1

RGB 194 167 209

HSL 278.57, 0.31%, 0.74%

LAB 72.03, 17.54, -17.69

 

CMYK 1 / 20 / 0 / 18

HEX #CEA7D1

RGB 206 167 209

HSL 295.71, 0.31%, 0.74%

LAB 73.13, 21.54, -15.93

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 20 / 20 / 0 / 18

HEX #A7A7D1

RGB 167 167 209

HSL 240, 0.31%, 0.74%

LAB 69.79, 8.8, -21.3

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 29 / 24 / 0 / 14

HEX #9CA7DC

RGB 156 167 220

HSL 229.69, 0.48%, 0.74%

LAB 69.38, 8.07, -28.06

 

CMYK 37 / 31 / 0 / 9

HEX #929FE7

RGB 146 159 231

HSL 230.82, 0.64%, 0.74%

LAB 67.03, 12.61, -37.79

 

CMYK 44 / 37 / 0 / 5

HEX #8798F2

RGB 135 152 242

HSL 230.47, 0.8%, 0.74%

LAB 64.98, 16.85, -47.11

 

CMYK 51 / 42 / 0 / 1

HEX #7C91FC

RGB 124 145 252

HSL 230.16, 0.96%, 0.74%

LAB 62.98, 21.36, -55.8

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 11 / 9 / 0 / 22

HEX #B2B5C7

RGB 178 181 199

HSL 231.43, 0.16%, 0.74%

LAB 73.96, 2.51, -9.46

 

CMYK 0 / 0 / 0 / 26

HEX #BCBCBC

RGB 188 188 188

HSL 0, 0%, 0.74%

LAB 76.25, 0, -0.01

 

CMYK 0 / 2 / 11 / 22

HEX #C7C4B1

RGB 199 196 177

HSL 51.82, 0.16%, 0.74%

LAB 78.92, -2.25, 9.91

 

CMYK 0 / 3 / 20 / 18

HEX #D2CBA7

RGB 210 203 167

HSL 50.23, 0.32%, 0.74%

LAB 81.4, -3.41, 18.86

 

CMYK 20 / 6 / 0 / 18

HEX #A7C5D1

RGB 167 197 209

HSL 197.14, 0.31%, 0.74%

LAB 77.73, -7.46, -9.36

 

CMYK 20 / 11 / 0 / 18

HEX #A7B9D1

RGB 167 185 209

HSL 214.29, 0.31%, 0.74%

LAB 74.52, -1.07, -14.16

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 18 / 20 / 0 / 18

HEX #ABA7D1

RGB 171 167 209

HSL 245.71, 0.31%, 0.74%

LAB 70.1, 10.06, -20.8

 

CMYK 12 / 20 / 0 / 18

HEX #B7A7D1

RGB 183 167 209

HSL 262.86, 0.31%, 0.74%

LAB 71.08, 13.92, -19.22

 

CMYK 38 / 31 / 0 / 29

HEX #717CB5

RGB 113 124 181

HSL 230.29, 0.31%, 0.58%

LAB 53.24, 10.22, -31.39

 

CMYK 28 / 24 / 0 / 24

HEX #8C95C3

RGB 140 149 195

HSL 230.18, 0.31%, 0.66%

LAB 62.52, 7.26, -24.83

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED1

RGB 167 174 209

HSL 230, 0.31%, 0.74%

LAB 71.62, 4.93, -18.53

 

CMYK 13 / 11 / 0 / 13

HEX #C2C7DF

RGB 194 199 223

HSL 229.66, 0.31%, 0.82%

LAB 80.54, 3.02, -12.5

 

CMYK 7 / 5 / 0 / 7

HEX #DDE0ED

RGB 221 224 237

HSL 228.75, 0.31%, 0.9%

LAB 89.3, 1.42, -6.69

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 0 / 20 / 0 / 18

HEX #D1A7D0

RGB 209 167 208

HSL 301.43, 0.31%, 0.74%

LAB 73.38, 22.36, -14.98

 

CMYK 9 / 0 / 20 / 18

HEX #BFD1A7

RGB 191 209 167

HSL 85.71, 0.31%, 0.74%

LAB 81.55, -13.47, 18.84

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 0 / 20 / 17 / 18

HEX #D1A7AE

RGB 209 167 174

HSL 350, 0.31%, 0.74%

LAB 72.39, 16.48, 2.26

 

CMYK 17 / 0 / 20 / 18

HEX #AED1A7

RGB 174 209 167

HSL 110, 0.31%, 0.74%

LAB 80.4, -19.48, 17.07

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 0 / 20 / 0 / 18

HEX #D1A7D0

RGB 209 167 208

HSL 301.43, 0.31%, 0.74%

LAB 73.38, 22.36, -14.98

 

CMYK 0 / 3 / 20 / 18

HEX #D1CAA7

RGB 209 202 167

HSL 50, 0.31%, 0.74%

LAB 81.06, -3.27, 18.38

 

CMYK 20 / 0 / 20 / 18

HEX #A7D1A8

RGB 167 209 168

HSL 121.43, 0.31%, 0.74%

LAB 79.98, -21.69, 15.88

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 0 / 20 / 7 / 18

HEX #D1A7C3

RGB 209 167 195

HSL 320, 0.31%, 0.74%

LAB 72.98, 20, -8.44

 

CMYK 0 / 3 / 20 / 18

HEX #D1CAA7

RGB 209 202 167

HSL 50, 0.31%, 0.74%

LAB 81.06, -3.27, 18.38

 

CMYK 20 / 0 / 13 / 18

HEX #A7D1B5

RGB 167 209 181

HSL 140, 0.31%, 0.74%

LAB 80.27, -19.33, 9.38

 

Description

Color code: HEX #A7AED2 | qconv.com Color code: HEX #A7AED2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 174 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 174 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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