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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7B431 it is the complementary color #584BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7B431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7B431 shade: #ACB42C, #BDC63F, #CED852, #DFEA65 and #F0FC78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7B431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7B431 shade: #A7B431, #96A21E, #85900B, #747E00 and #636C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7B431 shade: #A7B431, #B49D31, #B47A31, #B45731 and #B43431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7B431 shade: #A7B431, #83B431, #60B431, #3DB431 and #31B448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7B431 shade matches the following richer shades: #A7B431, #B6C61E and #C4D90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7B431 shade: #A7B431, #98A143, #898F56, #7A7C69 and #6B697B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7B431 shade: #B47931, #B49C31, #A9B431, #86B431 and #63B431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7B431 shade: #6B731F, #899328, #A7B431, #BECB43 and #C9D463

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7B431 shade: #A7B431, #31B456 and #8A31B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7B431 shade: #A7B431, #31A9B4 and #B431A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7B431 shade: #A7B431, #31B456, #3C31B4 and #B4318F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7B431 shade: #A7B431, #31B47D, #3C31B4 and #B43167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

Complementary color

CMYK 57 / 64 / 0 / 19

HEX #584BCE

RGB 88 75 206

HSL 245.95, 0.57%, 0.55%

LAB 40.51, 41.84, -66.25

 

CMYK 4 / 0 / 76 / 29

HEX #ACB42C

RGB 172 180 44

HSL 63.53, 0.61%, 0.44%

LAB 70.59, -19.04, 63.38

 

CMYK 5 / 0 / 68 / 22

HEX #BDC63F

RGB 189 198 63

HSL 64, 0.54%, 0.51%

LAB 77.02, -19.88, 63.34

 

CMYK 5 / 0 / 62 / 15

HEX #CED852

RGB 206 216 82

HSL 64.48, 0.63%, 0.58%

LAB 83.36, -20.56, 62.78

 

CMYK 5 / 0 / 57 / 8

HEX #DFEA65

RGB 223 234 101

HSL 64.96, 0.76%, 0.66%

LAB 89.61, -21.13, 61.95

 

CMYK 5 / 0 / 52 / 1

HEX #F0FC78

RGB 240 252 120

HSL 65.45, 0.96%, 0.73%

LAB 95.79, -21.6, 60.97

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 7 / 0 / 81 / 36

HEX #96A21E

RGB 150 162 30

HSL 65.45, 0.69%, 0.38%

LAB 63.69, -20.02, 60.74

 

CMYK 8 / 0 / 92 / 44

HEX #85900B

RGB 133 144 11

HSL 64.96, 0.86%, 0.3%

LAB 57.03, -18.87, 58.91

 

CMYK 8 / 0 / 100 / 51

HEX #747E00

RGB 116 126 0

HSL 64.76, 1%, 0.25%

LAB 50.26, -17.43, 55.03

 

CMYK 8 / 0 / 100 / 58

HEX #636C00

RGB 99 108 0

HSL 65, 1%, 0.21%

LAB 43.33, -15.74, 49.27

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 0 / 13 / 73 / 29

HEX #B49D31

RGB 180 157 49

HSL 49.47, 0.57%, 0.45%

LAB 64.99, -3.34, 56.51

 

CMYK 0 / 32 / 73 / 29

HEX #B47A31

RGB 180 122 49

HSL 33.44, 0.57%, 0.45%

LAB 55.93, 15.92, 47.41

 

CMYK 0 / 52 / 73 / 29

HEX #B45731

RGB 180 87 49

HSL 17.4, 0.57%, 0.45%

LAB 47.93, 35.03, 38.91

 

CMYK 0 / 71 / 73 / 29

HEX #B43431

RGB 180 52 49

HSL 1.37, 0.57%, 0.45%

LAB 41.82, 51.16, 32.05

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 27 / 0 / 73 / 29

HEX #83B431

RGB 131 180 49

HSL 82.44, 0.57%, 0.45%

LAB 67.79, -35.62, 58

 

CMYK 47 / 0 / 73 / 29

HEX #60B431

RGB 96 180 49

HSL 98.47, 0.57%, 0.45%

LAB 66.02, -47.95, 55.65

 

CMYK 66 / 0 / 73 / 29

HEX #3DB431

RGB 61 180 49

HSL 114.5, 0.57%, 0.45%

LAB 64.85, -57.16, 54.09

 

CMYK 73 / 0 / 60 / 29

HEX #31B448

RGB 49 180 72

HSL 130.53, 0.57%, 0.45%

LAB 64.77, -57.06, 44.29

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 8 / 0 / 85 / 22

HEX #B6C61E

RGB 182 198 30

HSL 65.71, 0.74%, 0.45%

LAB 76.33, -24.16, 72.5

 

CMYK 10 / 0 / 94 / 15

HEX #C4D90C

RGB 196 217 12

HSL 66.15, 0.9%, 0.45%

LAB 82.59, -27.76, 80.7

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 6 / 0 / 58 / 37

HEX #98A143

RGB 152 161 67

HSL 65.74, 0.41%, 0.45%

LAB 63.81, -16.53, 46.8

 

CMYK 4 / 0 / 40 / 44

HEX #898F56

RGB 137 143 86

HSL 66.32, 0.25%, 0.45%

LAB 57.69, -11.48, 29.58

 

CMYK 2 / 0 / 15 / 51

HEX #7A7C69

RGB 122 124 105

HSL 66.32, 0.08%, 0.45%

LAB 51.35, -4.33, 10.13

 

CMYK 13 / 15 / 0 / 52

HEX #6B697B

RGB 107 105 123

HSL 246.67, 0.08%, 0.45%

LAB 45.16, 4.69, -9.72

 

CMYK 0 / 33 / 73 / 29

HEX #B47931

RGB 180 121 49

HSL 32.98, 0.57%, 0.45%

LAB 55.68, 16.48, 47.15

 

CMYK 0 / 13 / 73 / 29

HEX #B49C31

RGB 180 156 49

HSL 49.01, 0.57%, 0.45%

LAB 64.73, -2.8, 56.25

 

CMYK 6 / 0 / 73 / 29

HEX #A9B431

RGB 169 180 49

HSL 65.04, 0.57%, 0.45%

LAB 70.39, -20.09, 61.42

 

CMYK 26 / 0 / 73 / 29

HEX #86B431

RGB 134 180 49

HSL 81.07, 0.57%, 0.45%

LAB 67.97, -34.45, 58.24

 

CMYK 45 / 0 / 73 / 29

HEX #63B431

RGB 99 180 49

HSL 97.1, 0.57%, 0.45%

LAB 66.15, -47, 55.82

 

CMYK 7 / 0 / 73 / 55

HEX #6B731F

RGB 107 115 31

HSL 65.71, 0.58%, 0.29%

LAB 46.29, -14.63, 43.03

 

CMYK 7 / 0 / 73 / 42

HEX #899328

RGB 137 147 40

HSL 65.61, 0.57%, 0.37%

LAB 58.36, -17.6, 52.19

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 6 / 0 / 67 / 20

HEX #BECB43

RGB 190 203 67

HSL 65.74, 0.57%, 0.53%

LAB 78.5, -21.7, 63.33

 

CMYK 5 / 0 / 53 / 17

HEX #C9D463

RGB 201 212 99

HSL 65.84, 0.57%, 0.61%

LAB 82.06, -19.35, 53.82

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 73 / 0 / 52 / 29

HEX #31B456

RGB 49 180 86

HSL 136.95, 0.57%, 0.45%

LAB 64.94, -55.15, 37.78

 

CMYK 23 / 73 / 0 / 29

HEX #8A31B4

RGB 138 49 180

HSL 280.76, 0.57%, 0.45%

LAB 39.4, 57.68, -52.61

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 73 / 6 / 0 / 29

HEX #31A9B4

RGB 49 169 180

HSL 185.04, 0.57%, 0.45%

LAB 63.61, -28.47, -15.14

 

CMYK 0 / 73 / 6 / 29

HEX #B431A9

RGB 180 49 169

HSL 305.04, 0.57%, 0.45%

LAB 45.31, 64.75, -36.28

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 73 / 0 / 52 / 29

HEX #31B456

RGB 49 180 86

HSL 136.95, 0.57%, 0.45%

LAB 64.94, -55.15, 37.78

 

CMYK 67 / 73 / 0 / 29

HEX #3C31B4

RGB 60 49 180

HSL 245.04, 0.57%, 0.45%

LAB 30.53, 44.58, -67.46

 

CMYK 0 / 73 / 21 / 29

HEX #B4318F

RGB 180 49 143

HSL 316.95, 0.57%, 0.45%

LAB 44.06, 60.94, -22.64

 

CMYK 7 / 0 / 73 / 29

HEX #A7B431

RGB 167 180 49

HSL 65.95, 0.57%, 0.45%

LAB 70.23, -20.94, 61.21

 

CMYK 73 / 0 / 31 / 29

HEX #31B47D

RGB 49 180 125

HSL 154.81, 0.57%, 0.45%

LAB 65.57, -47.96, 18.19

 

CMYK 67 / 73 / 0 / 29

HEX #3C31B4

RGB 60 49 180

HSL 245.04, 0.57%, 0.45%

LAB 30.53, 44.58, -67.46

 

CMYK 0 / 73 / 43 / 29

HEX #B43167

RGB 180 49 103

HSL 335.27, 0.57%, 0.45%

LAB 42.58, 56.2, -0.28

 

Description

Color code: HEX #A7B431 | qconv.com Color code: HEX #A7B431 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 180 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 180 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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