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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7CED0 it is the complementary color #58312F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7CED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7CED0 shade: #ACCECB, #BDE0DE, #CEF2F1, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7CED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7CED0 shade: #A7CED0, #96BCBD, #85AAAA, #749897 and #638684

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7CED0 shade: #A8CED0, #A8C3D0, #A8B9D0, #A8AED0 and #ADA8D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7CED0 shade: #A8CED0, #A8C3D0, #A8B9D0, #A8AED0 and #A8A8D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7CED0 shade matches the following richer shades: #A8CED0, #9ED8DB, #93E2E6, #88EBF0 and #7DF5FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7CED0 shade: #A8CED0, #B3C4C5, #BEBBBB, #C8B1B0 and #D3A7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7CED0 shade: #A8D0BC, #A8D0C7, #A8CFD0, #A8C4D0 and #A8BAD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7CED0 shade: #73B0B3, #8DBFC2, #A8CED0, #C3DDDF and #DEECED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7CED0 shade: #A7CED0, #B2A8D0 and #D0C2A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7CED0 shade: #A7CED0, #D0A8CF and #CFD0A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7CED0 shade: #A7CED0, #B2A8D0, #D0AAA8 and #C7D0A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7CED0 shade: #A7CED0, #BEA8D0, #D0AAA8 and #BBD0A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

Complementary color

CMYK 0 / 44 / 47 / 65

HEX #58312F

RGB 88 49 47

HSL 2.93, 0.3%, 0.26%

LAB 25.19, 17.44, 8.93

 

CMYK 17 / 0 / 1 / 19

HEX #ACCECB

RGB 172 206 203

HSL 174.71, 0.26%, 0.74%

LAB 80.31, -11.85, -2.29

 

CMYK 16 / 0 / 1 / 12

HEX #BDE0DE

RGB 189 224 222

HSL 176.57, 0.36%, 0.81%

LAB 86.7, -11.81, -2.87

 

CMYK 15 / 0 / 0 / 5

HEX #CEF2F1

RGB 206 242 241

HSL 178.33, 0.58%, 0.88%

LAB 93, -11.78, -3.43

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

CMYK 21 / 1 / 0 / 26

HEX #96BCBD

RGB 150 188 189

HSL 181.54, 0.23%, 0.66%

LAB 73.63, -12.42, -4.71

 

CMYK 22 / 0 / 0 / 33

HEX #85AAAA

RGB 133 170 170

HSL 180, 0.18%, 0.59%

LAB 67, -12.49, -4.14

 

CMYK 24 / 0 / 1 / 40

HEX #749897

RGB 116 152 151

HSL 178.33, 0.15%, 0.53%

LAB 60.25, -12.57, -3.54

 

CMYK 26 / 0 / 1 / 47

HEX #638684

RGB 99 134 132

HSL 176.57, 0.15%, 0.46%

LAB 53.35, -12.67, -2.92

 

CMYK 19 / 1 / 0 / 18

HEX #A8CED0

RGB 168 206 208

HSL 183, 0.3%, 0.74%

LAB 80.19, -12.06, -5.16

 

CMYK 19 / 6 / 0 / 18

HEX #A8C3D0

RGB 168 195 208

HSL 199.5, 0.3%, 0.74%

LAB 77.23, -6.31, -9.56

 

CMYK 19 / 11 / 0 / 18

HEX #A8B9D0

RGB 168 185 208

HSL 214.5, 0.3%, 0.74%

LAB 74.56, -0.97, -13.55

 

CMYK 19 / 16 / 0 / 18

HEX #A8AED0

RGB 168 174 208

HSL 231, 0.3%, 0.74%

LAB 71.66, 5.02, -17.92

 

CMYK 17 / 19 / 0 / 18

HEX #ADA8D0

RGB 173 168 208

HSL 247.5, 0.3%, 0.74%

LAB 70.49, 9.92, -19.66

 

CMYK 19 / 1 / 0 / 18

HEX #A8CED0

RGB 168 206 208

HSL 183, 0.3%, 0.74%

LAB 80.19, -12.06, -5.16

 

CMYK 19 / 6 / 0 / 18

HEX #A8C3D0

RGB 168 195 208

HSL 199.5, 0.3%, 0.74%

LAB 77.23, -6.31, -9.56

 

CMYK 19 / 11 / 0 / 18

HEX #A8B9D0

RGB 168 185 208

HSL 214.5, 0.3%, 0.74%

LAB 74.56, -0.97, -13.55

 

CMYK 19 / 16 / 0 / 18

HEX #A8AED0

RGB 168 174 208

HSL 231, 0.3%, 0.74%

LAB 71.66, 5.02, -17.92

 

CMYK 19 / 19 / 0 / 18

HEX #A8A8D0

RGB 168 168 208

HSL 240, 0.3%, 0.74%

LAB 70.09, 8.33, -20.29

 

CMYK 19 / 1 / 0 / 18

HEX #A8CED0

RGB 168 206 208

HSL 183, 0.3%, 0.74%

LAB 80.19, -12.06, -5.16

 

CMYK 28 / 1 / 0 / 14

HEX #9ED8DB

RGB 158 216 219

HSL 182.95, 0.46%, 0.74%

LAB 82.64, -17.72, -7.47

 

CMYK 36 / 2 / 0 / 10

HEX #93E2E6

RGB 147 226 230

HSL 182.89, 0.62%, 0.74%

LAB 85.15, -23.14, -9.64

 

CMYK 43 / 2 / 0 / 6

HEX #88EBF0

RGB 136 235 240

HSL 182.88, 0.78%, 0.74%

LAB 87.46, -27.79, -11.52

 

CMYK 50 / 2 / 0 / 2

HEX #7DF5FB

RGB 125 245 251

HSL 182.86, 0.94%, 0.74%

LAB 90.15, -32.18, -13.3

 

CMYK 19 / 1 / 0 / 18

HEX #A8CED0

RGB 168 206 208

HSL 183, 0.3%, 0.74%

LAB 80.19, -12.06, -5.16

 

CMYK 9 / 1 / 0 / 23

HEX #B3C4C5

RGB 179 196 197

HSL 183.33, 0.13%, 0.74%

LAB 77.93, -5.58, -2.49

 

CMYK 0 / 2 / 2 / 25

HEX #BEBBBB

RGB 190 187 187

HSL 0, 0.02%, 0.74%

LAB 76.12, 1.05, 0.36

 

CMYK 0 / 12 / 12 / 22

HEX #C8B1B0

RGB 200 177 176

HSL 2.5, 0.18%, 0.74%

LAB 74.1, 8.09, 3.53

 

CMYK 0 / 21 / 22 / 17

HEX #D3A7A5

RGB 211 167 165

HSL 2.61, 0.34%, 0.74%

LAB 72.36, 15.83, 7.2

 

CMYK 19 / 0 / 10 / 18

HEX #A8D0BC

RGB 168 208 188

HSL 150, 0.3%, 0.74%

LAB 80.22, -17.16, 5.58

 

CMYK 19 / 0 / 4 / 18

HEX #A8D0C7

RGB 168 208 199

HSL 166.5, 0.3%, 0.74%

LAB 80.49, -14.97, 0.1

 

CMYK 19 / 0 / 0 / 18

HEX #A8CFD0

RGB 168 207 208

HSL 181.5, 0.3%, 0.74%

LAB 80.46, -12.57, -4.76

 

CMYK 19 / 6 / 0 / 18

HEX #A8C4D0

RGB 168 196 208

HSL 198, 0.3%, 0.74%

LAB 77.49, -6.84, -9.16

 

CMYK 19 / 11 / 0 / 18

HEX #A8BAD0

RGB 168 186 208

HSL 213, 0.3%, 0.74%

LAB 74.82, -1.51, -13.15

 

CMYK 36 / 2 / 0 / 30

HEX #73B0B3

RGB 115 176 179

HSL 182.81, 0.3%, 0.58%

LAB 67.98, -18.82, -7.79

 

CMYK 27 / 2 / 0 / 24

HEX #8DBFC2

RGB 141 191 194

HSL 183.4, 0.3%, 0.66%

LAB 74.07, -15.59, -6.83

 

CMYK 19 / 1 / 0 / 18

HEX #A8CED0

RGB 168 206 208

HSL 183, 0.3%, 0.74%

LAB 80.19, -12.06, -5.16

 

CMYK 13 / 1 / 0 / 13

HEX #C3DDDF

RGB 195 221 223

HSL 184.29, 0.3%, 0.82%

LAB 86.33, -8.18, -3.9

 

CMYK 6 / 0 / 0 / 7

HEX #DEECED

RGB 222 236 237

HSL 184, 0.29%, 0.9%

LAB 92.41, -4.43, -2.09

 

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

CMYK 14 / 19 / 0 / 18

HEX #B2A8D0

RGB 178 168 208

HSL 255, 0.3%, 0.74%

LAB 70.89, 11.53, -19.01

 

CMYK 0 / 7 / 19 / 18

HEX #D0C2A8

RGB 208 194 168

HSL 39, 0.3%, 0.74%

LAB 78.94, 0.7, 14.86

 

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

CMYK 0 / 19 / 0 / 18

HEX #D0A8CF

RGB 208 168 207

HSL 301.5, 0.3%, 0.74%

LAB 73.49, 21.29, -14.27

 

CMYK 0 / 0 / 19 / 18

HEX #CFD0A8

RGB 207 208 168

HSL 61.5, 0.3%, 0.74%

LAB 82.49, -6.97, 19.8

 

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

CMYK 14 / 19 / 0 / 18

HEX #B2A8D0

RGB 178 168 208

HSL 255, 0.3%, 0.74%

LAB 70.89, 11.53, -19.01

 

CMYK 0 / 18 / 19 / 18

HEX #D0AAA8

RGB 208 170 168

HSL 3, 0.3%, 0.74%

LAB 72.88, 13.54, 6.25

 

CMYK 4 / 0 / 19 / 18

HEX #C7D0A8

RGB 199 208 168

HSL 73.5, 0.3%, 0.74%

LAB 81.88, -9.91, 18.87

 

CMYK 20 / 1 / 0 / 18

HEX #A7CED0

RGB 167 206 208

HSL 182.93, 0.3%, 0.74%

LAB 80.13, -12.37, -5.26

 

CMYK 9 / 19 / 0 / 18

HEX #BEA8D0

RGB 190 168 208

HSL 273, 0.3%, 0.74%

LAB 71.9, 15.46, -17.38

 

CMYK 0 / 18 / 19 / 18

HEX #D0AAA8

RGB 208 170 168

HSL 3, 0.3%, 0.74%

LAB 72.88, 13.54, 6.25

 

CMYK 10 / 0 / 19 / 18

HEX #BBD0A8

RGB 187 208 168

HSL 91.5, 0.3%, 0.74%

LAB 81.02, -14.24, 17.53

 

Description

Color code: HEX #A7CED0 | qconv.com Color code: HEX #A7CED0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 206 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 206 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 1 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 1% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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