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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7D872 it is the complementary color #58278D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7D872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7D872 shade: #ACD86D, #BDEA80, #CEFC93, #DFFFA6 and #F0FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7D872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7D872 shade: #A7D872, #96C65F, #85B44C, #74A239 and #639026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7D872 shade: #A7D872, #C3D872, #D8D272, #D8B772 and #D89B72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7D872 shade: #A7D872, #8CD872, #72D874, #72D890 and #72D8AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7D872 shade matches the following richer shades: #A7D872, #A8E764 and #A8F555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7D872 shade: #A7D872, #A7CA81, #A6BB8F, #A6AD9E and #A59EAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7D872 shade: #D8D172, #C4D872, #A9D872, #8ED872 and #72D872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7D872 shade: #7FC335, #93CF52, #A7D872, #BBE193 and #D0EAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7D872 shade: #A7D872, #72D8B6 and #D872D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7D872 shade: #A7D872, #72A9D8 and #D872A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7D872 shade: #A7D872, #72D8B6, #A272D8 and #D87294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7D872 shade: #A7D872, #72D8D5, #A272D8 and #D87276

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

Complementary color

CMYK 38 / 72 / 0 / 45

HEX #58278D

RGB 88 39 141

HSL 268.82, 0.57%, 0.35%

LAB 27.98, 42.95, -47.85

 

CMYK 20 / 0 / 50 / 15

HEX #ACD86D

RGB 172 216 109

HSL 84.67, 0.58%, 0.64%

LAB 81.28, -31.58, 47.73

 

CMYK 19 / 0 / 45 / 8

HEX #BDEA80

RGB 189 234 128

HSL 85.47, 0.72%, 0.71%

LAB 87.59, -31.63, 46.6

 

CMYK 18 / 0 / 42 / 1

HEX #CEFC93

RGB 206 252 147

HSL 86.29, 0.95%, 0.78%

LAB 93.82, -31.64, 45.47

 

CMYK 13 / 0 / 35 / 0

HEX #DFFFA6

RGB 223 255 166

HSL 81.57, 1%, 0.83%

LAB 95.98, -24.63, 39.19

 

CMYK 6 / 0 / 27 / 0

HEX #F0FFB9

RGB 240 255 185

HSL 72.86, 1%, 0.86%

LAB 97.45, -16.03, 31.89

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 24 / 0 / 52 / 22

HEX #96C65F

RGB 150 198 95

HSL 87.96, 0.47%, 0.57%

LAB 74.63, -32.84, 46.1

 

CMYK 26 / 0 / 58 / 29

HEX #85B44C

RGB 133 180 76

HSL 87.12, 0.41%, 0.5%

LAB 68.13, -32.75, 47.18

 

CMYK 28 / 0 / 65 / 36

HEX #74A239

RGB 116 162 57

HSL 86.29, 0.48%, 0.43%

LAB 61.52, -32.55, 48.07

 

CMYK 31 / 0 / 74 / 44

HEX #639026

RGB 99 144 38

HSL 85.47, 0.58%, 0.36%

LAB 54.8, -32.2, 48.56

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 10 / 0 / 47 / 15

HEX #C3D872

RGB 195 216 114

HSL 72.35, 0.57%, 0.65%

LAB 82.88, -22.29, 47.63

 

CMYK 0 / 3 / 47 / 15

HEX #D8D272

RGB 216 210 114

HSL 56.47, 0.57%, 0.65%

LAB 82.86, -10.99, 47.98

 

CMYK 0 / 15 / 47 / 15

HEX #D8B772

RGB 216 183 114

HSL 40.59, 0.57%, 0.65%

LAB 75.87, 2.97, 39.35

 

CMYK 0 / 28 / 47 / 15

HEX #D89B72

RGB 216 155 114

HSL 24.12, 0.57%, 0.65%

LAB 68.94, 17.96, 30.48

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 35 / 0 / 47 / 15

HEX #8CD872

RGB 140 216 114

HSL 104.71, 0.57%, 0.65%

LAB 79.56, -42.23, 42.8

 

CMYK 47 / 0 / 46 / 15

HEX #72D874

RGB 114 216 116

HSL 121.18, 0.57%, 0.65%

LAB 78.43, -49.86, 40.17

 

CMYK 47 / 0 / 33 / 15

HEX #72D890

RGB 114 216 144

HSL 137.65, 0.57%, 0.65%

LAB 78.87, -45.39, 26.54

 

CMYK 47 / 0 / 21 / 15

HEX #72D8AB

RGB 114 216 171

HSL 153.53, 0.57%, 0.65%

LAB 79.4, -40.16, 13.1

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 27 / 0 / 57 / 9

HEX #A8E764

RGB 168 231 100

HSL 88.85, 0.73%, 0.65%

LAB 85.2, -40.74, 56.42

 

CMYK 31 / 0 / 65 / 4

HEX #A8F555

RGB 168 245 85

HSL 88.88, 0.89%, 0.65%

LAB 89.06, -48.02, 66.93

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 17 / 0 / 36 / 21

HEX #A7CA81

RGB 167 202 129

HSL 88.77, 0.41%, 0.65%

LAB 77.31, -24.33, 32.71

 

CMYK 11 / 0 / 24 / 27

HEX #A6BB8F

RGB 166 187 143

HSL 88.64, 0.24%, 0.65%

LAB 73.31, -15.13, 19.95

 

CMYK 4 / 0 / 9 / 32

HEX #A6AD9E

RGB 166 173 158

HSL 88, 0.08%, 0.65%

LAB 69.8, -5.26, 6.85

 

CMYK 4 / 8 / 0 / 33

HEX #A59EAC

RGB 165 158 172

HSL 270, 0.08%, 0.65%

LAB 66.08, 5.22, -6.36

 

CMYK 0 / 3 / 47 / 15

HEX #D8D172

RGB 216 209 114

HSL 55.88, 0.57%, 0.65%

LAB 82.6, -10.49, 47.67

 

CMYK 9 / 0 / 47 / 15

HEX #C4D872

RGB 196 216 114

HSL 71.76, 0.57%, 0.65%

LAB 82.95, -21.91, 47.73

 

CMYK 22 / 0 / 47 / 15

HEX #A9D872

RGB 169 216 114

HSL 87.65, 0.57%, 0.65%

LAB 81.16, -32.14, 45.14

 

CMYK 34 / 0 / 47 / 15

HEX #8ED872

RGB 142 216 114

HSL 103.53, 0.57%, 0.65%

LAB 79.66, -41.57, 42.95

 

CMYK 47 / 0 / 47 / 15

HEX #72D872

RGB 114 216 114

HSL 120, 0.57%, 0.65%

LAB 78.41, -50.14, 41.12

 

CMYK 35 / 0 / 73 / 24

HEX #7FC335

RGB 127 195 53

HSL 88.73, 0.57%, 0.49%

LAB 72.09, -43.46, 60.76

 

CMYK 29 / 0 / 60 / 19

HEX #93CF52

RGB 147 207 82

HSL 88.8, 0.57%, 0.57%

LAB 76.94, -39.3, 54.66

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 17 / 0 / 35 / 12

HEX #BBE193

RGB 187 225 147

HSL 89.23, 0.57%, 0.73%

LAB 85.26, -25.75, 34.19

 

CMYK 11 / 0 / 24 / 8

HEX #D0EAB3

RGB 208 234 179

HSL 88.36, 0.57%, 0.81%

LAB 89.63, -18.04, 23.94

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 47 / 0 / 16 / 15

HEX #72D8B6

RGB 114 216 182

HSL 160, 0.57%, 0.65%

LAB 79.65, -37.79, 7.62

 

CMYK 0 / 47 / 3 / 15

HEX #D872D1

RGB 216 114 209

HSL 304.12, 0.57%, 0.65%

LAB 62.71, 52.87, -31.78

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 47 / 22 / 0 / 15

HEX #72A9D8

RGB 114 169 216

HSL 207.65, 0.57%, 0.65%

LAB 67.21, -5.4, -29.41

 

CMYK 0 / 47 / 22 / 15

HEX #D872A9

RGB 216 114 169

HSL 327.65, 0.57%, 0.65%

LAB 61.22, 46.47, -11.34

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 47 / 0 / 16 / 15

HEX #72D8B6

RGB 114 216 182

HSL 160, 0.57%, 0.65%

LAB 79.65, -37.79, 7.62

 

CMYK 25 / 47 / 0 / 15

HEX #A272D8

RGB 162 114 216

HSL 268.24, 0.57%, 0.65%

LAB 56.76, 38.92, -45.49

 

CMYK 0 / 47 / 31 / 15

HEX #D87294

RGB 216 114 148

HSL 340, 0.57%, 0.65%

LAB 60.58, 43.61, -0.21

 

CMYK 23 / 0 / 47 / 15

HEX #A7D872

RGB 167 216 114

HSL 88.82, 0.57%, 0.65%

LAB 81.04, -32.87, 44.96

 

CMYK 47 / 0 / 1 / 15

HEX #72D8D5

RGB 114 216 213

HSL 178.24, 0.57%, 0.65%

LAB 80.46, -30.42, -7.74

 

CMYK 25 / 47 / 0 / 15

HEX #A272D8

RGB 162 114 216

HSL 268.24, 0.57%, 0.65%

LAB 56.76, 38.92, -45.49

 

CMYK 0 / 47 / 45 / 15

HEX #D87276

RGB 216 114 118

HSL 357.65, 0.57%, 0.65%

LAB 59.84, 40.19, 16.03

 

Description

Color code: HEX #A7D872 | qconv.com Color code: HEX #A7D872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 216 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 216 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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