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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7D1DC it is the complementary color #582E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7D1DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7D1DC shade: #ACD1D7, #BDE3EA, #CEF5FD, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7D1DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7D1DC shade: #A7D1DC, #96BFC9, #85ADB6, #749BA3 and #638990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7D1DC shade: #A7D1DC, #A7C3DC, #A7B4DC, #A8A7DC and #B6A7DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7D1DC shade: #A7D1DC, #A7C3DC, #A7B4DC and #A7A7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7D1DC shade matches the following richer shades: #A7D1DC, #9DD6E6, #93DCEF and #89E2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7D1DC shade: #A7D1DC, #B1CBD2, #BBC5C8, #C5BFBE and #CFBAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7D1DC shade: #A7DCCA, #A7DCD8, #A7D1DC, #A7C3DC and #A7B5DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7D1DC shade: #6CB2C4, #89C1D0, #A7D1DC, #C4E0E7 and #E2F0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7D1DC shade: #A7D1DC, #BCA7DC and #DCD1A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7D1DC shade: #A7D1DC, #DCA7D1 and #D1DCA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7D1DC shade: #A7D1DC, #BCA7DC, #DCB2A7 and #C7DCA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7D1DC shade: #A7D1DC, #CCA7DC, #DCB2A7 and #B7DCA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

Complementary color

CMYK 0 / 48 / 60 / 65

HEX #582E23

RGB 88 46 35

HSL 12.45, 0.43%, 0.24%

LAB 24.16, 17.97, 15.51

 

CMYK 20 / 3 / 0 / 16

HEX #ACD1D7

RGB 172 209 215

HSL 188.37, 0.35%, 0.76%

LAB 81.44, -10.87, -7.03

 

CMYK 19 / 3 / 0 / 8

HEX #BDE3EA

RGB 189 227 234

HSL 189.33, 0.52%, 0.83%

LAB 87.82, -10.86, -7.53

 

CMYK 19 / 3 / 0 / 1

HEX #CEF5FD

RGB 206 245 253

HSL 190.21, 0.92%, 0.9%

LAB 94.11, -10.85, -8.03

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 25 / 5 / 0 / 21

HEX #96BFC9

RGB 150 191 201

HSL 191.76, 0.32%, 0.69%

LAB 74.8, -11.3, -9.5

 

CMYK 27 / 5 / 0 / 29

HEX #85ADB6

RGB 133 173 182

HSL 191.02, 0.25%, 0.62%

LAB 68.21, -11.32, -9.01

 

CMYK 29 / 5 / 0 / 36

HEX #749BA3

RGB 116 155 163

HSL 190.21, 0.2%, 0.55%

LAB 61.48, -11.34, -8.52

 

CMYK 31 / 5 / 0 / 44

HEX #638990

RGB 99 137 144

HSL 189.33, 0.19%, 0.48%

LAB 54.61, -11.37, -8

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 24 / 11 / 0 / 14

HEX #A7C3DC

RGB 167 195 220

HSL 208.3, 0.43%, 0.76%

LAB 77.53, -3.94, -15.59

 

CMYK 24 / 18 / 0 / 14

HEX #A7B4DC

RGB 167 180 220

HSL 225.28, 0.43%, 0.76%

LAB 73.56, 4.16, -21.59

 

CMYK 24 / 24 / 0 / 14

HEX #A8A7DC

RGB 168 167 220

HSL 241.13, 0.43%, 0.76%

LAB 70.27, 11.66, -26.62

 

CMYK 17 / 24 / 0 / 14

HEX #B6A7DC

RGB 182 167 220

HSL 256.98, 0.43%, 0.76%

LAB 71.38, 15.99, -24.81

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 24 / 11 / 0 / 14

HEX #A7C3DC

RGB 167 195 220

HSL 208.3, 0.43%, 0.76%

LAB 77.53, -3.94, -15.59

 

CMYK 24 / 18 / 0 / 14

HEX #A7B4DC

RGB 167 180 220

HSL 225.28, 0.43%, 0.76%

LAB 73.56, 4.16, -21.59

 

CMYK 24 / 24 / 0 / 14

HEX #A7A7DC

RGB 167 167 220

HSL 240, 0.43%, 0.76%

LAB 70.19, 11.35, -26.74

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 32 / 7 / 0 / 10

HEX #9DD6E6

RGB 157 214 230

HSL 193.15, 0.59%, 0.76%

LAB 82.36, -14.44, -13.75

 

CMYK 38 / 8 / 0 / 6

HEX #93DCEF

RGB 147 220 239

HSL 192.39, 0.74%, 0.76%

LAB 83.77, -17.96, -16.47

 

CMYK 45 / 9 / 0 / 2

HEX #89E2F9

RGB 137 226 249

HSL 192.32, 0.9%, 0.76%

LAB 85.28, -20.86, -19.53

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 16 / 3 / 0 / 18

HEX #B1CBD2

RGB 177 203 210

HSL 192.73, 0.27%, 0.76%

LAB 80.02, -7.25, -6.43

 

CMYK 7 / 1 / 0 / 22

HEX #BBC5C8

RGB 187 197 200

HSL 193.85, 0.11%, 0.76%

LAB 78.85, -2.84, -2.69

 

CMYK 0 / 3 / 4 / 23

HEX #C5BFBE

RGB 197 191 190

HSL 8.57, 0.06%, 0.76%

LAB 77.79, 1.92, 1.24

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 24 / 0 / 8 / 14

HEX #A7DCCA

RGB 167 220 202

HSL 159.62, 0.43%, 0.76%

LAB 83.79, -20.7, 3.29

 

CMYK 24 / 0 / 2 / 14

HEX #A7DCD8

RGB 167 220 216

HSL 175.47, 0.43%, 0.76%

LAB 84.15, -17.77, -3.6

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 24 / 11 / 0 / 14

HEX #A7C3DC

RGB 167 195 220

HSL 208.3, 0.43%, 0.76%

LAB 77.53, -3.94, -15.59

 

CMYK 24 / 18 / 0 / 14

HEX #A7B5DC

RGB 167 181 220

HSL 224.15, 0.43%, 0.76%

LAB 73.82, 3.61, -21.19

 

CMYK 45 / 9 / 0 / 23

HEX #6CB2C4

RGB 108 178 196

HSL 192.27, 0.43%, 0.6%

LAB 68.76, -17.27, -16.05

 

CMYK 34 / 7 / 0 / 18

HEX #89C1D0

RGB 137 193 208

HSL 192.68, 0.43%, 0.68%

LAB 74.83, -14.43, -13.33

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 15 / 3 / 0 / 9

HEX #C4E0E7

RGB 196 224 231

HSL 192, 0.42%, 0.84%

LAB 87.4, -7.78, -6.54

 

CMYK 7 / 1 / 0 / 5

HEX #E2F0F3

RGB 226 240 243

HSL 190.59, 0.41%, 0.92%

LAB 93.87, -4.04, -3.05

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 15 / 24 / 0 / 14

HEX #BCA7DC

RGB 188 167 220

HSL 263.77, 0.43%, 0.76%

LAB 71.89, 17.88, -23.99

 

CMYK 0 / 5 / 24 / 14

HEX #DCD1A7

RGB 220 209 167

HSL 47.55, 0.43%, 0.76%

LAB 83.76, -2.78, 22.24

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 0 / 24 / 5 / 14

HEX #DCA7D1

RGB 220 167 209

HSL 312.45, 0.43%, 0.76%

LAB 74.48, 26.25, -13.76

 

CMYK 5 / 0 / 24 / 14

HEX #D1DCA7

RGB 209 220 167

HSL 72.45, 0.43%, 0.76%

LAB 85.77, -12.48, 24.86

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 15 / 24 / 0 / 14

HEX #BCA7DC

RGB 188 167 220

HSL 263.77, 0.43%, 0.76%

LAB 71.89, 17.88, -23.99

 

CMYK 0 / 19 / 24 / 14

HEX #DCB2A7

RGB 220 178 167

HSL 12.45, 0.43%, 0.76%

LAB 75.97, 13.57, 11.37

 

CMYK 10 / 0 / 24 / 14

HEX #C7DCA7

RGB 199 220 167

HSL 83.77, 0.43%, 0.76%

LAB 85.06, -16.12, 23.77

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 7 / 24 / 0 / 14

HEX #CCA7DC

RGB 204 167 220

HSL 281.89, 0.43%, 0.76%

LAB 73.31, 23.02, -21.69

 

CMYK 0 / 19 / 24 / 14

HEX #DCB2A7

RGB 220 178 167

HSL 12.45, 0.43%, 0.76%

LAB 75.97, 13.57, 11.37

 

CMYK 17 / 0 / 24 / 14

HEX #B7DCA7

RGB 183 220 167

HSL 101.89, 0.43%, 0.76%

LAB 83.99, -21.79, 22.13

 

Description

Color code: HEX #A7D1DC | qconv.com Color code: HEX #A7D1DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 209 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 209 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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