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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7EA6A it is the complementary color #581595. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7EA6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7EA6A shade: #ACEA65, #BDFC78, #CEFF8B, #DFFF9E and #F0FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7EA6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7EA6A shade: #A7EA6A, #96D857, #85C644, #74B431 and #63A21E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7EA6A shade: #A7E96B, #C9E96B, #E9E76B, #E9C56B and #E9A36B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7EA6A shade: #A7E96B, #85E96B, #6BE973, #6BE995 and #6BE9B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7EA6A shade matches the following richer shades: #A7E96B and #A7F75E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7EA6A shade: #A7E96B, #A8DC79, #A9CE86, #A9C194 and #AAB3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7EA6A shade: #E9E76B, #CAE96B, #A8E96B, #87E96B and #6BE972

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7EA6A shade: #7DDF23, #92E447, #A7E96B, #BDEF8F and #D2F4B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7EA6A shade: #A7EA6A, #6BE9C6 and #E96BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7EA6A shade: #A7EA6A, #6BA8E9 and #E96BA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7EA6A shade: #A7EA6A, #6BE9C6, #AC6BE9 and #E96B8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7EA6A shade: #A7EA6A, #6BE7E9, #AC6BE9 and #E96D6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

Complementary color

CMYK 41 / 86 / 0 / 42

HEX #581595

RGB 88 21 149

HSL 271.41, 0.75%, 0.33%

LAB 26.1, 52.33, -55.86

 

CMYK 26 / 0 / 57 / 8

HEX #ACEA65

RGB 172 234 101

HSL 87.97, 0.76%, 0.66%

LAB 86.28, -40.55, 57.29

 

CMYK 25 / 0 / 52 / 1

HEX #BDFC78

RGB 189 252 120

HSL 88.64, 0.96%, 0.73%

LAB 92.48, -40.63, 56.27

 

CMYK 19 / 0 / 45 / 0

HEX #CEFF8B

RGB 206 255 139

HSL 85.34, 1%, 0.77%

LAB 94.53, -33.93, 50.19

 

CMYK 13 / 0 / 38 / 0

HEX #DFFF9E

RGB 223 255 158

HSL 79.79, 1%, 0.81%

LAB 95.86, -25.61, 42.97

 

CMYK 6 / 0 / 31 / 0

HEX #F0FFB1

RGB 240 255 177

HSL 71.54, 1%, 0.85%

LAB 97.32, -17.08, 35.72

 

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

CMYK 31 / 0 / 60 / 15

HEX #96D857

RGB 150 216 87

HSL 90.7, 0.62%, 0.59%

LAB 79.78, -41.74, 55.7

 

CMYK 33 / 0 / 66 / 22

HEX #85C644

RGB 133 198 68

HSL 90, 0.53%, 0.52%

LAB 73.41, -41.55, 56.49

 

CMYK 36 / 0 / 73 / 29

HEX #74B431

RGB 116 180 49

HSL 89.31, 0.57%, 0.45%

LAB 66.96, -41.21, 56.9

 

CMYK 39 / 0 / 81 / 36

HEX #63A21E

RGB 99 162 30

HSL 88.64, 0.69%, 0.38%

LAB 60.42, -40.66, 56.58

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 14 / 0 / 54 / 9

HEX #C9E96B

RGB 201 233 107

HSL 75.24, 0.74%, 0.67%

LAB 87.85, -28.77, 56.89

 

CMYK 0 / 1 / 54 / 9

HEX #E9E76B

RGB 233 231 107

HSL 59.05, 0.74%, 0.67%

LAB 89.64, -15.22, 59.56

 

CMYK 0 / 15 / 54 / 9

HEX #E9C56B

RGB 233 197 107

HSL 42.86, 0.74%, 0.67%

LAB 80.92, 1.99, 49.38

 

CMYK 0 / 30 / 54 / 9

HEX #E9A36B

RGB 233 163 107

HSL 26.67, 0.74%, 0.67%

LAB 72.61, 19.93, 39.26

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 43 / 0 / 54 / 9

HEX #85E96B

RGB 133 233 107

HSL 107.62, 0.74%, 0.67%

LAB 84.14, -52.4, 51.6

 

CMYK 54 / 0 / 51 / 9

HEX #6BE973

RGB 107 233 115

HSL 123.81, 0.74%, 0.67%

LAB 83.25, -58.52, 46.58

 

CMYK 54 / 0 / 36 / 9

HEX #6BE995

RGB 107 233 149

HSL 140, 0.74%, 0.67%

LAB 83.74, -53.29, 30.47

 

CMYK 54 / 0 / 21 / 9

HEX #6BE9B7

RGB 107 233 183

HSL 156.19, 0.74%, 0.67%

LAB 84.39, -46.67, 13.8

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 32 / 0 / 62 / 3

HEX #A7F75E

RGB 167 247 94

HSL 91.37, 0.91%, 0.67%

LAB 89.65, -48.5, 63.96

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 24 / 0 / 45 / 14

HEX #A8DC79

RGB 168 220 121

HSL 91.52, 0.59%, 0.67%

LAB 82.32, -33.54, 43.16

 

CMYK 18 / 0 / 35 / 19

HEX #A9CE86

RGB 169 206 134

HSL 90.83, 0.42%, 0.67%

LAB 78.64, -24.86, 31.9

 

CMYK 12 / 0 / 23 / 24

HEX #A9C194

RGB 169 193 148

HSL 92, 0.27%, 0.67%

LAB 75.27, -16.31, 20.01

 

CMYK 5 / 0 / 9 / 30

HEX #AAB3A2

RGB 170 179 162

HSL 91.76, 0.1%, 0.67%

LAB 71.82, -6.3, 7.59

 

CMYK 0 / 1 / 54 / 9

HEX #E9E76B

RGB 233 231 107

HSL 59.05, 0.74%, 0.67%

LAB 89.64, -15.22, 59.56

 

CMYK 13 / 0 / 54 / 9

HEX #CAE96B

RGB 202 233 107

HSL 74.76, 0.74%, 0.67%

LAB 87.92, -28.38, 56.98

 

CMYK 28 / 0 / 54 / 9

HEX #A8E96B

RGB 168 233 107

HSL 90.95, 0.74%, 0.67%

LAB 85.84, -40.95, 54.03

 

CMYK 42 / 0 / 54 / 9

HEX #87E96B

RGB 135 233 107

HSL 106.67, 0.74%, 0.67%

LAB 84.22, -51.8, 51.72

 

CMYK 54 / 0 / 51 / 9

HEX #6BE972

RGB 107 233 114

HSL 123.33, 0.74%, 0.67%

LAB 83.24, -58.65, 47.04

 

CMYK 44 / 0 / 84 / 13

HEX #7DDF23

RGB 125 223 35

HSL 91.28, 0.75%, 0.51%

LAB 80.32, -56.3, 73.53

 

CMYK 36 / 0 / 69 / 11

HEX #92E447

RGB 146 228 71

HSL 91.34, 0.74%, 0.59%

LAB 82.94, -49.5, 65.51

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 21 / 0 / 40 / 6

HEX #BDEF8F

RGB 189 239 143

HSL 91.25, 0.75%, 0.75%

LAB 89.17, -32.16, 41.3

 

CMYK 14 / 0 / 27 / 4

HEX #D2F4B3

RGB 210 244 179

HSL 91.38, 0.75%, 0.83%

LAB 92.42, -22.21, 27.78

 

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

CMYK 54 / 0 / 15 / 9

HEX #6BE9C6

RGB 107 233 198

HSL 163.33, 0.74%, 0.67%

LAB 84.73, -43.35, 6.43

 

CMYK 0 / 54 / 6 / 9

HEX #E96BDB

RGB 233 107 219

HSL 306.67, 0.74%, 0.67%

LAB 64.12, 62.66, -35.01

 

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

CMYK 54 / 28 / 0 / 9

HEX #6BA8E9

RGB 107 168 233

HSL 210.95, 0.74%, 0.67%

LAB 67.29, -1.39, -38.66

 

CMYK 0 / 54 / 28 / 9

HEX #E96BA8

RGB 233 107 168

HSL 330.95, 0.74%, 0.67%

LAB 62.22, 55.19, -9.02

 

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

CMYK 54 / 0 / 15 / 9

HEX #6BE9C6

RGB 107 233 198

HSL 163.33, 0.74%, 0.67%

LAB 84.73, -43.35, 6.43

 

CMYK 26 / 54 / 0 / 9

HEX #AC6BE9

RGB 172 107 233

HSL 270.95, 0.74%, 0.67%

LAB 57.24, 49.32, -54.19

 

CMYK 0 / 54 / 39 / 9

HEX #E96B8F

RGB 233 107 143

HSL 342.86, 0.74%, 0.67%

LAB 61.5, 52.21, 4.3

 

CMYK 29 / 0 / 55 / 8

HEX #A7EA6A

RGB 167 234 106

HSL 91.41, 0.75%, 0.67%

LAB 86.06, -41.84, 54.73

 

CMYK 54 / 1 / 0 / 9

HEX #6BE7E9

RGB 107 231 233

HSL 180.95, 0.74%, 0.67%

LAB 85.08, -33.82, -11.5

 

CMYK 26 / 54 / 0 / 9

HEX #AC6BE9

RGB 172 107 233

HSL 270.95, 0.74%, 0.67%

LAB 57.24, 49.32, -54.19

 

CMYK 0 / 53 / 54 / 9

HEX #E96D6B

RGB 233 109 107

HSL 0.95, 0.74%, 0.67%

LAB 61.07, 47.83, 24.4

 

Description

Color code: HEX #A7EA6A | qconv.com Color code: HEX #A7EA6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 234 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 234 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 55 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 55% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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