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Color name
HEX #A7EBFB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7EBFB it is the complementary color #581404. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7EBFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7EBFB shade: #ACEBF6, #BDFDFF, #CEFFFF, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7EBFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7EBFB shade: #A7EBFB, #96D9E8, #85C7D5, #74B5C2 and #63A3AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7EBFB shade: #A7EAFA, #A7D4FA, #A7BDFA, #A7A7FA and #BDA7FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7EBFB shade: #A7EAFA, #A7D4FA, #A7BDFA, #A7A7FA and #A7A7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7EBFB shade matches the following richer shades: #A7EAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7EBFB shade: #A7EAFA, #AEE6F3, #B6E1EC, #BDDDE4 and #C5D8DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7EBFB shade: #A7FADD, #A7FAF3, #A7EBFA, #A7D5FA and #A7BFFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7EBFB shade: #58D8F7, #7FE1F9, #A7EAFA, #CEF3FC and #F6FCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7EBFB shade: #A7EBFB, #C7A7FA and #FAE8A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7EBFB shade: #A7EBFB, #FAA7EB and #EBFAA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7EBFB shade: #A7EBFB, #C7A7FA, #FAB6A7 and #DAFAA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7EBFB shade: #A7EBFB, #E0A7FA, #FAB6A7 and #C1FAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

Complementary color

CMYK 0 / 77 / 95 / 65

HEX #581404

RGB 88 20 4

HSL 11.43, 0.91%, 0.18%

LAB 18.29, 30.3, 26

 

CMYK 30 / 4 / 0 / 4

HEX #ACEBF6

RGB 172 235 246

HSL 188.92, 0.8%, 0.82%

LAB 89.32, -17.19, -11.71

 

CMYK 26 / 1 / 0 / 0

HEX #BDFDFF

RGB 189 253 255

HSL 181.82, 1%, 0.87%

LAB 95.28, -19.36, -7.43

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

CMYK 35 / 6 / 0 / 9

HEX #96D9E8

RGB 150 217 232

HSL 190.98, 0.64%, 0.75%

LAB 82.88, -17.38, -14.08

 

CMYK 38 / 7 / 0 / 16

HEX #85C7D5

RGB 133 199 213

HSL 190.5, 0.49%, 0.68%

LAB 76.46, -17.37, -13.62

 

CMYK 40 / 7 / 0 / 24

HEX #74B5C2

RGB 116 181 194

HSL 190, 0.39%, 0.61%

LAB 69.93, -17.34, -13.14

 

CMYK 43 / 7 / 0 / 31

HEX #63A3AF

RGB 99 163 175

HSL 189.47, 0.32%, 0.54%

LAB 63.3, -17.29, -12.65

 

CMYK 33 / 6 / 0 / 2

HEX #A7EAFA

RGB 167 234 250

HSL 191.57, 0.89%, 0.82%

LAB 88.91, -17.12, -14.45

 

CMYK 33 / 15 / 0 / 2

HEX #A7D4FA

RGB 167 212 250

HSL 207.47, 0.89%, 0.82%

LAB 83.02, -5.83, -23.33

 

CMYK 33 / 24 / 0 / 2

HEX #A7BDFA

RGB 167 189 250

HSL 224.1, 0.89%, 0.82%

LAB 76.99, 6.52, -32.56

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 24 / 33 / 0 / 2

HEX #BDA7FA

RGB 189 167 250

HSL 255.9, 0.89%, 0.82%

LAB 73.13, 24.93, -38.41

 

CMYK 33 / 6 / 0 / 2

HEX #A7EAFA

RGB 167 234 250

HSL 191.57, 0.89%, 0.82%

LAB 88.91, -17.12, -14.45

 

CMYK 33 / 15 / 0 / 2

HEX #A7D4FA

RGB 167 212 250

HSL 207.47, 0.89%, 0.82%

LAB 83.02, -5.83, -23.33

 

CMYK 33 / 24 / 0 / 2

HEX #A7BDFA

RGB 167 189 250

HSL 224.1, 0.89%, 0.82%

LAB 76.99, 6.52, -32.56

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 33 / 6 / 0 / 2

HEX #A7EAFA

RGB 167 234 250

HSL 191.57, 0.89%, 0.82%

LAB 88.91, -17.12, -14.45

 

CMYK 33 / 6 / 0 / 2

HEX #A7EAFA

RGB 167 234 250

HSL 191.57, 0.89%, 0.82%

LAB 88.91, -17.12, -14.45

 

CMYK 28 / 5 / 0 / 5

HEX #AEE6F3

RGB 174 230 243

HSL 191.3, 0.74%, 0.82%

LAB 88, -14.8, -12.1

 

CMYK 23 / 5 / 0 / 7

HEX #B6E1EC

RGB 182 225 236

HSL 192.22, 0.59%, 0.82%

LAB 86.92, -11.51, -9.97

 

CMYK 17 / 3 / 0 / 11

HEX #BDDDE4

RGB 189 221 228

HSL 190.77, 0.42%, 0.82%

LAB 86.07, -9.04, -6.96

 

CMYK 11 / 2 / 0 / 13

HEX #C5D8DD

RGB 197 216 221

HSL 192.5, 0.26%, 0.82%

LAB 85.1, -5.35, -4.64

 

CMYK 33 / 0 / 12 / 2

HEX #A7FADD

RGB 167 250 221

HSL 159.04, 0.89%, 0.82%

LAB 92.49, -31.28, 5.93

 

CMYK 33 / 0 / 3 / 2

HEX #A7FAF3

RGB 167 250 243

HSL 174.94, 0.89%, 0.82%

LAB 93.04, -26.57, -4.66

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFA

RGB 167 235 250

HSL 190.84, 0.89%, 0.82%

LAB 89.17, -17.62, -14.05

 

CMYK 33 / 15 / 0 / 2

HEX #A7D5FA

RGB 167 213 250

HSL 206.75, 0.89%, 0.82%

LAB 83.29, -6.35, -22.92

 

CMYK 33 / 24 / 0 / 2

HEX #A7BFFA

RGB 167 191 250

HSL 222.65, 0.89%, 0.82%

LAB 77.51, 5.43, -31.76

 

CMYK 64 / 13 / 0 / 3

HEX #58D8F7

RGB 88 216 247

HSL 191.7, 0.91%, 0.66%

LAB 80.68, -25.98, -25.6

 

CMYK 49 / 10 / 0 / 2

HEX #7FE1F9

RGB 127 225 249

HSL 191.8, 0.91%, 0.74%

LAB 84.59, -22.6, -20.61

 

CMYK 33 / 6 / 0 / 2

HEX #A7EAFA

RGB 167 234 250

HSL 191.57, 0.89%, 0.82%

LAB 88.91, -17.12, -14.45

 

CMYK 18 / 4 / 0 / 1

HEX #CEF3FC

RGB 206 243 252

HSL 191.74, 0.88%, 0.9%

LAB 93.56, -10.05, -8.32

 

CMYK 3 / 1 / 0 / 0

HEX #F6FCFE

RGB 246 252 254

HSL 195, 0.8%, 0.98%

LAB 98.58, -1.61, -1.65

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

CMYK 20 / 33 / 0 / 2

HEX #C7A7FA

RGB 199 167 250

HSL 263.13, 0.89%, 0.82%

LAB 73.99, 27.84, -37.01

 

CMYK 0 / 7 / 33 / 2

HEX #FAE8A7

RGB 250 232 167

HSL 46.99, 0.89%, 0.82%

LAB 92.05, -3.19, 33.88

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 6 / 0 / 33 / 2

HEX #EBFAA7

RGB 235 250 167

HSL 70.84, 0.89%, 0.82%

LAB 95.51, -17.73, 38.23

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

CMYK 20 / 33 / 0 / 2

HEX #C7A7FA

RGB 199 167 250

HSL 263.13, 0.89%, 0.82%

LAB 73.99, 27.84, -37.01

 

CMYK 0 / 27 / 33 / 2

HEX #FAB6A7

RGB 250 182 167

HSL 10.84, 0.89%, 0.82%

LAB 79.94, 22.72, 17.38

 

CMYK 13 / 0 / 33 / 2

HEX #DAFAA7

RGB 218 250 167

HSL 83.13, 0.89%, 0.82%

LAB 94.34, -23.91, 36.48

 

CMYK 33 / 6 / 0 / 2

HEX #A7EBFB

RGB 167 235 251

HSL 191.43, 0.91%, 0.82%

LAB 89.2, -17.38, -14.53

 

CMYK 10 / 33 / 0 / 2

HEX #E0A7FA

RGB 224 167 250

HSL 281.2, 0.89%, 0.82%

LAB 76.31, 35.33, -33.23

 

CMYK 0 / 27 / 33 / 2

HEX #FAB6A7

RGB 250 182 167

HSL 10.84, 0.89%, 0.82%

LAB 79.94, 22.72, 17.38

 

CMYK 23 / 0 / 33 / 2

HEX #C1FAA7

RGB 193 250 167

HSL 101.2, 0.89%, 0.82%

LAB 92.79, -32.64, 34.15

 

Description

Color code: HEX #A7EBFB | qconv.com Color code: HEX #A7EBFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 235 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 235 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 6 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 6% 0% 2% C M Y K

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Provide designers and agencies with accurate color values.

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