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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7F43B it is the complementary color #580BC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7F43B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7F43B shade: #ACF436, #BDFF49, #CEFF5C, #DFFF6F and #F0FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7F43B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7F43B shade: #A7F43B, #96E228, #85D015, #74BE02 and #63AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7F43B shade: #A6F339, #D8F339, #F3DC39, #F3AA39 and #F37839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7F43B shade: #A6F339, #73F339, #41F339, #39F363 and #39F395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7F43B shade matches the following richer shades: #A6F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7F43B shade: #A6F339, #A3E24A, #A0D15B, #9DC06C and #9AAF7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7F43B shade: #F3DA39, #DAF339, #A9F339, #77F339 and #45F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7F43B shade: #7DCE0C, #94F112, #A6F339, #B7F560 and #C9F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7F43B shade: #A7F43B, #39F3A9 and #F339F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7F43B shade: #A7F43B, #39A9F3 and #F339A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7F43B shade: #A7F43B, #39F3A9, #8339F3 and #F33983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7F43B shade: #A7F43B, #39F3E0, #8339F3 and #F3394C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

Complementary color

CMYK 55 / 94 / 0 / 23

HEX #580BC4

RGB 88 11 196

HSL 264.97, 0.89%, 0.41%

LAB 30.16, 65.79, -77.45

 

CMYK 30 / 0 / 78 / 4

HEX #ACF436

RGB 172 244 54

HSL 82.74, 0.9%, 0.58%

LAB 88.8, -48.01, 77.2

 

CMYK 26 / 0 / 71 / 0

HEX #BDFF49

RGB 189 255 73

HSL 81.76, 1%, 0.64%

LAB 92.94, -45.58, 75.6

 

CMYK 19 / 0 / 64 / 0

HEX #CEFF5C

RGB 206 255 92

HSL 78.04, 1%, 0.68%

LAB 94.06, -38.12, 70.16

 

CMYK 13 / 0 / 56 / 0

HEX #DFFF6F

RGB 223 255 111

HSL 73.33, 1%, 0.72%

LAB 95.31, -30.28, 64.05

 

CMYK 6 / 0 / 49 / 0

HEX #F0FF82

RGB 240 255 130

HSL 67.2, 1%, 0.75%

LAB 96.68, -22.17, 57.51

 

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

CMYK 34 / 0 / 82 / 11

HEX #96E228

RGB 150 226 40

HSL 84.52, 0.76%, 0.52%

LAB 82.39, -48.93, 74.64

 

CMYK 36 / 0 / 90 / 18

HEX #85D015

RGB 133 208 21

HSL 84.06, 0.82%, 0.45%

LAB 76.16, -48.1, 72.81

 

CMYK 39 / 0 / 99 / 25

HEX #74BE02

RGB 116 190 2

HSL 83.62, 0.98%, 0.38%

LAB 69.86, -47.05, 69.73

 

CMYK 42 / 0 / 100 / 33

HEX #63AC00

RGB 99 172 0

HSL 85.47, 1%, 0.34%

LAB 63.47, -45.67, 64.65

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 11 / 0 / 77 / 5

HEX #D8F339

RGB 216 243 57

HSL 68.71, 0.89%, 0.59%

LAB 91.23, -30.67, 79.57

 

CMYK 0 / 9 / 77 / 5

HEX #F3DC39

RGB 243 220 57

HSL 52.58, 0.89%, 0.59%

LAB 87.26, -8.46, 76.73

 

CMYK 0 / 30 / 77 / 5

HEX #F3AA39

RGB 243 170 57

HSL 36.45, 0.89%, 0.59%

LAB 74.89, 17.38, 65.25

 

CMYK 0 / 51 / 77 / 5

HEX #F37839

RGB 243 120 57

HSL 20.32, 0.89%, 0.59%

LAB 63.98, 43.25, 54.64

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 53 / 0 / 77 / 5

HEX #73F339

RGB 115 243 57

HSL 101.29, 0.89%, 0.59%

LAB 86.03, -65.52, 72.84

 

CMYK 73 / 0 / 77 / 5

HEX #41F339

RGB 65 243 57

HSL 117.42, 0.89%, 0.59%

LAB 84.75, -76, 71.17

 

CMYK 77 / 0 / 59 / 5

HEX #39F363

RGB 57 243 99

HSL 133.55, 0.89%, 0.59%

LAB 84.93, -73.32, 55.56

 

CMYK 77 / 0 / 39 / 5

HEX #39F395

RGB 57 243 149

HSL 149.68, 0.89%, 0.59%

LAB 85.58, -65.76, 32.7

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 28 / 0 / 67 / 11

HEX #A3E24A

RGB 163 226 74

HSL 84.87, 0.72%, 0.59%

LAB 83.27, -42.46, 65

 

CMYK 23 / 0 / 56 / 18

HEX #A0D15B

RGB 160 209 91

HSL 84.92, 0.56%, 0.59%

LAB 78.36, -34.6, 52.48

 

CMYK 18 / 0 / 44 / 25

HEX #9DC06C

RGB 157 192 108

HSL 85, 0.4%, 0.59%

LAB 73.51, -25.88, 38.44

 

CMYK 12 / 0 / 29 / 31

HEX #9AAF7D

RGB 154 175 125

HSL 85.2, 0.24%, 0.59%

LAB 68.76, -16.21, 23.3

 

CMYK 0 / 10 / 77 / 5

HEX #F3DA39

RGB 243 218 57

HSL 51.94, 0.89%, 0.59%

LAB 86.75, -7.45, 76.26

 

CMYK 10 / 0 / 77 / 5

HEX #DAF339

RGB 218 243 57

HSL 68.06, 0.89%, 0.59%

LAB 91.37, -29.87, 79.75

 

CMYK 30 / 0 / 77 / 5

HEX #A9F339

RGB 169 243 57

HSL 83.87, 0.89%, 0.59%

LAB 88.37, -48.53, 75.88

 

CMYK 51 / 0 / 77 / 5

HEX #77F339

RGB 119 243 57

HSL 100, 0.89%, 0.59%

LAB 86.17, -64.44, 73.02

 

CMYK 72 / 0 / 77 / 5

HEX #45F339

RGB 69 243 57

HSL 116.13, 0.89%, 0.59%

LAB 84.82, -75.37, 71.26

 

CMYK 39 / 0 / 94 / 19

HEX #7DCE0C

RGB 125 206 12

HSL 85.05, 0.89%, 0.43%

LAB 75.16, -50.25, 73.05

 

CMYK 39 / 0 / 93 / 5

HEX #94F112

RGB 148 241 18

HSL 85.02, 0.89%, 0.51%

LAB 86.63, -56.23, 82.05

 

CMYK 32 / 0 / 77 / 5

HEX #A6F339

RGB 166 243 57

HSL 84.84, 0.89%, 0.59%

LAB 88.21, -49.59, 75.68

 

CMYK 25 / 0 / 61 / 4

HEX #B7F560

RGB 183 245 96

HSL 84.97, 0.88%, 0.67%

LAB 89.96, -41.86, 63.72

 

CMYK 19 / 0 / 46 / 3

HEX #C9F887

RGB 201 248 135

HSL 84.96, 0.89%, 0.75%

LAB 92.27, -32.97, 49.21

 

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

CMYK 77 / 0 / 30 / 5

HEX #39F3A9

RGB 57 243 169

HSL 156.13, 0.89%, 0.59%

LAB 85.92, -61.85, 23.02

 

CMYK 0 / 77 / 0 / 5

HEX #F339F3

RGB 243 57 243

HSL 300, 0.89%, 0.59%

LAB 60.29, 86.79, -54.33

 

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

CMYK 77 / 30 / 0 / 5

HEX #39A9F3

RGB 57 169 243

HSL 203.87, 0.89%, 0.59%

LAB 66.3, -6.73, -45.79

 

CMYK 0 / 77 / 30 / 5

HEX #F339A9

RGB 243 57 169

HSL 323.87, 0.89%, 0.59%

LAB 56.92, 77.05, -17.42

 

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

CMYK 77 / 0 / 30 / 5

HEX #39F3A9

RGB 57 243 169

HSL 156.13, 0.89%, 0.59%

LAB 85.92, -61.85, 23.02

 

CMYK 46 / 77 / 0 / 5

HEX #8339F3

RGB 131 57 243

HSL 263.87, 0.89%, 0.59%

LAB 44.55, 67.69, -80.56

 

CMYK 0 / 77 / 46 / 5

HEX #F33983

RGB 243 57 131

HSL 336.13, 0.89%, 0.59%

LAB 55.7, 73.34, 3.17

 

CMYK 32 / 0 / 76 / 4

HEX #A7F43B

RGB 167 244 59

HSL 84.97, 0.89%, 0.59%

LAB 88.56, -49.56, 75.43

 

CMYK 77 / 0 / 8 / 5

HEX #39F3E0

RGB 57 243 224

HSL 173.87, 0.89%, 0.59%

LAB 87.17, -48.77, -3.8

 

CMYK 46 / 77 / 0 / 5

HEX #8339F3

RGB 131 57 243

HSL 263.87, 0.89%, 0.59%

LAB 44.55, 67.69, -80.56

 

CMYK 0 / 77 / 69 / 5

HEX #F3394C

RGB 243 57 76

HSL 353.87, 0.89%, 0.59%

LAB 54.56, 69.73, 34.25

 

Description

Color code: HEX #A7F43B | qconv.com Color code: HEX #A7F43B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 244 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 244 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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