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Color name
HEX #A40D6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A40D6C it is the complementary color #5BF293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A40D6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A40D6C shade: #A90D67, #BA1F7A, #CB318D, #DC43A0 and #ED55B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A40D6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A40D6C shade: #A40D6C, #930059, #820046, #710033 and #600020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A40D6C shade: #A50D6C, #A50D43, #A50D1B and #A50D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A40D6C shade: #A50D6C, #A50D95, #8B0DA5, #620DA5 and #390DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A40D6C shade matches the following richer shades: #A50D6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A40D6C shade: #A50D6C, #961B69, #882A65, #793861 and #6B475D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A40D6C shade: #8B0DA5, #A50D95, #A50D6D, #A50D45 and #A50D1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A40D6C shade: #58073A, #7E0A53, #A50D6C, #CB1086 and #EC189D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A40D6C shade: #A40D6C, #A5630D and #0DA5A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A40D6C shade: #A40D6C, #6DA50D and #0D6DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A40D6C shade: #A40D6C, #A5630D, #0DA545 and #0D4FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A40D6C shade: #A40D6C, #A5900D, #0DA545 and #0D21A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

Complementary color

CMYK 62 / 0 / 39 / 5

HEX #5BF293

RGB 91 242 147

HSL 142.25, 0.85%, 0.65%

LAB 85.92, -60.52, 34.28

 

CMYK 0 / 92 / 39 / 34

HEX #A90D67

RGB 169 13 103

HSL 325.38, 0.86%, 0.36%

LAB 37.3, 62.37, -8.33

 

CMYK 0 / 83 / 34 / 27

HEX #BA1F7A

RGB 186 31 122

HSL 324.77, 0.71%, 0.43%

LAB 42.5, 64.99, -12.09

 

CMYK 0 / 76 / 31 / 20

HEX #CB318D

RGB 203 49 141

HSL 324.16, 0.61%, 0.49%

LAB 48.03, 66.46, -15

 

CMYK 0 / 70 / 27 / 14

HEX #DC43A0

RGB 220 67 160

HSL 323.53, 0.69%, 0.56%

LAB 53.78, 67.14, -17.3

 

CMYK 0 / 64 / 24 / 7

HEX #ED55B3

RGB 237 85 179

HSL 322.89, 0.81%, 0.63%

LAB 59.67, 67.29, -19.13

 

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

CMYK 0 / 100 / 39 / 42

HEX #930059

RGB 147 0 89

HSL 323.67, 1%, 0.29%

LAB 31.63, 57.7, -8.28

 

CMYK 0 / 100 / 46 / 49

HEX #820046

RGB 130 0 70

HSL 327.69, 1%, 0.25%

LAB 27.26, 51.99, -2.57

 

CMYK 0 / 100 / 55 / 56

HEX #710033

RGB 113 0 51

HSL 332.92, 1%, 0.22%

LAB 22.83, 46.22, 3.56

 

CMYK 0 / 100 / 67 / 62

HEX #600020

RGB 96 0 32

HSL 340, 1%, 0.19%

LAB 18.33, 40.44, 10.21

 

CMYK 0 / 92 / 35 / 35

HEX #A50D6C

RGB 165 13 108

HSL 322.5, 0.85%, 0.35%

LAB 36.69, 61.98, -12.52

 

CMYK 0 / 92 / 59 / 35

HEX #A50D43

RGB 165 13 67

HSL 338.68, 0.85%, 0.35%

LAB 35.39, 58.41, 12.03

 

CMYK 0 / 92 / 84 / 35

HEX #A50D1B

RGB 165 13 27

HSL 354.47, 0.85%, 0.35%

LAB 34.73, 56.58, 36.37

 

CMYK 0 / 92 / 92 / 35

HEX #A50D0D

RGB 165 13 13

HSL 0, 0.85%, 0.35%

LAB 34.63, 56.29, 43.33

 

CMYK 0 / 92 / 35 / 35

HEX #A50D6C

RGB 165 13 108

HSL 322.5, 0.85%, 0.35%

LAB 36.69, 61.98, -12.52

 

CMYK 0 / 92 / 10 / 35

HEX #A50D95

RGB 165 13 149

HSL 306.32, 0.85%, 0.35%

LAB 38.65, 67.12, -34.96

 

CMYK 16 / 92 / 0 / 35

HEX #8B0DA5

RGB 139 13 165

HSL 289.74, 0.85%, 0.35%

LAB 34.99, 65.11, -50.78

 

CMYK 41 / 92 / 0 / 35

HEX #620DA5

RGB 98 13 165

HSL 273.55, 0.85%, 0.35%

LAB 28.38, 59.33, -61.83

 

CMYK 65 / 92 / 0 / 35

HEX #390DA5

RGB 57 13 165

HSL 257.37, 0.85%, 0.35%

LAB 23.25, 55.48, -70.48

 

CMYK 0 / 92 / 35 / 35

HEX #A50D6C

RGB 165 13 108

HSL 322.5, 0.85%, 0.35%

LAB 36.69, 61.98, -12.52

 

CMYK 0 / 92 / 35 / 35

HEX #A50D6C

RGB 165 13 108

HSL 322.5, 0.85%, 0.35%

LAB 36.69, 61.98, -12.52

 

CMYK 0 / 82 / 30 / 41

HEX #961B69

RGB 150 27 105

HSL 321.95, 0.69%, 0.35%

LAB 34.58, 55.29, -14.1

 

CMYK 0 / 69 / 26 / 47

HEX #882A65

RGB 136 42 101

HSL 322.34, 0.53%, 0.35%

LAB 33.63, 45.87, -13.22

 

CMYK 0 / 54 / 20 / 53

HEX #793861

RGB 121 56 97

HSL 322.15, 0.37%, 0.35%

LAB 33.47, 33.76, -11.13

 

CMYK 0 / 34 / 13 / 58

HEX #6B475D

RGB 107 71 93

HSL 323.33, 0.2%, 0.35%

LAB 34.85, 19.15, -6.7

 

CMYK 16 / 92 / 0 / 35

HEX #8B0DA5

RGB 139 13 165

HSL 289.74, 0.85%, 0.35%

LAB 34.99, 65.11, -50.78

 

CMYK 0 / 92 / 10 / 35

HEX #A50D95

RGB 165 13 149

HSL 306.32, 0.85%, 0.35%

LAB 38.65, 67.12, -34.96

 

CMYK 0 / 92 / 34 / 35

HEX #A50D6D

RGB 165 13 109

HSL 322.11, 0.85%, 0.35%

LAB 36.73, 62.08, -13.09

 

CMYK 0 / 92 / 58 / 35

HEX #A50D45

RGB 165 13 69

HSL 337.89, 0.85%, 0.35%

LAB 35.43, 58.55, 10.79

 

CMYK 0 / 92 / 83 / 35

HEX #A50D1C

RGB 165 13 28

HSL 354.08, 0.85%, 0.35%

LAB 34.74, 56.61, 35.82

 

CMYK 0 / 92 / 34 / 65

HEX #58073A

RGB 88 7 58

HSL 322.22, 0.85%, 0.19%

LAB 18.06, 38.81, -9.04

 

CMYK 0 / 92 / 34 / 51

HEX #7E0A53

RGB 126 10 83

HSL 322.24, 0.85%, 0.27%

LAB 27.51, 50.63, -10.99

 

CMYK 0 / 92 / 35 / 35

HEX #A50D6C

RGB 165 13 108

HSL 322.5, 0.85%, 0.35%

LAB 36.69, 61.98, -12.52

 

CMYK 0 / 92 / 34 / 20

HEX #CB1086

RGB 203 16 134

HSL 322.14, 0.85%, 0.43%

LAB 45.34, 72.65, -14.84

 

CMYK 0 / 90 / 33 / 7

HEX #EC189D

RGB 236 24 157

HSL 322.36, 0.85%, 0.51%

LAB 52.86, 80.98, -16.66

 

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

CMYK 0 / 40 / 92 / 35

HEX #A5630D

RGB 165 99 13

HSL 33.95, 0.85%, 0.35%

LAB 48.2, 20.93, 53.13

 

CMYK 92 / 0 / 3 / 35

HEX #0DA5A0

RGB 13 165 160

HSL 178.03, 0.85%, 0.35%

LAB 61.25, -35.75, -7.51

 

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

CMYK 34 / 0 / 92 / 35

HEX #6DA50D

RGB 109 165 13

HSL 82.11, 0.85%, 0.35%

LAB 61.82, -38.85, 61.78

 

CMYK 92 / 34 / 0 / 35

HEX #0D6DA5

RGB 13 109 165

HSL 202.11, 0.85%, 0.35%

LAB 43.86, -4.24, -37.11

 

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

CMYK 0 / 40 / 92 / 35

HEX #A5630D

RGB 165 99 13

HSL 33.95, 0.85%, 0.35%

LAB 48.2, 20.93, 53.13

 

CMYK 92 / 0 / 58 / 35

HEX #0DA545

RGB 13 165 69

HSL 142.11, 0.85%, 0.35%

LAB 59.37, -56.49, 39.26

 

CMYK 92 / 52 / 0 / 35

HEX #0D4FA5

RGB 13 79 165

HSL 213.95, 0.85%, 0.35%

LAB 34.79, 15.16, -51.62

 

CMYK 0 / 92 / 34 / 36

HEX #A40D6C

RGB 164 13 108

HSL 322.25, 0.85%, 0.35%

LAB 36.49, 61.75, -12.84

 

CMYK 0 / 13 / 92 / 35

HEX #A5900D

RGB 165 144 13

HSL 51.71, 0.85%, 0.35%

LAB 59.87, -4.26, 62

 

CMYK 92 / 0 / 58 / 35

HEX #0DA545

RGB 13 165 69

HSL 142.11, 0.85%, 0.35%

LAB 59.37, -56.49, 39.26

 

CMYK 92 / 80 / 0 / 35

HEX #0D21A5

RGB 13 33 165

HSL 232.11, 0.85%, 0.35%

LAB 23.3, 45.06, -70.47

 

Description

Color code: HEX #A40D6C | qconv.com Color code: HEX #A40D6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 13 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 13 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 34 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 34% 36% C M Y K

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Provide designers and agencies with accurate color values.

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