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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A411E8 it is the complementary color #5BEE17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A411E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A411E8 shade: #A911E3, #BA23F6, #CB35FF, #DC47FF and #ED59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A411E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A411E8 shade: #A411E8, #9300D5, #8200C2, #7100AF and #60009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A411E8 shade: #A411E8, #DE11E8, #E811B8, #E8117E and #E81144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A411E8 shade: #A411E8, #6A11E8, #3011E8 and #1111E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A411E8 shade matches the following richer shades: #A411E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A411E8 shade: #A411E8, #9C25D4, #9539BF, #8E4EAB and #866297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A411E8 shade: #3111E8, #6B11E8, #A411E8, #DD11E8 and #E811B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A411E8 shade: #6E0B9B, #890EC2, #A411E8, #B433EF and #C259F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A411E8 shade: #A411E8, #E8112A and #11E84E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A411E8 shade: #A411E8, #E8A411 and #11E8A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A411E8 shade: #A411E8, #E8112A, #55E811 and #11E8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A411E8 shade: #A411E8, #E83811, #55E811 and #11C1E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

Complementary color

CMYK 62 / 0 / 90 / 7

HEX #5BEE17

RGB 91 238 23

HSL 101.02, 0.86%, 0.51%

LAB 83.67, -71.08, 78.12

 

CMYK 26 / 93 / 0 / 11

HEX #A911E3

RGB 169 17 227

HSL 283.43, 0.86%, 0.48%

LAB 44.78, 80.08, -70.93

 

CMYK 24 / 86 / 0 / 4

HEX #BA23F6

RGB 186 35 246

HSL 282.94, 0.92%, 0.55%

LAB 49.85, 82.83, -73.28

 

CMYK 20 / 79 / 0 / 0

HEX #CB35FF

RGB 203 53 255

HSL 284.55, 1%, 0.6%

LAB 54.51, 82.71, -70.62

 

CMYK 14 / 72 / 0 / 0

HEX #DC47FF

RGB 220 71 255

HSL 288.59, 1%, 0.64%

LAB 58.92, 80.2, -63.39

 

CMYK 7 / 65 / 0 / 0

HEX #ED59FF

RGB 237 89 255

HSL 293.49, 1%, 0.67%

LAB 63.65, 77.22, -55.7

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 31 / 100 / 0 / 16

HEX #9300D5

RGB 147 0 213

HSL 281.41, 1%, 0.42%

LAB 39.59, 76.59, -71.52

 

CMYK 33 / 100 / 0 / 24

HEX #8200C2

RGB 130 0 194

HSL 280.21, 1%, 0.38%

LAB 35.28, 71.01, -67.62

 

CMYK 35 / 100 / 0 / 31

HEX #7100AF

RGB 113 0 175

HSL 278.74, 1%, 0.34%

LAB 30.89, 65.34, -63.65

 

CMYK 38 / 100 / 0 / 39

HEX #60009C

RGB 96 0 156

HSL 276.92, 1%, 0.31%

LAB 26.41, 59.56, -59.61

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 4 / 93 / 0 / 9

HEX #DE11E8

RGB 222 17 232

HSL 297.21, 0.86%, 0.49%

LAB 53.77, 88.66, -58.8

 

CMYK 0 / 93 / 21 / 9

HEX #E811B8

RGB 232 17 184

HSL 313.4, 0.86%, 0.49%

LAB 52.97, 83.96, -32.44

 

CMYK 0 / 93 / 46 / 9

HEX #E8117E

RGB 232 17 126

HSL 329.58, 0.86%, 0.49%

LAB 50.76, 78.12, -1.28

 

CMYK 0 / 93 / 71 / 9

HEX #E81144

RGB 232 17 68

HSL 345.77, 0.86%, 0.49%

LAB 49.46, 74.57, 32.3

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 54 / 93 / 0 / 9

HEX #6A11E8

RGB 106 17 232

HSL 264.84, 0.86%, 0.49%

LAB 36.54, 74.41, -87.64

 

CMYK 79 / 93 / 0 / 9

HEX #3011E8

RGB 48 17 232

HSL 248.65, 0.86%, 0.49%

LAB 31.48, 71.35, -96.2

 

CMYK 93 / 93 / 0 / 9

HEX #1111E8

RGB 17 17 232

HSL 240, 0.86%, 0.49%

LAB 30.27, 70.75, -98.24

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 26 / 83 / 0 / 17

HEX #9C25D4

RGB 156 37 212

HSL 280.8, 0.7%, 0.49%

LAB 42.98, 71.41, -65.35

 

CMYK 22 / 70 / 0 / 25

HEX #9539BF

RGB 149 57 191

HSL 281.19, 0.54%, 0.49%

LAB 42.88, 58.96, -53.39

 

CMYK 17 / 54 / 0 / 33

HEX #8E4EAB

RGB 142 78 171

HSL 281.29, 0.37%, 0.49%

LAB 44.43, 42.89, -39.21

 

CMYK 11 / 35 / 0 / 41

HEX #866297

RGB 134 98 151

HSL 280.75, 0.21%, 0.49%

LAB 47.02, 24.67, -23.38

 

CMYK 79 / 93 / 0 / 9

HEX #3111E8

RGB 49 17 232

HSL 248.93, 0.86%, 0.49%

LAB 31.53, 71.38, -96.1

 

CMYK 54 / 93 / 0 / 9

HEX #6B11E8

RGB 107 17 232

HSL 265.12, 0.86%, 0.49%

LAB 36.66, 74.49, -87.44

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 5 / 93 / 0 / 9

HEX #DD11E8

RGB 221 17 232

HSL 296.93, 0.86%, 0.49%

LAB 53.6, 88.5, -59.08

 

CMYK 0 / 93 / 20 / 9

HEX #E811B9

RGB 232 17 185

HSL 313.12, 0.86%, 0.49%

LAB 53.01, 84.07, -32.95

 

CMYK 29 / 93 / 0 / 39

HEX #6E0B9B

RGB 110 11 155

HSL 281.25, 0.87%, 0.33%

LAB 29.21, 59.16, -54.32

 

CMYK 29 / 93 / 0 / 24

HEX #890EC2

RGB 137 14 194

HSL 281, 0.87%, 0.41%

LAB 36.98, 70.07, -64.8

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 25 / 79 / 0 / 6

HEX #B433EF

RGB 180 51 239

HSL 281.17, 0.85%, 0.57%

LAB 49.86, 76.49, -69.38

 

CMYK 20 / 63 / 0 / 5

HEX #C259F2

RGB 194 89 242

HSL 281.18, 0.85%, 0.65%

LAB 57.1, 65.29, -59.29

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 0 / 93 / 82 / 9

HEX #E8112A

RGB 232 17 42

HSL 353.02, 0.86%, 0.49%

LAB 49.16, 73.72, 46.84

 

CMYK 93 / 0 / 66 / 9

HEX #11E84E

RGB 17 232 78

HSL 137.02, 0.86%, 0.49%

LAB 80.95, -75.72, 59.74

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 0 / 29 / 93 / 9

HEX #E8A411

RGB 232 164 17

HSL 41.02, 0.86%, 0.49%

LAB 72.06, 14.85, 73.6

 

CMYK 93 / 0 / 29 / 9

HEX #11E8A4

RGB 17 232 164

HSL 161.02, 0.86%, 0.49%

LAB 82.12, -61.86, 20.28

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 0 / 93 / 82 / 9

HEX #E8112A

RGB 232 17 42

HSL 353.02, 0.86%, 0.49%

LAB 49.16, 73.72, 46.84

 

CMYK 63 / 0 / 93 / 9

HEX #55E811

RGB 85 232 17

HSL 101.02, 0.86%, 0.49%

LAB 81.67, -70.61, 77.18

 

CMYK 93 / 0 / 11 / 9

HEX #11E8CF

RGB 17 232 207

HSL 173.02, 0.86%, 0.49%

LAB 83.09, -51.34, -0.89

 

CMYK 29 / 93 / 0 / 9

HEX #A411E8

RGB 164 17 232

HSL 281.02, 0.86%, 0.49%

LAB 44.4, 80.36, -74.41

 

CMYK 0 / 76 / 93 / 9

HEX #E83811

RGB 232 56 17

HSL 10.88, 0.86%, 0.49%

LAB 51.87, 65.16, 59.7

 

CMYK 63 / 0 / 93 / 9

HEX #55E811

RGB 85 232 17

HSL 101.02, 0.86%, 0.49%

LAB 81.67, -70.61, 77.18

 

CMYK 93 / 17 / 0 / 9

HEX #11C1E8

RGB 17 193 232

HSL 190.88, 0.86%, 0.49%

LAB 72.29, -26.07, -30.53

 

Description

Color code: HEX #A411E8 | qconv.com Color code: HEX #A411E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 17 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 17 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 93 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 93% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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