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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A423FA it is the complementary color #5BDC05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A423FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A423FA shade: #A923F5, #BA35FF, #CB47FF, #DC59FF and #ED6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A423FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A423FA shade: #A423FA, #9311E7, #8200D4, #7100C1 and #6000AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A423FA shade: #A423FA, #DE23FA, #FA23DC, #FA23A2 and #FA2368

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A423FA shade: #A423FA, #6A23FA, #3023FA and #2323FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A423FA shade matches the following richer shades: #A423FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A423FA shade: #A423FA, #A035E8, #9D47D6, #9959C4 and #956BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A423FA shade: #3123FA, #6A23FA, #A423FA, #DD23FA and #FA23DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A423FA shade: #7904C7, #9104EF, #A423FA, #B54BFB and #C573FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A423FA shade: #A423FA, #FA234E and #23FA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A423FA shade: #A423FA, #FAA423 and #23FAA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A423FA shade: #A423FA, #FA234E, #79FA23 and #23FACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A423FA shade: #A423FA, #FA3823, #79FA23 and #23E4FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

Complementary color

CMYK 59 / 0 / 98 / 14

HEX #5BDC05

RGB 91 220 5

HSL 96, 0.96%, 0.44%

LAB 78.12, -65.52, 75.56

 

CMYK 31 / 86 / 0 / 4

HEX #A923F5

RGB 169 35 245

HSL 278.29, 0.91%, 0.55%

LAB 47.27, 80.26, -77.03

 

CMYK 27 / 79 / 0 / 0

HEX #BA35FF

RGB 186 53 255

HSL 279.5, 1%, 0.6%

LAB 52.07, 79.96, -74.7

 

CMYK 20 / 72 / 0 / 0

HEX #CB47FF

RGB 203 71 255

HSL 283.04, 1%, 0.64%

LAB 56.51, 76.96, -67.4

 

CMYK 14 / 65 / 0 / 0

HEX #DC59FF

RGB 220 89 255

HSL 287.35, 1%, 0.67%

LAB 61.29, 73.52, -59.59

 

CMYK 7 / 58 / 0 / 0

HEX #ED6BFF

RGB 237 107 255

HSL 292.7, 1%, 0.71%

LAB 66.32, 69.83, -51.46

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 36 / 93 / 0 / 9

HEX #9311E7

RGB 147 17 231

HSL 276.45, 0.86%, 0.49%

LAB 41.8, 78.13, -78.2

 

CMYK 39 / 100 / 0 / 17

HEX #8200D4

RGB 130 0 212

HSL 276.79, 1%, 0.42%

LAB 36.93, 74.56, -75.41

 

CMYK 41 / 100 / 0 / 24

HEX #7100C1

RGB 113 0 193

HSL 275.13, 1%, 0.38%

LAB 32.61, 69.01, -71.51

 

CMYK 45 / 100 / 0 / 32

HEX #6000AE

RGB 96 0 174

HSL 273.1, 1%, 0.34%

LAB 28.23, 63.38, -67.53

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 11 / 86 / 0 / 2

HEX #DE23FA

RGB 222 35 250

HSL 292.19, 0.96%, 0.56%

LAB 55.72, 88.98, -65.75

 

CMYK 0 / 86 / 12 / 2

HEX #FA23DC

RGB 250 35 220

HSL 308.37, 0.96%, 0.56%

LAB 58.69, 89.46, -43.9

 

CMYK 0 / 86 / 35 / 2

HEX #FA23A2

RGB 250 35 162

HSL 324.56, 0.96%, 0.56%

LAB 56.22, 82.81, -14.27

 

CMYK 0 / 86 / 58 / 2

HEX #FA2368

RGB 250 35 104

HSL 340.74, 0.96%, 0.56%

LAB 54.58, 78.19, 17.93

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 58 / 86 / 0 / 2

HEX #6A23FA

RGB 106 35 250

HSL 259.81, 0.96%, 0.56%

LAB 39.86, 74.36, -92.31

 

CMYK 81 / 86 / 0 / 2

HEX #3023FA

RGB 48 35 250

HSL 243.63, 0.96%, 0.56%

LAB 35.46, 70.91, -99.74

 

CMYK 86 / 86 / 0 / 2

HEX #2323FA

RGB 35 35 250

HSL 240, 0.96%, 0.56%

LAB 34.93, 70.52, -100.65

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 31 / 77 / 0 / 9

HEX #A035E8

RGB 160 53 232

HSL 275.87, 0.8%, 0.56%

LAB 46.77, 71.13, -70.58

 

CMYK 27 / 67 / 0 / 16

HEX #9D47D6

RGB 157 71 214

HSL 276.08, 0.64%, 0.56%

LAB 47.66, 59.45, -58.91

 

CMYK 22 / 55 / 0 / 23

HEX #9959C4

RGB 153 89 196

HSL 275.89, 0.48%, 0.56%

LAB 49.38, 45.55, -45.86

 

CMYK 16 / 40 / 0 / 31

HEX #956BB1

RGB 149 107 177

HSL 276, 0.31%, 0.56%

LAB 51.93, 30.06, -30.88

 

CMYK 80 / 86 / 0 / 2

HEX #3123FA

RGB 49 35 250

HSL 243.91, 0.96%, 0.56%

LAB 35.51, 70.95, -99.66

 

CMYK 58 / 86 / 0 / 2

HEX #6A23FA

RGB 106 35 250

HSL 259.81, 0.96%, 0.56%

LAB 39.86, 74.36, -92.31

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 12 / 86 / 0 / 2

HEX #DD23FA

RGB 221 35 250

HSL 291.91, 0.96%, 0.56%

LAB 55.56, 88.83, -66.01

 

CMYK 0 / 86 / 12 / 2

HEX #FA23DD

RGB 250 35 221

HSL 308.09, 0.96%, 0.56%

LAB 58.74, 89.59, -44.39

 

CMYK 39 / 98 / 0 / 22

HEX #7904C7

RGB 121 4 199

HSL 276, 0.96%, 0.4%

LAB 34.55, 70.5, -71.81

 

CMYK 39 / 98 / 0 / 6

HEX #9104EF

RGB 145 4 239

HSL 276, 0.97%, 0.48%

LAB 41.75, 80.98, -82.84

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 28 / 70 / 0 / 2

HEX #B54BFB

RGB 181 75 251

HSL 276.14, 0.96%, 0.64%

LAB 53.84, 70.48, -69.64

 

CMYK 22 / 54 / 0 / 1

HEX #C573FC

RGB 197 115 252

HSL 275.91, 0.96%, 0.72%

LAB 62.64, 55.65, -55.95

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 0 / 86 / 69 / 2

HEX #FA234E

RGB 250 35 78

HSL 348, 0.96%, 0.56%

LAB 54.11, 76.83, 32.84

 

CMYK 86 / 0 / 69 / 2

HEX #23FA4E

RGB 35 250 78

HSL 132, 0.96%, 0.56%

LAB 86.64, -79.81, 65.86

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 0 / 34 / 86 / 2

HEX #FAA423

RGB 250 164 35

HSL 36, 0.96%, 0.56%

LAB 74.19, 22.81, 72.19

 

CMYK 86 / 0 / 34 / 2

HEX #23FAA4

RGB 35 250 164

HSL 156, 0.96%, 0.56%

LAB 87.68, -67.35, 27.92

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 0 / 86 / 69 / 2

HEX #FA234E

RGB 250 35 78

HSL 348, 0.96%, 0.56%

LAB 54.11, 76.83, 32.84

 

CMYK 52 / 0 / 86 / 2

HEX #79FA23

RGB 121 250 35

HSL 96, 0.96%, 0.56%

LAB 88.24, -67.33, 80.33

 

CMYK 86 / 0 / 17 / 2

HEX #23FACF

RGB 35 250 207

HSL 168, 0.96%, 0.56%

LAB 88.56, -57.72, 7.06

 

CMYK 34 / 86 / 0 / 2

HEX #A423FA

RGB 164 35 250

HSL 276, 0.96%, 0.56%

LAB 46.97, 80.59, -80.36

 

CMYK 0 / 78 / 86 / 2

HEX #FA3823

RGB 250 56 35

HSL 5.86, 0.96%, 0.56%

LAB 55.35, 70.67, 57.02

 

CMYK 52 / 0 / 86 / 2

HEX #79FA23

RGB 121 250 35

HSL 96, 0.96%, 0.56%

LAB 88.24, -67.33, 80.33

 

CMYK 86 / 9 / 0 / 2

HEX #23E4FA

RGB 35 228 250

HSL 186.14, 0.96%, 0.56%

LAB 83.31, -36.37, -23.28

 

Description

Color code: HEX #A423FA | qconv.com Color code: HEX #A423FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 35 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 35 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 86 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 86% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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