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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A436A0 it is the complementary color #5BC95F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A436A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A436A0 shade: #A9369B, #BA48AE, #CB5AC1, #DC6CD4 and #ED7EE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A436A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A436A0 shade: #A436A0, #93248D, #82127A, #710067 and #600054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A436A0 shade: #A436A0, #A43682, #A43665, #A43647 and #A43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A436A0 shade: #A436A0, #8A36A4, #6D36A4, #4F36A4 and #3636A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A436A0 shade matches the following richer shades: #A436A0, #B625B0, #C713C1 and #D901D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A436A0 shade: #A436A0, #924890, #805A7F, #6F6C6F and #5D7D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A436A0 shade: #6D36A4, #8A36A4, #A436A0, #A43683 and #A43666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A436A0 shade: #662264, #852C82, #A436A0, #C043BC and #CA62C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A436A0 shade: #A436A0, #A45036 and #36A47C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A436A0 shade: #A436A0, #A0A436 and #36A0A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A436A0 shade: #A436A0, #A45036, #36A43A and #368AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A436A0 shade: #A436A0, #A47136, #36A43A and #3669A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

Complementary color

CMYK 55 / 0 / 53 / 21

HEX #5BC95F

RGB 91 201 95

HSL 122.18, 0.5%, 0.57%

LAB 72.78, -52.89, 43.21

 

CMYK 0 / 68 / 8 / 34

HEX #A9369B

RGB 169 54 155

HSL 307.3, 0.52%, 0.44%

LAB 43.42, 58.14, -31.02

 

CMYK 0 / 61 / 6 / 27

HEX #BA48AE

RGB 186 72 174

HSL 306.32, 0.45%, 0.51%

LAB 49.65, 58.23, -32.34

 

CMYK 0 / 56 / 5 / 20

HEX #CB5AC1

RGB 203 90 193

HSL 305.31, 0.52%, 0.57%

LAB 55.95, 57.94, -33.34

 

CMYK 0 / 51 / 4 / 14

HEX #DC6CD4

RGB 220 108 212

HSL 304.29, 0.62%, 0.64%

LAB 62.25, 57.44, -34.13

 

CMYK 0 / 47 / 3 / 7

HEX #ED7EE7

RGB 237 126 231

HSL 303.24, 0.76%, 0.71%

LAB 68.53, 56.82, -34.79

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 76 / 4 / 42

HEX #93248D

RGB 147 36 141

HSL 303.24, 0.61%, 0.36%

LAB 36.72, 57.05, -33.33

 

CMYK 0 / 86 / 6 / 49

HEX #82127A

RGB 130 18 122

HSL 304.29, 0.76%, 0.29%

LAB 30.84, 55.29, -31.01

 

CMYK 0 / 100 / 9 / 56

HEX #710067

RGB 113 0 103

HSL 305.31, 1%, 0.22%

LAB 25.23, 52.34, -27.93

 

CMYK 0 / 100 / 13 / 62

HEX #600054

RGB 96 0 84

HSL 307.5, 1%, 0.19%

LAB 20.55, 46.15, -22.98

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 67 / 21 / 36

HEX #A43682

RGB 164 54 130

HSL 318.55, 0.5%, 0.43%

LAB 41.44, 53.03, -18.98

 

CMYK 0 / 67 / 38 / 36

HEX #A43665

RGB 164 54 101

HSL 334.36, 0.5%, 0.43%

LAB 40.36, 49.3, -2.62

 

CMYK 0 / 67 / 57 / 36

HEX #A43647

RGB 164 54 71

HSL 350.73, 0.5%, 0.43%

LAB 39.56, 46.42, 15.12

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 16 / 67 / 0 / 36

HEX #8A36A4

RGB 138 54 164

HSL 285.82, 0.5%, 0.43%

LAB 39.11, 52.24, -43.56

 

CMYK 34 / 67 / 0 / 36

HEX #6D36A4

RGB 109 54 164

HSL 270, 0.5%, 0.43%

LAB 35.14, 45.65, -50.15

 

CMYK 52 / 67 / 0 / 36

HEX #4F36A4

RGB 79 54 164

HSL 253.64, 0.5%, 0.43%

LAB 31.76, 39.58, -55.79

 

CMYK 67 / 67 / 0 / 36

HEX #3636A4

RGB 54 54 164

HSL 240, 0.5%, 0.43%

LAB 29.67, 35.52, -59.29

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 80 / 3 / 29

HEX #B625B0

RGB 182 37 176

HSL 302.48, 0.66%, 0.43%

LAB 44.81, 69.77, -41.2

 

CMYK 0 / 90 / 3 / 22

HEX #C713C1

RGB 199 19 193

HSL 302, 0.83%, 0.43%

LAB 47.57, 78.87, -46.59

 

CMYK 0 / 100 / 4 / 15

HEX #D901D1

RGB 217 1 209

HSL 302.22, 0.99%, 0.43%

LAB 51.13, 85.78, -49.99

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 51 / 1 / 43

HEX #924890

RGB 146 72 144

HSL 301.62, 0.34%, 0.43%

LAB 42.4, 41.69, -26.25

 

CMYK 0 / 30 / 1 / 50

HEX #805A7F

RGB 128 90 127

HSL 301.58, 0.17%, 0.43%

LAB 43.41, 22.22, -14.59

 

CMYK 0 / 3 / 0 / 56

HEX #6F6C6F

RGB 111 108 111

HSL 300, 0.01%, 0.43%

LAB 45.98, 1.77, -1.26

 

CMYK 26 / 0 / 25 / 51

HEX #5D7D5E

RGB 93 125 94

HSL 121.88, 0.15%, 0.43%

LAB 49.26, -18.05, 13.29

 

CMYK 34 / 67 / 0 / 36

HEX #6D36A4

RGB 109 54 164

HSL 270, 0.5%, 0.43%

LAB 35.14, 45.65, -50.15

 

CMYK 16 / 67 / 0 / 36

HEX #8A36A4

RGB 138 54 164

HSL 285.82, 0.5%, 0.43%

LAB 39.11, 52.24, -43.56

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 67 / 20 / 36

HEX #A43683

RGB 164 54 131

HSL 318, 0.5%, 0.43%

LAB 41.48, 53.17, -19.53

 

CMYK 0 / 67 / 38 / 36

HEX #A43666

RGB 164 54 102

HSL 333.82, 0.5%, 0.43%

LAB 40.39, 49.42, -3.2

 

CMYK 0 / 67 / 2 / 60

HEX #662264

RGB 102 34 100

HSL 301.76, 0.5%, 0.27%

LAB 26.42, 39.46, -24.23

 

CMYK 0 / 67 / 2 / 48

HEX #852C82

RGB 133 44 130

HSL 302.02, 0.5%, 0.35%

LAB 34.8, 48.82, -29.72

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 65 / 2 / 25

HEX #C043BC

RGB 192 67 188

HSL 301.92, 0.5%, 0.51%

LAB 50.51, 64.1, -39.09

 

CMYK 0 / 51 / 1 / 21

HEX #CA62C7

RGB 202 98 199

HSL 301.73, 0.5%, 0.59%

LAB 57.48, 54.94, -34.39

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 51 / 67 / 36

HEX #A45036

RGB 164 80 54

HSL 14.18, 0.5%, 0.43%

LAB 44.08, 32.57, 31.13

 

CMYK 67 / 0 / 24 / 36

HEX #36A47C

RGB 54 164 124

HSL 158.18, 0.5%, 0.43%

LAB 60.6, -40.73, 11.83

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 2 / 0 / 67 / 36

HEX #A0A436

RGB 160 164 54

HSL 62.18, 0.5%, 0.43%

LAB 65.19, -15.55, 54.14

 

CMYK 67 / 2 / 0 / 36

HEX #36A0A4

RGB 54 160 164

HSL 182.18, 0.5%, 0.43%

LAB 60.43, -28.18, -10.92

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 51 / 67 / 36

HEX #A45036

RGB 164 80 54

HSL 14.18, 0.5%, 0.43%

LAB 44.08, 32.57, 31.13

 

CMYK 67 / 0 / 65 / 36

HEX #36A43A

RGB 54 164 58

HSL 122.18, 0.5%, 0.43%

LAB 59.56, -52.18, 44.74

 

CMYK 67 / 16 / 0 / 36

HEX #368AA4

RGB 54 138 164

HSL 194.18, 0.5%, 0.43%

LAB 53.64, -16.77, -21.21

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 31 / 67 / 36

HEX #A47136

RGB 164 113 54

HSL 32.18, 0.5%, 0.43%

LAB 51.8, 14.19, 39.99

 

CMYK 67 / 0 / 65 / 36

HEX #36A43A

RGB 54 164 58

HSL 122.18, 0.5%, 0.43%

LAB 59.56, -52.18, 44.74

 

CMYK 67 / 36 / 0 / 36

HEX #3669A4

RGB 54 105 164

HSL 212.18, 0.5%, 0.43%

LAB 43.61, 2.49, -36.85

 

Description

Color code: HEX #A436A0 | qconv.com Color code: HEX #A436A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 54 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 54 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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