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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A45413 it is the complementary color #5BABEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A45413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A45413 shade: #A9540E, #BA6621, #CB7834, #DC8A47 and #ED9C5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A45413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A45413 shade: #A45413, #934200, #823000, #711E00 and #600C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A45413 shade: #A45413, #A42D13 and #A41313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A45413 shade: #A45413, #A47B13, #A4A213, #7EA413 and #57A413

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A45413 shade matches the following richer shades: #A45413 and #B35204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A45413 shade: #A45413, #955522, #865730, #77583F and #685A4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A45413 shade: #A41321, #A42B13, #A45213, #A47813 and #A49F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A45413 shade: #5A2E0A, #7F410E, #A45413, #C96717 and #E57B24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A45413 shade: #A45413, #48A413 and #1813A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A45413 shade: #A45413, #13A452 and #5213A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A45413 shade: #A45413, #48A413, #1365A4 and #6F13A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A45413 shade: #A45413, #1CA413, #1365A4 and #9A13A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

Complementary color

CMYK 61 / 28 / 0 / 7

HEX #5BABEC

RGB 91 171 236

HSL 206.9, 0.79%, 0.64%

LAB 67.58, -5.26, -39.89

 

CMYK 0 / 50 / 92 / 34

HEX #A9540E

RGB 169 84 14

HSL 27.1, 0.85%, 0.36%

LAB 45.37, 30.94, 51.01

 

CMYK 0 / 45 / 82 / 27

HEX #BA6621

RGB 186 102 33

HSL 27.06, 0.7%, 0.43%

LAB 51.9, 28.88, 50.7

 

CMYK 0 / 41 / 74 / 20

HEX #CB7834

RGB 203 120 52

HSL 27.02, 0.59%, 0.5%

LAB 58.39, 27.05, 49.48

 

CMYK 0 / 37 / 68 / 14

HEX #DC8A47

RGB 220 138 71

HSL 26.98, 0.68%, 0.57%

LAB 64.84, 25.43, 47.96

 

CMYK 0 / 34 / 62 / 7

HEX #ED9C5A

RGB 237 156 90

HSL 26.94, 0.8%, 0.64%

LAB 71.23, 24, 46.38

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 55 / 100 / 42

HEX #934200

RGB 147 66 0

HSL 26.94, 1%, 0.29%

LAB 38.02, 31.09, 48.48

 

CMYK 0 / 63 / 100 / 49

HEX #823000

RGB 130 48 0

HSL 22.15, 1%, 0.25%

LAB 31.49, 33.41, 43.08

 

CMYK 0 / 73 / 100 / 56

HEX #711E00

RGB 113 30 0

HSL 15.93, 1%, 0.22%

LAB 25.07, 35.25, 36.46

 

CMYK 0 / 88 / 100 / 62

HEX #600C00

RGB 96 12 0

HSL 7.5, 1%, 0.19%

LAB 19.01, 35.87, 28.92

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 73 / 88 / 36

HEX #A42D13

RGB 164 45 19

HSL 10.76, 0.79%, 0.36%

LAB 37.51, 47.52, 42.78

 

CMYK 0 / 88 / 88 / 36

HEX #A41313

RGB 164 19 19

HSL 0, 0.79%, 0.36%

LAB 34.81, 55.09, 40.61

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 25 / 88 / 36

HEX #A47B13

RGB 164 123 19

HSL 43.03, 0.79%, 0.36%

LAB 54.14, 7.03, 56.17

 

CMYK 0 / 1 / 88 / 36

HEX #A4A213

RGB 164 162 19

HSL 59.17, 0.79%, 0.36%

LAB 64.79, -14.16, 64.73

 

CMYK 23 / 0 / 88 / 36

HEX #7EA413

RGB 126 164 19

HSL 75.72, 0.79%, 0.36%

LAB 62.54, -31.54, 61.71

 

CMYK 47 / 0 / 88 / 36

HEX #57A413

RGB 87 164 19

HSL 91.86, 0.79%, 0.36%

LAB 60.45, -46.03, 59.12

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 54 / 98 / 30

HEX #B35204

RGB 179 82 4

HSL 26.74, 0.96%, 0.36%

LAB 46.48, 35.95, 55.03

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 43 / 77 / 42

HEX #955522

RGB 149 85 34

HSL 26.61, 0.63%, 0.36%

LAB 42.77, 22.38, 39.71

 

CMYK 0 / 35 / 64 / 47

HEX #865730

RGB 134 87 48

HSL 27.21, 0.47%, 0.36%

LAB 41.37, 15.33, 30.26

 

CMYK 0 / 26 / 47 / 53

HEX #77583F

RGB 119 88 63

HSL 26.79, 0.31%, 0.36%

LAB 40.02, 9.35, 19.45

 

CMYK 0 / 13 / 25 / 59

HEX #685A4E

RGB 104 90 78

HSL 27.69, 0.14%, 0.36%

LAB 39.25, 3.58, 9.03

 

CMYK 0 / 88 / 80 / 36

HEX #A41321

RGB 164 19 33

HSL 354.21, 0.79%, 0.36%

LAB 34.94, 55.46, 33.03

 

CMYK 0 / 74 / 88 / 36

HEX #A42B13

RGB 164 43 19

HSL 9.93, 0.79%, 0.36%

LAB 37.24, 48.27, 42.57

 

CMYK 0 / 50 / 88 / 36

HEX #A45213

RGB 164 82 19

HSL 26.07, 0.79%, 0.36%

LAB 44.2, 30.01, 48.17

 

CMYK 0 / 27 / 88 / 36

HEX #A47813

RGB 164 120 19

HSL 41.79, 0.79%, 0.36%

LAB 53.35, 8.72, 55.54

 

CMYK 0 / 3 / 88 / 36

HEX #A49F13

RGB 164 159 19

HSL 57.93, 0.79%, 0.36%

LAB 63.95, -12.6, 64.05

 

CMYK 0 / 49 / 89 / 65

HEX #5A2E0A

RGB 90 46 10

HSL 27, 0.8%, 0.2%

LAB 24.16, 17.29, 30.05

 

CMYK 0 / 49 / 89 / 50

HEX #7F410E

RGB 127 65 14

HSL 27.08, 0.8%, 0.28%

LAB 34.65, 23.28, 39.84

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 0 / 49 / 89 / 21

HEX #C96717

RGB 201 103 23

HSL 26.97, 0.79%, 0.44%

LAB 54.22, 34.3, 57.12

 

CMYK 0 / 46 / 84 / 10

HEX #E57B24

RGB 229 123 36

HSL 27.05, 0.79%, 0.52%

LAB 62.47, 35.58, 61.13

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 56 / 0 / 88 / 36

HEX #48A413

RGB 72 164 19

HSL 98.07, 0.79%, 0.36%

LAB 59.87, -50.56, 58.39

 

CMYK 85 / 88 / 0 / 36

HEX #1813A4

RGB 24 19 164

HSL 242.07, 0.79%, 0.36%

LAB 21.36, 51.61, -73.09

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 88 / 0 / 50 / 36

HEX #13A452

RGB 19 164 82

HSL 146.07, 0.79%, 0.36%

LAB 59.25, -53.75, 32.65

 

CMYK 50 / 88 / 0 / 36

HEX #5213A4

RGB 82 19 164

HSL 266.07, 0.79%, 0.36%

LAB 26.56, 55.79, -64.3

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 56 / 0 / 88 / 36

HEX #48A413

RGB 72 164 19

HSL 98.07, 0.79%, 0.36%

LAB 59.87, -50.56, 58.39

 

CMYK 88 / 38 / 0 / 36

HEX #1365A4

RGB 19 101 164

HSL 206.07, 0.79%, 0.36%

LAB 41.42, 0.7, -40.38

 

CMYK 32 / 88 / 0 / 36

HEX #6F13A4

RGB 111 19 164

HSL 278.07, 0.79%, 0.36%

LAB 30.7, 59.51, -57.35

 

CMYK 0 / 49 / 88 / 36

HEX #A45413

RGB 164 84 19

HSL 26.9, 0.79%, 0.36%

LAB 44.63, 28.93, 48.52

 

CMYK 83 / 0 / 88 / 36

HEX #1CA413

RGB 28 164 19

HSL 116.28, 0.79%, 0.36%

LAB 58.83, -59.29, 57.08

 

CMYK 88 / 38 / 0 / 36

HEX #1365A4

RGB 19 101 164

HSL 206.07, 0.79%, 0.36%

LAB 41.42, 0.7, -40.38

 

CMYK 6 / 88 / 0 / 36

HEX #9A13A4

RGB 154 19 164

HSL 295.86, 0.79%, 0.36%

LAB 37.87, 66.48, -45.4

 

Description

Color code: HEX #A45413 | qconv.com Color code: HEX #A45413 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 84 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 84 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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