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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4545B it is the complementary color #5BABA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4545B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4545B shade: #A95456, #BA6669, #CB787C, #DC8A8F and #ED9CA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4545B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4545B shade: #A4545B, #934248, #823035, #711E22 and #600C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4545B shade: #A4545B and #A45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4545B shade: #A4545B, #A45471, #A45487, #A4549C and #9754A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4545B shade matches the following richer shades: #A4545B, #B9404B, #CD2C3A, #E11829 and #F50419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4545B shade: #A4545B, #90696C, #7C7D7D, #68918E and #54A59E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4545B shade: #A45487, #A45472, #A4545C, #A46254 and #A47754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4545B shade: #6E383D, #89464C, #A4545B, #B46E74 and #C2898E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4545B shade: #A4545B, #9CA454 and #547CA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4545B shade: #A4545B, #5CA454 and #545CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4545B shade: #A4545B, #9CA454, #54A49C and #5C54A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4545B shade: #A4545B, #84A454, #54A49C and #7454A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

Complementary color

CMYK 47 / 0 / 4 / 33

HEX #5BABA4

RGB 91 171 164

HSL 174.75, 0.32%, 0.51%

LAB 64.99, -26.27, -4.02

 

CMYK 0 / 50 / 49 / 34

HEX #A95456

RGB 169 84 86

HSL 358.59, 0.34%, 0.5%

LAB 46.24, 35.01, 15.11

 

CMYK 0 / 45 / 44 / 27

HEX #BA6669

RGB 186 102 105

HSL 357.86, 0.38%, 0.56%

LAB 52.91, 33.89, 13.36

 

CMYK 0 / 41 / 39 / 20

HEX #CB787C

RGB 203 120 124

HSL 357.11, 0.44%, 0.63%

LAB 59.51, 32.84, 11.86

 

CMYK 0 / 37 / 35 / 14

HEX #DC8A8F

RGB 220 138 143

HSL 356.34, 0.54%, 0.7%

LAB 66.04, 31.88, 10.56

 

CMYK 0 / 34 / 32 / 7

HEX #ED9CA2

RGB 237 156 162

HSL 355.56, 0.69%, 0.77%

LAB 72.49, 30.99, 9.4

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 55 / 51 / 42

HEX #934248

RGB 147 66 72

HSL 355.56, 0.38%, 0.42%

LAB 38.84, 34.71, 13.04

 

CMYK 0 / 63 / 59 / 49

HEX #823035

RGB 130 48 53

HSL 356.34, 0.46%, 0.35%

LAB 32.07, 35.76, 15.48

 

CMYK 0 / 73 / 70 / 56

HEX #711E22

RGB 113 30 34

HSL 357.11, 0.58%, 0.28%

LAB 25.43, 36.5, 18.71

 

CMYK 0 / 88 / 84 / 62

HEX #600C0F

RGB 96 12 15

HSL 357.86, 0.78%, 0.21%

LAB 19.16, 36.32, 22.68

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 49 / 49 / 36

HEX #A45454

RGB 164 84 84

HSL 0, 0.32%, 0.49%

LAB 45.46, 32.88, 15.13

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 49 / 31 / 36

HEX #A45471

RGB 164 84 113

HSL 338.25, 0.32%, 0.49%

LAB 46.21, 36.31, -1.41

 

CMYK 0 / 49 / 18 / 36

HEX #A45487

RGB 164 84 135

HSL 321.75, 0.32%, 0.49%

LAB 46.95, 39.57, -13.61

 

CMYK 0 / 49 / 5 / 36

HEX #A4549C

RGB 164 84 156

HSL 306, 0.32%, 0.49%

LAB 47.79, 43.15, -24.86

 

CMYK 8 / 49 / 0 / 36

HEX #9754A4

RGB 151 84 164

HSL 290.25, 0.32%, 0.49%

LAB 46.45, 40.75, -31.83

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 65 / 59 / 27

HEX #B9404B

RGB 185 64 75

HSL 354.55, 0.49%, 0.49%

LAB 44.93, 49.46, 20.47

 

CMYK 0 / 79 / 72 / 20

HEX #CD2C3A

RGB 205 44 58

HSL 354.78, 0.65%, 0.49%

LAB 45.75, 61.87, 32.54

 

CMYK 0 / 89 / 82 / 12

HEX #E11829

RGB 225 24 41

HSL 354.93, 0.81%, 0.49%

LAB 48.03, 71.02, 45.8

 

CMYK 0 / 98 / 90 / 4

HEX #F50419

RGB 245 4 25

HSL 354.77, 0.97%, 0.49%

LAB 51.35, 77.65, 57.79

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 27 / 25 / 44

HEX #90696C

RGB 144 105 108

HSL 355.38, 0.16%, 0.49%

LAB 48.4, 16.07, 4.47

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 28 / 0 / 2 / 43

HEX #68918E

RGB 104 145 142

HSL 175.61, 0.16%, 0.49%

LAB 57.22, -14.69, -2.96

 

CMYK 49 / 0 / 4 / 35

HEX #54A59E

RGB 84 165 158

HSL 174.81, 0.33%, 0.49%

LAB 62.73, -26.5, -4.02

 

CMYK 0 / 49 / 18 / 36

HEX #A45487

RGB 164 84 135

HSL 321.75, 0.32%, 0.49%

LAB 46.95, 39.57, -13.61

 

CMYK 0 / 49 / 30 / 36

HEX #A45472

RGB 164 84 114

HSL 337.5, 0.32%, 0.49%

LAB 46.24, 36.45, -1.98

 

CMYK 0 / 49 / 44 / 36

HEX #A4545C

RGB 164 84 92

HSL 354, 0.32%, 0.49%

LAB 45.64, 33.72, 10.53

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 27 / 49 / 36

HEX #A47754

RGB 164 119 84

HSL 26.25, 0.32%, 0.49%

LAB 53.74, 13.27, 26.13

 

CMYK 0 / 49 / 45 / 57

HEX #6E383D

RGB 110 56 61

HSL 354.44, 0.33%, 0.33%

LAB 30.59, 24.39, 7.73

 

CMYK 0 / 49 / 45 / 46

HEX #89464C

RGB 137 70 76

HSL 354.63, 0.32%, 0.41%

LAB 38.24, 29.09, 9.46

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 0 / 39 / 36 / 29

HEX #B46E74

RGB 180 110 116

HSL 354.86, 0.32%, 0.57%

LAB 54.15, 28.53, 8.52

 

CMYK 0 / 29 / 27 / 24

HEX #C2898E

RGB 194 137 142

HSL 354.74, 0.32%, 0.65%

LAB 62.77, 22.49, 6.06

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 5 / 0 / 49 / 36

HEX #9CA454

RGB 156 164 84

HSL 66, 0.32%, 0.49%

LAB 65.17, -14.86, 40.23

 

CMYK 49 / 24 / 0 / 36

HEX #547CA4

RGB 84 124 164

HSL 210, 0.32%, 0.49%

LAB 50.66, -2.55, -25.7

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 44 / 0 / 49 / 36

HEX #5CA454

RGB 92 164 84

HSL 114, 0.32%, 0.49%

LAB 61.19, -38.89, 34.46

 

CMYK 49 / 44 / 0 / 36

HEX #545CA4

RGB 84 92 164

HSL 234, 0.32%, 0.49%

LAB 41.56, 17.1, -39.98

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 5 / 0 / 49 / 36

HEX #9CA454

RGB 156 164 84

HSL 66, 0.32%, 0.49%

LAB 65.17, -14.86, 40.23

 

CMYK 49 / 0 / 5 / 36

HEX #54A49C

RGB 84 164 156

HSL 174, 0.32%, 0.49%

LAB 62.37, -26.53, -3.43

 

CMYK 44 / 49 / 0 / 36

HEX #5C54A4

RGB 92 84 164

HSL 246, 0.32%, 0.49%

LAB 40.08, 24.13, -42.32

 

CMYK 0 / 49 / 45 / 36

HEX #A4545B

RGB 164 84 91

HSL 354.75, 0.32%, 0.49%

LAB 45.62, 33.61, 11.11

 

CMYK 20 / 0 / 49 / 36

HEX #84A454

RGB 132 164 84

HSL 84, 0.32%, 0.49%

LAB 63.42, -24.6, 37.71

 

CMYK 49 / 0 / 5 / 36

HEX #54A49C

RGB 84 164 156

HSL 174, 0.32%, 0.49%

LAB 62.37, -26.53, -3.43

 

CMYK 29 / 49 / 0 / 36

HEX #7454A4

RGB 116 84 164

HSL 264, 0.32%, 0.49%

LAB 42.36, 30.57, -38.54

 

Description

Color code: HEX #A4545B | qconv.com Color code: HEX #A4545B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 84 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 84 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 45 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 45% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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