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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A457CB it is the complementary color #5BA834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A457CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A457CB shade: #A957C6, #BA69D9, #CB7BEC, #DC8DFF and #ED9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A457CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A457CB shade: #A457CB, #9345B8, #8233A5, #712192 and #600F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A457CB shade: #A457CB, #C357CB, #CB57B3, #CB5794 and #CB5775

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A457CB shade: #A457CB, #8557CB, #6557CB and #5757CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A457CB shade matches the following richer shades: #A457CB, #AA45DD and #B033EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A457CB shade: #A457CB, #9E68B9, #987AA7, #928C96 and #8D9E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A457CB shade: #6457CB, #8357CB, #A257CB, #C157CB and #CB57B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A457CB shade: #7A309F, #923ABE, #A457CB, #B576D5 and #C696DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A457CB shade: #A457CB, #CB5768 and #57CB74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A457CB shade: #A457CB, #CBA257 and #57CBA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A457CB shade: #A457CB, #CB5768, #7FCB57 and #57CBBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A457CB shade: #A457CB, #CB6857, #7FCB57 and #57BACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

Complementary color

CMYK 46 / 0 / 69 / 34

HEX #5BA834

RGB 91 168 52

HSL 99.83, 0.53%, 0.43%

LAB 62.06, -44.45, 50.36

 

CMYK 15 / 56 / 0 / 22

HEX #A957C6

RGB 169 87 198

HSL 284.32, 0.49%, 0.56%

LAB 51.07, 51.2, -44.2

 

CMYK 14 / 52 / 0 / 15

HEX #BA69D9

RGB 186 105 217

HSL 283.39, 0.6%, 0.63%

LAB 57.61, 50.5, -44.53

 

CMYK 14 / 48 / 0 / 7

HEX #CB7BEC

RGB 203 123 236

HSL 282.48, 0.75%, 0.7%

LAB 64.09, 49.74, -44.78

 

CMYK 14 / 45 / 0 / 0

HEX #DC8DFF

RGB 220 141 255

HSL 281.58, 1%, 0.78%

LAB 70.51, 48.96, -44.99

 

CMYK 7 / 38 / 0 / 0

HEX #ED9FFF

RGB 237 159 255

HSL 288.75, 1%, 0.81%

LAB 76.08, 44.45, -36.17

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 20 / 63 / 0 / 28

HEX #9345B8

RGB 147 69 184

HSL 280.7, 0.45%, 0.5%

LAB 44.12, 51.6, -47.32

 

CMYK 21 / 69 / 0 / 35

HEX #8233A5

RGB 130 51 165

HSL 281.58, 0.53%, 0.42%

LAB 37.54, 51.95, -46.74

 

CMYK 23 / 77 / 0 / 43

HEX #712192

RGB 113 33 146

HSL 282.48, 0.63%, 0.35%

LAB 31.05, 51.74, -45.79

 

CMYK 24 / 88 / 0 / 50

HEX #600F7F

RGB 96 15 127

HSL 283.39, 0.79%, 0.28%

LAB 24.83, 50.42, -44.15

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 4 / 57 / 0 / 20

HEX #C357CB

RGB 195 87 203

HSL 295.86, 0.53%, 0.57%

LAB 54.79, 58.93, -40.95

 

CMYK 0 / 57 / 12 / 20

HEX #CB57B3

RGB 203 87 179

HSL 312.41, 0.53%, 0.57%

LAB 54.83, 57.03, -27

 

CMYK 0 / 57 / 27 / 20

HEX #CB5794

RGB 203 87 148

HSL 328.45, 0.53%, 0.57%

LAB 53.65, 52.54, -10.68

 

CMYK 0 / 57 / 42 / 20

HEX #CB5775

RGB 203 87 117

HSL 344.48, 0.53%, 0.57%

LAB 52.73, 48.85, 6.35

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 34 / 57 / 0 / 20

HEX #8557CB

RGB 133 87 203

HSL 263.79, 0.53%, 0.57%

LAB 47.12, 43.33, -53.62

 

CMYK 50 / 57 / 0 / 20

HEX #6557CB

RGB 101 87 203

HSL 247.24, 0.53%, 0.57%

LAB 44.08, 36.2, -58.68

 

CMYK 57 / 57 / 0 / 20

HEX #5757CB

RGB 87 87 203

HSL 240, 0.53%, 0.57%

LAB 43, 33.47, -60.49

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 23 / 69 / 0 / 13

HEX #AA45DD

RGB 170 69 221

HSL 279.87, 0.69%, 0.57%

LAB 49.52, 64.52, -59.82

 

CMYK 26 / 79 / 0 / 7

HEX #B033EE

RGB 176 51 238

HSL 280.11, 0.85%, 0.57%

LAB 49.22, 75.63, -69.89

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 15 / 44 / 0 / 27

HEX #9E68B9

RGB 158 104 185

HSL 280, 0.37%, 0.57%

LAB 52.59, 36.29, -34.4

 

CMYK 9 / 27 / 0 / 35

HEX #987AA7

RGB 152 122 167

HSL 280, 0.2%, 0.57%

LAB 55.47, 20.17, -19.61

 

CMYK 3 / 7 / 0 / 41

HEX #928C96

RGB 146 140 150

HSL 276, 0.05%, 0.57%

LAB 59.04, 4.17, -4.52

 

CMYK 11 / 0 / 16 / 38

HEX #8D9E84

RGB 141 158 132

HSL 99.23, 0.12%, 0.57%

LAB 63.16, -11.01, 11.58

 

CMYK 51 / 57 / 0 / 20

HEX #6457CB

RGB 100 87 203

HSL 246.72, 0.53%, 0.57%

LAB 44, 35.99, -58.82

 

CMYK 35 / 57 / 0 / 20

HEX #8357CB

RGB 131 87 203

HSL 262.76, 0.53%, 0.57%

LAB 46.91, 42.85, -53.97

 

CMYK 20 / 57 / 0 / 20

HEX #A257CB

RGB 162 87 203

HSL 278.79, 0.53%, 0.57%

LAB 50.46, 50.47, -48.09

 

CMYK 5 / 57 / 0 / 20

HEX #C157CB

RGB 193 87 203

HSL 294.83, 0.53%, 0.57%

LAB 54.52, 58.41, -41.41

 

CMYK 0 / 57 / 10 / 20

HEX #CB57B6

RGB 203 87 182

HSL 310.86, 0.53%, 0.57%

LAB 54.96, 57.51, -28.54

 

CMYK 23 / 70 / 0 / 38

HEX #7A309F

RGB 122 48 159

HSL 280, 0.54%, 0.41%

LAB 35.51, 50.22, -46.46

 

CMYK 23 / 69 / 0 / 25

HEX #923ABE

RGB 146 58 190

HSL 280, 0.53%, 0.49%

LAB 42.54, 57.7, -53.37

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 15 / 45 / 0 / 16

HEX #B576D5

RGB 181 118 213

HSL 279.79, 0.53%, 0.65%

LAB 59.51, 41.38, -39.32

 

CMYK 11 / 32 / 0 / 13

HEX #C696DE

RGB 198 150 222

HSL 280, 0.52%, 0.73%

LAB 68.82, 30.85, -29.73

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 0 / 57 / 49 / 20

HEX #CB5768

RGB 203 87 104

HSL 351.21, 0.53%, 0.57%

LAB 52.41, 47.57, 13.64

 

CMYK 57 / 0 / 43 / 20

HEX #57CB74

RGB 87 203 116

HSL 135, 0.53%, 0.57%

LAB 73.54, -51.55, 33.74

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 0 / 20 / 57 / 20

HEX #CBA257

RGB 203 162 87

HSL 38.79, 0.53%, 0.57%

LAB 68.91, 6.39, 44.23

 

CMYK 57 / 0 / 20 / 20

HEX #57CBA2

RGB 87 203 162

HSL 158.79, 0.53%, 0.57%

LAB 74.41, -42.56, 10.7

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 0 / 57 / 49 / 20

HEX #CB5768

RGB 203 87 104

HSL 351.21, 0.53%, 0.57%

LAB 52.41, 47.57, 13.64

 

CMYK 37 / 0 / 57 / 20

HEX #7FCB57

RGB 127 203 87

HSL 99.31, 0.53%, 0.57%

LAB 74.77, -44.03, 49.68

 

CMYK 57 / 0 / 8 / 20

HEX #57CBBA

RGB 87 203 186

HSL 171.21, 0.53%, 0.57%

LAB 75, -36.8, -1.38

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 0 / 49 / 57 / 20

HEX #CB6857

RGB 203 104 87

HSL 8.79, 0.53%, 0.57%

LAB 55.36, 37.67, 27.52

 

CMYK 37 / 0 / 57 / 20

HEX #7FCB57

RGB 127 203 87

HSL 99.31, 0.53%, 0.57%

LAB 74.77, -44.03, 49.68

 

CMYK 57 / 8 / 0 / 20

HEX #57BACB

RGB 87 186 203

HSL 188.79, 0.53%, 0.57%

LAB 70.49, -24.01, -17.35

 

Description

Color code: HEX #A457CB | qconv.com Color code: HEX #A457CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 87 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 87 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 57 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 57% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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