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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A45841 it is the complementary color #5BA7BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A45841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A45841 shade: #A9583C, #BA6A4F, #CB7C62, #DC8E75 and #EDA088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A45841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A45841 shade: #A45841, #93462E, #82341B, #712208 and #601000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A45841 shade: #A45841 and #A44141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A45841 shade: #A45841, #A47241, #A48D41, #A0A441 and #85A441

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A45841 shade matches the following richer shades: #A45841, #B64E2E, #C9441C and #DB3A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A45841 shade: #A45841, #916253, #7E6C66, #6C7679 and #59808B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A45841 shade: #A44160, #A44146, #A45641, #A47141 and #A48B41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A45841 shade: #693829, #864835, #A45841, #BA6B53 and #C68571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A45841 shade: #A45841, #7AA441 and #4153A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A45841 shade: #A45841, #41A456 and #5641A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A45841 shade: #A45841, #7AA441, #418EA4 and #6A41A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A45841 shade: #A45841, #5DA441, #418EA4 and #8841A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

Complementary color

CMYK 52 / 12 / 0 / 25

HEX #5BA7BE

RGB 91 167 190

HSL 193.94, 0.43%, 0.55%

LAB 64.63, -17.12, -19.05

 

CMYK 0 / 48 / 64 / 34

HEX #A9583C

RGB 169 88 60

HSL 15.41, 0.48%, 0.45%

LAB 46.63, 30.7, 30.94

 

CMYK 0 / 43 / 58 / 27

HEX #BA6A4F

RGB 186 106 79

HSL 15.14, 0.44%, 0.52%

LAB 53.29, 29.27, 28.94

 

CMYK 0 / 39 / 52 / 20

HEX #CB7C62

RGB 203 124 98

HSL 14.86, 0.5%, 0.59%

LAB 59.88, 28, 27.16

 

CMYK 0 / 35 / 47 / 14

HEX #DC8E75

RGB 220 142 117

HSL 14.56, 0.6%, 0.66%

LAB 66.4, 26.86, 25.58

 

CMYK 0 / 32 / 43 / 7

HEX #EDA088

RGB 237 160 136

HSL 14.26, 0.74%, 0.73%

LAB 72.84, 25.84, 24.16

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 52 / 69 / 42

HEX #93462E

RGB 147 70 46

HSL 14.26, 0.52%, 0.38%

LAB 39.21, 30.52, 29.32

 

CMYK 0 / 60 / 79 / 49

HEX #82341B

RGB 130 52 27

HSL 14.56, 0.66%, 0.31%

LAB 32.44, 32.13, 31.8

 

CMYK 0 / 70 / 93 / 56

HEX #712208

RGB 113 34 8

HSL 14.86, 0.87%, 0.24%

LAB 25.78, 33.66, 33.86

 

CMYK 0 / 83 / 100 / 62

HEX #601000

RGB 96 16 0

HSL 10, 1%, 0.19%

LAB 19.46, 34.6, 29.45

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 60 / 60 / 36

HEX #A44141

RGB 164 65 65

HSL 0, 0.43%, 0.45%

LAB 41.3, 40.95, 21.15

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 30 / 60 / 36

HEX #A47241

RGB 164 114 65

HSL 29.7, 0.43%, 0.45%

LAB 52.18, 14.4, 34.69

 

CMYK 0 / 14 / 60 / 36

HEX #A48D41

RGB 164 141 65

HSL 46.06, 0.43%, 0.45%

LAB 59.27, -0.76, 42.93

 

CMYK 2 / 0 / 60 / 36

HEX #A0A441

RGB 160 164 65

HSL 62.42, 0.43%, 0.45%

LAB 65.28, -14.81, 49.53

 

CMYK 19 / 0 / 60 / 36

HEX #85A441

RGB 133 164 65

HSL 78.79, 0.43%, 0.45%

LAB 63.28, -26.11, 46.74

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 57 / 75 / 29

HEX #B64E2E

RGB 182 78 46

HSL 14.12, 0.6%, 0.45%

LAB 46.43, 40.23, 38.97

 

CMYK 0 / 66 / 86 / 21

HEX #C9441C

RGB 201 68 28

HSL 13.87, 0.76%, 0.45%

LAB 47.8, 51.09, 50.13

 

CMYK 0 / 74 / 96 / 14

HEX #DB3A09

RGB 219 58 9

HSL 14, 0.92%, 0.45%

LAB 49.62, 60.48, 59.25

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 32 / 43 / 43

HEX #916253

RGB 145 98 83

HSL 14.52, 0.27%, 0.45%

LAB 46.15, 17.13, 16.25

 

CMYK 0 / 14 / 19 / 51

HEX #7E6C66

RGB 126 108 102

HSL 15, 0.11%, 0.45%

LAB 47.13, 6.04, 5.97

 

CMYK 11 / 2 / 0 / 53

HEX #6C7679

RGB 108 118 121

HSL 193.85, 0.06%, 0.45%

LAB 48.92, -3.08, -2.93

 

CMYK 36 / 8 / 0 / 45

HEX #59808B

RGB 89 128 139

HSL 193.2, 0.22%, 0.45%

LAB 51.18, -10.66, -10.29

 

CMYK 0 / 60 / 41 / 36

HEX #A44160

RGB 164 65 96

HSL 341.21, 0.43%, 0.45%

LAB 42.03, 43.82, 2.94

 

CMYK 0 / 60 / 57 / 36

HEX #A44146

RGB 164 65 70

HSL 356.97, 0.43%, 0.45%

LAB 41.4, 41.34, 18.21

 

CMYK 0 / 48 / 60 / 36

HEX #A45641

RGB 164 86 65

HSL 12.73, 0.43%, 0.45%

LAB 45.54, 30.11, 26.56

 

CMYK 0 / 31 / 60 / 36

HEX #A47141

RGB 164 113 65

HSL 29.09, 0.43%, 0.45%

LAB 51.93, 14.97, 34.39

 

CMYK 0 / 15 / 60 / 36

HEX #A48B41

RGB 164 139 65

HSL 44.85, 0.43%, 0.45%

LAB 58.73, 0.34, 42.32

 

CMYK 0 / 47 / 61 / 59

HEX #693829

RGB 105 56 41

HSL 14.06, 0.44%, 0.29%

LAB 29.39, 20.13, 18.87

 

CMYK 0 / 46 / 60 / 47

HEX #864835

RGB 134 72 53

HSL 14.07, 0.43%, 0.37%

LAB 37.77, 24.46, 22.97

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 0 / 42 / 55 / 27

HEX #BA6B53

RGB 186 107 83

HSL 13.98, 0.43%, 0.53%

LAB 53.58, 29.06, 27.03

 

CMYK 0 / 33 / 43 / 22

HEX #C68571

RGB 198 133 113

HSL 14.12, 0.43%, 0.61%

LAB 61.63, 22.59, 20.96

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 26 / 0 / 60 / 36

HEX #7AA441

RGB 122 164 65

HSL 85.45, 0.43%, 0.45%

LAB 62.57, -30.47, 45.75

 

CMYK 60 / 49 / 0 / 36

HEX #4153A4

RGB 65 83 164

HSL 229.09, 0.43%, 0.45%

LAB 37.83, 18.64, -46.03

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 60 / 0 / 48 / 36

HEX #41A456

RGB 65 164 86

HSL 132.73, 0.43%, 0.45%

LAB 60.2, -45.99, 31.97

 

CMYK 48 / 60 / 0 / 36

HEX #5641A4

RGB 86 65 164

HSL 252.73, 0.43%, 0.45%

LAB 34.88, 34.47, -50.69

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 26 / 0 / 60 / 36

HEX #7AA441

RGB 122 164 65

HSL 85.45, 0.43%, 0.45%

LAB 62.57, -30.47, 45.75

 

CMYK 60 / 13 / 0 / 36

HEX #418EA4

RGB 65 142 164

HSL 193.33, 0.43%, 0.45%

LAB 55.23, -16.96, -18.76

 

CMYK 35 / 60 / 0 / 36

HEX #6A41A4

RGB 106 65 164

HSL 264.85, 0.43%, 0.45%

LAB 36.98, 39.03, -47.21

 

CMYK 0 / 46 / 60 / 36

HEX #A45841

RGB 164 88 65

HSL 13.94, 0.43%, 0.45%

LAB 45.98, 29.02, 27.11

 

CMYK 43 / 0 / 60 / 36

HEX #5DA441

RGB 93 164 65

HSL 103.03, 0.43%, 0.45%

LAB 61.01, -40.91, 43.57

 

CMYK 60 / 13 / 0 / 36

HEX #418EA4

RGB 65 142 164

HSL 193.33, 0.43%, 0.45%

LAB 55.23, -16.96, -18.76

 

CMYK 17 / 60 / 0 / 36

HEX #8841A4

RGB 136 65 164

HSL 283.03, 0.43%, 0.45%

LAB 40.73, 46.52, -40.99

 

Description

Color code: HEX #A45841 | qconv.com Color code: HEX #A45841 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 88 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 88 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 60 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 60% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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