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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A459D0 it is the complementary color #5BA62F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A459D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A459D0 shade: #A959CB, #BA6BDE, #CB7DF1, #DC8FFF and #EDA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A459D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A459D0 shade: #A459D0, #9347BD, #8235AA, #712397 and #601184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A459D0 shade: #A357CF, #C357CF, #CF57BB, #CF579B and #CF577A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A459D0 shade: #A357CF, #8357CF, #6257CF and #5757CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A459D0 shade matches the following richer shades: #A357CF, #A846E1 and #AC35F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A459D0 shade: #A357CF, #9F69BE, #9A7AAD, #958B9B and #919D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A459D0 shade: #6157CF, #8157CF, #A157CF, #C157CF and #CF57BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A459D0 shade: #7A2EA6, #9137C6, #A357CF, #B578D8 and #C698E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A459D0 shade: #A459D0, #CF576D and #57CF71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A459D0 shade: #A459D0, #CFA157 and #57CFA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A459D0 shade: #A459D0, #CF576D, #85CF57 and #57CFB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A459D0 shade: #A459D0, #CF6557, #85CF57 and #57C1CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

Complementary color

CMYK 45 / 0 / 72 / 35

HEX #5BA62F

RGB 91 166 47

HSL 97.82, 0.56%, 0.42%

LAB 61.4, -44.03, 51.64

 

CMYK 17 / 56 / 0 / 20

HEX #A959CB

RGB 169 89 203

HSL 282.11, 0.52%, 0.57%

LAB 51.71, 51.24, -46.05

 

CMYK 16 / 52 / 0 / 13

HEX #BA6BDE

RGB 186 107 222

HSL 281.22, 0.64%, 0.65%

LAB 58.25, 50.51, -46.32

 

CMYK 16 / 48 / 0 / 5

HEX #CB7DF1

RGB 203 125 241

HSL 280.34, 0.81%, 0.72%

LAB 64.74, 49.73, -46.53

 

CMYK 14 / 44 / 0 / 0

HEX #DC8FFF

RGB 220 143 255

HSL 281.25, 1%, 0.78%

LAB 70.93, 47.92, -44.34

 

CMYK 7 / 37 / 0 / 0

HEX #EDA1FF

RGB 237 161 255

HSL 288.51, 1%, 0.82%

LAB 76.51, 43.41, -35.52

 

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

CMYK 22 / 62 / 0 / 26

HEX #9347BD

RGB 147 71 189

HSL 278.64, 0.47%, 0.51%

LAB 44.78, 51.72, -49.18

 

CMYK 24 / 69 / 0 / 33

HEX #8235AA

RGB 130 53 170

HSL 279.49, 0.52%, 0.44%

LAB 38.19, 52.14, -48.68

 

CMYK 25 / 77 / 0 / 41

HEX #712397

RGB 113 35 151

HSL 280.34, 0.62%, 0.36%

LAB 31.69, 52.05, -47.83

 

CMYK 27 / 87 / 0 / 48

HEX #601184

RGB 96 17 132

HSL 281.22, 0.77%, 0.29%

LAB 25.42, 50.93, -46.34

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 6 / 58 / 0 / 19

HEX #C357CF

RGB 195 87 207

HSL 294, 0.56%, 0.58%

LAB 54.99, 59.66, -42.92

 

CMYK 0 / 58 / 10 / 19

HEX #CF57BB

RGB 207 87 187

HSL 310, 0.56%, 0.58%

LAB 55.76, 59.41, -30.14

 

CMYK 0 / 58 / 25 / 19

HEX #CF579B

RGB 207 87 155

HSL 326, 0.56%, 0.58%

LAB 54.5, 54.7, -13.46

 

CMYK 0 / 58 / 41 / 19

HEX #CF577A

RGB 207 87 122

HSL 342.5, 0.56%, 0.58%

LAB 53.48, 50.71, 4.53

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 37 / 58 / 0 / 19

HEX #8357CF

RGB 131 87 207

HSL 262, 0.56%, 0.58%

LAB 47.17, 43.9, -55.86

 

CMYK 53 / 58 / 0 / 19

HEX #6257CF

RGB 98 87 207

HSL 245.5, 0.56%, 0.58%

LAB 44.12, 36.82, -60.94

 

CMYK 58 / 58 / 0 / 19

HEX #5757CF

RGB 87 87 207

HSL 240, 0.56%, 0.58%

LAB 43.28, 34.77, -62.33

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 25 / 69 / 0 / 12

HEX #A846E1

RGB 168 70 225

HSL 277.94, 0.72%, 0.58%

LAB 49.67, 64.53, -61.87

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F2

RGB 172 53 242

HSL 277.78, 0.88%, 0.58%

LAB 49.16, 75.14, -72.25

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 16 / 45 / 0 / 25

HEX #9F69BE

RGB 159 105 190

HSL 278.12, 0.4%, 0.58%

LAB 53.16, 37.13, -36.38

 

CMYK 11 / 29 / 0 / 32

HEX #9A7AAD

RGB 154 122 173

HSL 277.65, 0.24%, 0.58%

LAB 55.89, 22.13, -22.4

 

CMYK 4 / 10 / 0 / 39

HEX #958B9B

RGB 149 139 155

HSL 277.5, 0.07%, 0.58%

LAB 59.18, 6.83, -7.14

 

CMYK 8 / 0 / 12 / 38

HEX #919D8A

RGB 145 157 138

HSL 97.89, 0.09%, 0.58%

LAB 63.32, -7.92, 8.49

 

CMYK 53 / 58 / 0 / 19

HEX #6157CF

RGB 97 87 207

HSL 245, 0.56%, 0.58%

LAB 44.04, 36.63, -61.07

 

CMYK 38 / 58 / 0 / 19

HEX #8157CF

RGB 129 87 207

HSL 261, 0.56%, 0.58%

LAB 46.96, 43.44, -56.2

 

CMYK 22 / 58 / 0 / 19

HEX #A157CF

RGB 161 87 207

HSL 277, 0.56%, 0.58%

LAB 50.57, 51.1, -50.22

 

CMYK 7 / 58 / 0 / 19

HEX #C157CF

RGB 193 87 207

HSL 293, 0.56%, 0.58%

LAB 54.72, 59.15, -43.37

 

CMYK 0 / 58 / 9 / 19

HEX #CF57BD

RGB 207 87 189

HSL 309, 0.56%, 0.58%

LAB 55.84, 59.73, -31.16

 

CMYK 27 / 72 / 0 / 35

HEX #7A2EA6

RGB 122 46 166

HSL 278, 0.57%, 0.42%

LAB 35.68, 52.65, -50.39

 

CMYK 27 / 72 / 0 / 22

HEX #9137C6

RGB 145 55 198

HSL 277.76, 0.57%, 0.5%

LAB 42.5, 60.46, -58.1

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 16 / 44 / 0 / 15

HEX #B578D8

RGB 181 120 216

HSL 278.13, 0.55%, 0.66%

LAB 60.08, 40.94, -40.11

 

CMYK 12 / 33 / 0 / 11

HEX #C698E2

RGB 198 152 226

HSL 277.3, 0.56%, 0.74%

LAB 69.44, 30.59, -30.98

 

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

CMYK 0 / 58 / 47 / 19

HEX #CF576D

RGB 207 87 109

HSL 349, 0.56%, 0.58%

LAB 53.15, 49.4, 11.8

 

CMYK 58 / 0 / 45 / 19

HEX #57CF71

RGB 87 207 113

HSL 133, 0.56%, 0.58%

LAB 74.73, -53.59, 36.77

 

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

CMYK 0 / 22 / 58 / 19

HEX #CFA157

RGB 207 161 87

HSL 37, 0.56%, 0.58%

LAB 69.07, 8.62, 44.51

 

CMYK 58 / 0 / 22 / 19

HEX #57CFA1

RGB 87 207 161

HSL 157, 0.56%, 0.58%

LAB 75.59, -44.52, 12.91

 

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

CMYK 0 / 58 / 47 / 19

HEX #CF576D

RGB 207 87 109

HSL 349, 0.56%, 0.58%

LAB 53.15, 49.4, 11.8

 

CMYK 36 / 0 / 58 / 19

HEX #85CF57

RGB 133 207 87

HSL 97, 0.56%, 0.58%

LAB 76.25, -43.73, 51.47

 

CMYK 58 / 0 / 11 / 19

HEX #57CFB9

RGB 87 207 185

HSL 169, 0.56%, 0.58%

LAB 76.16, -38.88, 0.85

 

CMYK 21 / 57 / 0 / 18

HEX #A459D0

RGB 164 89 208

HSL 277.82, 0.56%, 0.58%

LAB 51.37, 51.04, -49.49

 

CMYK 0 / 51 / 58 / 19

HEX #CF6557

RGB 207 101 87

HSL 7, 0.56%, 0.58%

LAB 55.34, 40.72, 27.61

 

CMYK 36 / 0 / 58 / 19

HEX #85CF57

RGB 133 207 87

HSL 97, 0.56%, 0.58%

LAB 76.25, -43.73, 51.47

 

CMYK 58 / 7 / 0 / 19

HEX #57C1CF

RGB 87 193 207

HSL 187, 0.56%, 0.58%

LAB 72.67, -26.37, -16.24

 

Description

Color code: HEX #A459D0 | qconv.com Color code: HEX #A459D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 89 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 89 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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