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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A45A37 it is the complementary color #5BA5C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A45A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A45A37 shade: #A95A32, #BA6C45, #CB7E58, #DC906B and #EDA27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A45A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A45A37 shade: #A45A37, #934824, #823611, #712400 and #601200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A45A37 shade: #A45A36, #A43C36 and #A43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A45A37 shade: #A45A36, #A47736, #A49536, #96A436 and #78A436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A45A37 shade matches the following richer shades: #A45A36, #B65325, #C74D13 and #D94701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A45A37 shade: #A45A36, #926048, #80665A, #6F6D6C and #5D737D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A45A37 shade: #A4364E, #A43C36, #A45936, #A47636 and #A49436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A45A37 shade: #663822, #85492C, #A45A36, #C06B43 and #CA8462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A45A37 shade: #A45A37, #6BA436 and #363FA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A45A37 shade: #A45A37, #36A459 and #5936A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A45A37 shade: #A45A37, #6BA436, #3681A4 and #6F36A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A45A37 shade: #A45A37, #4AA436, #3681A4 and #9036A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

Complementary color

CMYK 55 / 18 / 0 / 22

HEX #5BA5C8

RGB 91 165 200

HSL 199.27, 0.5%, 0.57%

LAB 64.41, -13.12, -24.96

 

CMYK 0 / 47 / 70 / 34

HEX #A95A32

RGB 169 90 50

HSL 20.17, 0.54%, 0.43%

LAB 46.95, 29, 36.83

 

CMYK 0 / 42 / 63 / 27

HEX #BA6C45

RGB 186 108 69

HSL 20, 0.46%, 0.5%

LAB 53.59, 27.43, 34.88

 

CMYK 0 / 38 / 57 / 20

HEX #CB7E58

RGB 203 126 88

HSL 19.83, 0.53%, 0.57%

LAB 60.18, 26.06, 33.08

 

CMYK 0 / 35 / 51 / 14

HEX #DC906B

RGB 220 144 107

HSL 19.65, 0.62%, 0.64%

LAB 66.69, 24.84, 31.44

 

CMYK 0 / 32 / 47 / 7

HEX #EDA27E

RGB 237 162 126

HSL 19.46, 0.76%, 0.71%

LAB 73.12, 23.77, 29.94

 

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

CMYK 0 / 51 / 76 / 42

HEX #934824

RGB 147 72 36

HSL 19.46, 0.61%, 0.36%

LAB 39.52, 28.88, 35.24

 

CMYK 0 / 58 / 87 / 49

HEX #823611

RGB 130 54 17

HSL 19.65, 0.77%, 0.29%

LAB 32.75, 30.72, 37.17

 

CMYK 0 / 68 / 100 / 56

HEX #712400

RGB 113 36 0

HSL 19.12, 1%, 0.22%

LAB 26.08, 32.53, 37.39

 

CMYK 0 / 81 / 100 / 62

HEX #601200

RGB 96 18 0

HSL 11.25, 1%, 0.19%

LAB 19.72, 33.89, 29.74

 

CMYK 0 / 45 / 67 / 36

HEX #A45A36

RGB 164 90 54

HSL 19.64, 0.5%, 0.43%

LAB 46.27, 27.14, 33.7

 

CMYK 0 / 63 / 67 / 36

HEX #A43C36

RGB 164 60 54

HSL 3.27, 0.5%, 0.43%

LAB 40.23, 42.57, 26.49

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 45 / 67 / 36

HEX #A45A36

RGB 164 90 54

HSL 19.64, 0.5%, 0.43%

LAB 46.27, 27.14, 33.7

 

CMYK 0 / 27 / 67 / 36

HEX #A47736

RGB 164 119 54

HSL 35.45, 0.5%, 0.43%

LAB 53.33, 10.79, 41.69

 

CMYK 0 / 9 / 67 / 36

HEX #A49536

RGB 164 149 54

HSL 51.82, 0.5%, 0.43%

LAB 61.35, -5.87, 50.29

 

CMYK 9 / 0 / 67 / 36

HEX #96A436

RGB 150 164 54

HSL 67.64, 0.5%, 0.43%

LAB 64.4, -19.85, 53.08

 

CMYK 27 / 0 / 67 / 36

HEX #78A436

RGB 120 164 54

HSL 84, 0.5%, 0.43%

LAB 62.35, -32.17, 50.3

 

CMYK 0 / 45 / 67 / 36

HEX #A45A36

RGB 164 90 54

HSL 19.64, 0.5%, 0.43%

LAB 46.27, 27.14, 33.7

 

CMYK 0 / 54 / 80 / 29

HEX #B65325

RGB 182 83 37

HSL 19.03, 0.66%, 0.43%

LAB 47.32, 37.37, 44.44

 

CMYK 0 / 61 / 90 / 22

HEX #C74D13

RGB 199 77 19

HSL 19.33, 0.83%, 0.43%

LAB 48.88, 46.26, 54.23

 

CMYK 0 / 67 / 100 / 15

HEX #D94701

RGB 217 71 1

HSL 19.44, 0.99%, 0.43%

LAB 50.99, 54.95, 61.7

 

CMYK 0 / 45 / 67 / 36

HEX #A45A36

RGB 164 90 54

HSL 19.64, 0.5%, 0.43%

LAB 46.27, 27.14, 33.7

 

CMYK 0 / 34 / 51 / 43

HEX #926048

RGB 146 96 72

HSL 19.46, 0.34%, 0.43%

LAB 45.56, 17.51, 21.99

 

CMYK 0 / 20 / 30 / 50

HEX #80665A

RGB 128 102 90

HSL 18.95, 0.17%, 0.43%

LAB 45.4, 8.51, 10.73

 

CMYK 0 / 2 / 3 / 56

HEX #6F6D6C

RGB 111 109 108

HSL 20, 0.01%, 0.43%

LAB 46.18, 0.57, 0.82

 

CMYK 26 / 8 / 0 / 51

HEX #5D737D

RGB 93 115 125

HSL 198.75, 0.15%, 0.43%

LAB 47.07, -5.61, -8.18

 

CMYK 0 / 67 / 52 / 36

HEX #A4364E

RGB 164 54 78

HSL 346.91, 0.5%, 0.43%

LAB 39.72, 47, 10.93

 

CMYK 0 / 63 / 67 / 36

HEX #A43C36

RGB 164 60 54

HSL 3.27, 0.5%, 0.43%

LAB 40.23, 42.57, 26.49

 

CMYK 0 / 46 / 67 / 36

HEX #A45936

RGB 164 89 54

HSL 19.09, 0.5%, 0.43%

LAB 46.05, 27.69, 33.44

 

CMYK 0 / 28 / 67 / 36

HEX #A47636

RGB 164 118 54

HSL 34.91, 0.5%, 0.43%

LAB 53.08, 11.35, 41.41

 

CMYK 0 / 10 / 67 / 36

HEX #A49436

RGB 164 148 54

HSL 51.27, 0.5%, 0.43%

LAB 61.08, -5.33, 50

 

CMYK 0 / 45 / 67 / 60

HEX #663822

RGB 102 56 34

HSL 19.41, 0.5%, 0.27%

LAB 28.82, 18.19, 22.41

 

CMYK 0 / 45 / 67 / 48

HEX #85492C

RGB 133 73 44

HSL 19.55, 0.5%, 0.35%

LAB 37.72, 22.77, 28.19

 

CMYK 0 / 45 / 67 / 36

HEX #A45A36

RGB 164 90 54

HSL 19.64, 0.5%, 0.43%

LAB 46.27, 27.14, 33.7

 

CMYK 0 / 44 / 65 / 25

HEX #C06B43

RGB 192 107 67

HSL 19.2, 0.5%, 0.51%

LAB 54.16, 30.31, 36.84

 

CMYK 0 / 35 / 51 / 21

HEX #CA8462

RGB 202 132 98

HSL 19.62, 0.5%, 0.59%

LAB 61.6, 23.25, 29.37

 

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

CMYK 35 / 0 / 67 / 36

HEX #6BA436

RGB 107 164 54

HSL 91.09, 0.5%, 0.43%

LAB 61.61, -37.09, 49.29

 

CMYK 67 / 62 / 0 / 36

HEX #363FA4

RGB 54 63 164

HSL 235.09, 0.5%, 0.43%

LAB 31.85, 29.78, -55.73

 

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

CMYK 67 / 0 / 46 / 36

HEX #36A459

RGB 54 164 89

HSL 139.09, 0.5%, 0.43%

LAB 59.94, -47.84, 30.01

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

CMYK 35 / 0 / 67 / 36

HEX #6BA436

RGB 107 164 54

HSL 91.09, 0.5%, 0.43%

LAB 61.61, -37.09, 49.29

 

CMYK 67 / 21 / 0 / 36

HEX #3681A4

RGB 54 129 164

HSL 199.09, 0.5%, 0.43%

LAB 50.88, -11.78, -25.47

 

CMYK 32 / 67 / 0 / 36

HEX #6F36A4

RGB 111 54 164

HSL 271.09, 0.5%, 0.43%

LAB 35.4, 46.09, -49.72

 

CMYK 0 / 45 / 66 / 36

HEX #A45A37

RGB 164 90 55

HSL 19.27, 0.5%, 0.43%

LAB 46.29, 27.21, 33.16

 

CMYK 55 / 0 / 67 / 36

HEX #4AA436

RGB 74 164 54

HSL 109.09, 0.5%, 0.43%

LAB 60.13, -47.76, 47.28

 

CMYK 67 / 21 / 0 / 36

HEX #3681A4

RGB 54 129 164

HSL 199.09, 0.5%, 0.43%

LAB 50.88, -11.78, -25.47

 

CMYK 12 / 67 / 0 / 36

HEX #9036A4

RGB 144 54 164

HSL 289.09, 0.5%, 0.43%

LAB 40, 53.65, -42.09

 

Description

Color code: HEX #A45A37 | qconv.com Color code: HEX #A45A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 90 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 90 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 66 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 66% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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