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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46471 it is the complementary color #5B9B8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46471 shade: #A9646C, #BA767F, #CB8892, #DC9AA5 and #EDACB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46471 shade: #A46471, #93525E, #82404B, #712E38 and #601C25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46471 shade: #A46471 and #A46464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46471 shade: #A46471, #A46482, #A46494, #A364A4 and #9264A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46471 shade matches the following richer shades: #A46471, #B85065, #CC3D5A, #DF294E and #F31542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46471 shade: #A46471, #90787D, #7C8C89, #69A094 and #55B3A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46471 shade: #A46494, #A46483, #A46472, #A46764 and #A47864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46471 shade: #73434D, #8D525E, #A46471, #B37E89 and #C298A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46471 shade: #A46471, #A4A364 and #648CA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46471 shade: #A46471, #72A464 and #6472A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46471 shade: #A46471, #A4A364, #64A496 and #6465A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46471 shade: #A46471, #92A464, #64A496 and #7664A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

Complementary color

CMYK 41 / 0 / 8 / 39

HEX #5B9B8E

RGB 91 155 142

HSL 167.81, 0.26%, 0.48%

LAB 59.54, -23.74, 0.37

 

CMYK 0 / 41 / 36 / 34

HEX #A9646C

RGB 169 100 108

HSL 353.04, 0.29%, 0.53%

LAB 50.25, 28.8, 7.52

 

CMYK 0 / 37 / 32 / 27

HEX #BA767F

RGB 186 118 127

HSL 352.06, 0.33%, 0.6%

LAB 57.01, 27.85, 6.28

 

CMYK 0 / 33 / 28 / 20

HEX #CB8892

RGB 203 136 146

HSL 351.04, 0.39%, 0.66%

LAB 63.66, 26.99, 5.19

 

CMYK 0 / 30 / 25 / 14

HEX #DC9AA5

RGB 220 154 165

HSL 350, 0.49%, 0.73%

LAB 70.21, 26.21, 4.21

 

CMYK 0 / 27 / 22 / 7

HEX #EDACB8

RGB 237 172 184

HSL 348.92, 0.64%, 0.8%

LAB 76.66, 25.5, 3.32

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 44 / 36 / 42

HEX #93525E

RGB 147 82 94

HSL 348.92, 0.28%, 0.45%

LAB 42.83, 28.51, 4.99

 

CMYK 0 / 51 / 42 / 49

HEX #82404B

RGB 130 64 75

HSL 350, 0.34%, 0.38%

LAB 35.83, 29.56, 6.55

 

CMYK 0 / 59 / 50 / 56

HEX #712E38

RGB 113 46 56

HSL 351.04, 0.42%, 0.31%

LAB 28.77, 30.61, 8.55

 

CMYK 0 / 71 / 61 / 62

HEX #601C25

RGB 96 28 37

HSL 352.06, 0.55%, 0.24%

LAB 21.77, 31.46, 11.29

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 39 / 21 / 36

HEX #A46482

RGB 164 100 130

HSL 331.88, 0.26%, 0.52%

LAB 50.24, 30.07, -5.69

 

CMYK 0 / 39 / 10 / 36

HEX #A46494

RGB 164 100 148

HSL 315, 0.26%, 0.52%

LAB 50.86, 33.09, -15.42

 

CMYK 1 / 39 / 0 / 36

HEX #A364A4

RGB 163 100 164

HSL 299.06, 0.26%, 0.52%

LAB 51.36, 35.73, -24.07

 

CMYK 11 / 39 / 0 / 36

HEX #9264A4

RGB 146 100 164

HSL 283.13, 0.26%, 0.52%

LAB 49.38, 30.27, -27.29

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 57 / 45 / 28

HEX #B85065

RGB 184 80 101

HSL 347.88, 0.42%, 0.52%

LAB 48.09, 44.03, 8.96

 

CMYK 0 / 70 / 56 / 20

HEX #CC3D5A

RGB 204 61 90

HSL 347.83, 0.58%, 0.52%

LAB 48.15, 57.82, 16.23

 

CMYK 0 / 82 / 65 / 13

HEX #DF294E

RGB 223 41 78

HSL 347.8, 0.74%, 0.52%

LAB 49.28, 68.61, 25.66

 

CMYK 0 / 91 / 73 / 5

HEX #F31542

RGB 243 21 66

HSL 347.84, 0.9%, 0.52%

LAB 51.82, 76.71, 36.82

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 17 / 13 / 44

HEX #90787D

RGB 144 120 125

HSL 347.5, 0.1%, 0.52%

LAB 52.78, 10.17, 0.74

 

CMYK 11 / 0 / 2 / 45

HEX #7C8C89

RGB 124 140 137

HSL 168.75, 0.07%, 0.52%

LAB 56.93, -6.39, -0.37

 

CMYK 34 / 0 / 7 / 37

HEX #69A094

RGB 105 160 148

HSL 166.91, 0.22%, 0.52%

LAB 61.9, -20.87, 0.49

 

CMYK 53 / 0 / 11 / 30

HEX #55B3A0

RGB 85 179 160

HSL 167.87, 0.38%, 0.52%

LAB 67.06, -32.56, 1.21

 

CMYK 0 / 39 / 10 / 36

HEX #A46494

RGB 164 100 148

HSL 315, 0.26%, 0.52%

LAB 50.86, 33.09, -15.42

 

CMYK 0 / 39 / 20 / 36

HEX #A46483

RGB 164 100 131

HSL 330.94, 0.26%, 0.52%

LAB 50.27, 30.22, -6.23

 

CMYK 0 / 39 / 30 / 36

HEX #A46472

RGB 164 100 114

HSL 346.88, 0.26%, 0.52%

LAB 49.76, 27.68, 3.16

 

CMYK 0 / 37 / 39 / 36

HEX #A46764

RGB 164 103 100

HSL 2.81, 0.26%, 0.52%

LAB 50.11, 24.15, 11.98

 

CMYK 0 / 27 / 39 / 36

HEX #A47864

RGB 164 120 100

HSL 18.75, 0.26%, 0.52%

LAB 54.29, 14.5, 17.73

 

CMYK 0 / 42 / 33 / 55

HEX #73434D

RGB 115 67 77

HSL 347.5, 0.26%, 0.36%

LAB 34.39, 22.1, 2.92

 

CMYK 0 / 42 / 33 / 45

HEX #8D525E

RGB 141 82 94

HSL 347.8, 0.26%, 0.44%

LAB 42.01, 26.17, 3.7

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 30 / 23 / 30

HEX #B37E89

RGB 179 126 137

HSL 347.55, 0.26%, 0.6%

LAB 58.33, 22.17, 2.3

 

CMYK 0 / 22 / 17 / 24

HEX #C298A1

RGB 194 152 161

HSL 347.14, 0.26%, 0.68%

LAB 66.9, 17.09, 1.31

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 1 / 39 / 36

HEX #A4A364

RGB 164 163 100

HSL 59.06, 0.26%, 0.52%

LAB 65.75, -9.3, 32.85

 

CMYK 39 / 15 / 0 / 36

HEX #648CA4

RGB 100 140 164

HSL 202.5, 0.26%, 0.52%

LAB 56.23, -7.48, -17.08

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 30 / 0 / 39 / 36

HEX #72A464

RGB 114 164 100

HSL 106.88, 0.26%, 0.52%

LAB 62.55, -29.2, 28.02

 

CMYK 39 / 30 / 0 / 36

HEX #6472A4

RGB 100 114 164

HSL 226.88, 0.26%, 0.52%

LAB 48.79, 7.72, -28.53

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 1 / 39 / 36

HEX #A4A364

RGB 164 163 100

HSL 59.06, 0.26%, 0.52%

LAB 65.75, -9.3, 32.85

 

CMYK 39 / 0 / 9 / 36

HEX #64A496

RGB 100 164 150

HSL 166.88, 0.26%, 0.52%

LAB 62.9, -23.88, 0.79

 

CMYK 39 / 38 / 0 / 36

HEX #6465A4

RGB 100 101 164

HSL 239.06, 0.26%, 0.52%

LAB 45.22, 15.68, -34.12

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 11 / 0 / 39 / 36

HEX #92A464

RGB 146 164 100

HSL 76.88, 0.26%, 0.52%

LAB 64.63, -17.12, 31.13

 

CMYK 39 / 0 / 9 / 36

HEX #64A496

RGB 100 164 150

HSL 166.88, 0.26%, 0.52%

LAB 62.9, -23.88, 0.79

 

CMYK 28 / 39 / 0 / 36

HEX #7664A4

RGB 118 100 164

HSL 256.88, 0.26%, 0.52%

LAB 46.51, 21.53, -31.99

 

Description

Color code: HEX #A46471 | qconv.com Color code: HEX #A46471 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 100 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 100 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 31 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 31% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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