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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A468DD it is the complementary color #5B9722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A468DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A468DD shade: #A968D8, #BA7AEB, #CB8CFE, #DC9EFF and #EDB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A468DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A468DD shade: #A468DD, #9356CA, #8244B7, #7132A4 and #602091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A468DD shade: #A469DD, #C369DD, #DD69D6, #DD69B7 and #DD6998

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A468DD shade: #A469DD, #8569DD and #6969DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A468DD shade matches the following richer shades: #A469DD, #A55AEB and #A54BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A468DD shade: #A469DD, #A478CE, #A387BF, #A395B0 and #A3A4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A468DD shade: #696DDD, #8469DD, #A369DD, #C269DD and #DD69D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A468DD shade: #7B2DC6, #9047D5, #A469DD, #B88AE4 and #CDACEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A468DD shade: #A468DD, #DD698C and #69DD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A468DD shade: #A468DD, #DDA369 and #69DDA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A468DD shade: #A468DD, #DD698C, #A3DD69 and #69DDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A468DD shade: #A468DD, #DD6969, #A3DD69 and #69DDDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

Complementary color

CMYK 40 / 0 / 77 / 41

HEX #5B9722

RGB 91 151 34

HSL 90.77, 0.63%, 0.36%

LAB 56.56, -38.59, 51.57

 

CMYK 22 / 52 / 0 / 15

HEX #A968D8

RGB 169 104 216

HSL 274.82, 0.59%, 0.63%

LAB 55.37, 46.27, -47.63

 

CMYK 21 / 48 / 0 / 8

HEX #BA7AEB

RGB 186 122 235

HSL 273.98, 0.74%, 0.7%

LAB 61.96, 45.42, -47.72

 

CMYK 20 / 45 / 0 / 0

HEX #CB8CFE

RGB 203 140 254

HSL 273.16, 0.98%, 0.77%

LAB 68.47, 44.59, -47.79

 

CMYK 14 / 38 / 0 / 0

HEX #DC9EFF

RGB 220 158 255

HSL 278.35, 1%, 0.81%

LAB 74.12, 39.98, -39.36

 

CMYK 7 / 31 / 0 / 0

HEX #EDB0FF

RGB 237 176 255

HSL 286.33, 1%, 0.85%

LAB 79.77, 35.48, -30.48

 

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

CMYK 27 / 57 / 0 / 21

HEX #9356CA

RGB 147 86 202

HSL 271.55, 0.52%, 0.56%

LAB 48.41, 47.01, -50.89

 

CMYK 29 / 63 / 0 / 28

HEX #8244B7

RGB 130 68 183

HSL 272.35, 0.46%, 0.49%

LAB 41.69, 47.85, -50.75

 

CMYK 31 / 70 / 0 / 36

HEX #7132A4

RGB 113 50 164

HSL 273.16, 0.53%, 0.42%

LAB 34.95, 48.49, -50.44

 

CMYK 34 / 78 / 0 / 43

HEX #602091

RGB 96 32 145

HSL 273.98, 0.64%, 0.35%

LAB 28.29, 48.66, -49.78

 

CMYK 26 / 52 / 0 / 13

HEX #A469DD

RGB 164 105 221

HSL 270.52, 0.63%, 0.64%

LAB 55.29, 45.58, -50.61

 

CMYK 12 / 52 / 0 / 13

HEX #C369DD

RGB 195 105 221

HSL 286.55, 0.63%, 0.64%

LAB 58.91, 53.72, -44.66

 

CMYK 0 / 52 / 3 / 13

HEX #DD69D6

RGB 221 105 214

HSL 303.62, 0.63%, 0.64%

LAB 61.94, 59.47, -35.73

 

CMYK 0 / 52 / 17 / 13

HEX #DD69B7

RGB 221 105 183

HSL 319.66, 0.63%, 0.64%

LAB 60.69, 54.52, -20.09

 

CMYK 0 / 52 / 31 / 13

HEX #DD6998

RGB 221 105 152

HSL 335.69, 0.63%, 0.64%

LAB 59.66, 50.27, -3.8

 

CMYK 26 / 52 / 0 / 13

HEX #A469DD

RGB 164 105 221

HSL 270.52, 0.63%, 0.64%

LAB 55.29, 45.58, -50.61

 

CMYK 40 / 52 / 0 / 13

HEX #8569DD

RGB 133 105 221

HSL 254.48, 0.63%, 0.64%

LAB 52.19, 37.9, -55.76

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

CMYK 26 / 52 / 0 / 13

HEX #A469DD

RGB 164 105 221

HSL 270.52, 0.63%, 0.64%

LAB 55.29, 45.58, -50.61

 

CMYK 30 / 62 / 0 / 8

HEX #A55AEB

RGB 165 90 235

HSL 271.03, 0.78%, 0.64%

LAB 53.29, 56.87, -61.69

 

CMYK 34 / 70 / 0 / 2

HEX #A54BFA

RGB 165 75 250

HSL 270.86, 0.95%, 0.64%

LAB 51.76, 67.29, -72.54

 

CMYK 26 / 52 / 0 / 13

HEX #A469DD

RGB 164 105 221

HSL 270.52, 0.63%, 0.64%

LAB 55.29, 45.58, -50.61

 

CMYK 20 / 42 / 0 / 19

HEX #A478CE

RGB 164 120 206

HSL 270.7, 0.47%, 0.64%

LAB 57.83, 33.78, -38.14

 

CMYK 15 / 29 / 0 / 25

HEX #A387BF

RGB 163 135 191

HSL 270, 0.3%, 0.64%

LAB 60.67, 21.55, -25.25

 

CMYK 7 / 15 / 0 / 31

HEX #A395B0

RGB 163 149 176

HSL 271.11, 0.15%, 0.64%

LAB 63.69, 10.38, -12.2

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 52 / 51 / 0 / 13

HEX #696DDD

RGB 105 109 221

HSL 237.93, 0.63%, 0.64%

LAB 50.88, 29.28, -57.99

 

CMYK 40 / 52 / 0 / 13

HEX #8469DD

RGB 132 105 221

HSL 253.97, 0.63%, 0.64%

LAB 52.1, 37.66, -55.91

 

CMYK 26 / 52 / 0 / 13

HEX #A369DD

RGB 163 105 221

HSL 270, 0.63%, 0.64%

LAB 55.19, 45.32, -50.79

 

CMYK 12 / 52 / 0 / 13

HEX #C269DD

RGB 194 105 221

HSL 286.03, 0.63%, 0.64%

LAB 58.78, 53.45, -44.86

 

CMYK 0 / 52 / 2 / 13

HEX #DD69D9

RGB 221 105 217

HSL 302.07, 0.63%, 0.64%

LAB 62.07, 59.98, -37.21

 

CMYK 38 / 77 / 0 / 22

HEX #7B2DC6

RGB 123 45 198

HSL 270.59, 0.63%, 0.48%

LAB 38.14, 60.53, -65.33

 

CMYK 32 / 67 / 0 / 16

HEX #9047D5

RGB 144 71 213

HSL 270.85, 0.63%, 0.56%

LAB 45.96, 56.52, -61.17

 

CMYK 26 / 52 / 0 / 13

HEX #A469DD

RGB 164 105 221

HSL 270.52, 0.63%, 0.64%

LAB 55.29, 45.58, -50.61

 

CMYK 19 / 39 / 0 / 11

HEX #B88AE4

RGB 184 138 228

HSL 270.67, 0.63%, 0.72%

LAB 64.94, 34.55, -39.17

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

CMYK 0 / 52 / 37 / 13

HEX #DD698C

RGB 221 105 140

HSL 341.9, 0.63%, 0.64%

LAB 59.31, 48.82, 2.66

 

CMYK 52 / 0 / 48 / 13

HEX #69DD74

RGB 105 221 116

HSL 125.69, 0.63%, 0.64%

LAB 79.6, -54.26, 41.56

 

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

CMYK 0 / 26 / 52 / 13

HEX #DDA369

RGB 221 163 105

HSL 30, 0.63%, 0.64%

LAB 71.27, 14.86, 38.34

 

CMYK 52 / 0 / 26 / 13

HEX #69DDA3

RGB 105 221 163

HSL 150, 0.63%, 0.64%

LAB 80.38, -46.15, 18.64

 

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

CMYK 0 / 52 / 37 / 13

HEX #DD698C

RGB 221 105 140

HSL 341.9, 0.63%, 0.64%

LAB 59.31, 48.82, 2.66

 

CMYK 26 / 0 / 52 / 13

HEX #A3DD69

RGB 163 221 105

HSL 90, 0.63%, 0.64%

LAB 82.12, -37.58, 50.49

 

CMYK 52 / 0 / 16 / 13

HEX #69DDBA

RGB 105 221 186

HSL 161.9, 0.63%, 0.64%

LAB 80.88, -41.21, 7.22

 

CMYK 26 / 53 / 0 / 13

HEX #A468DD

RGB 164 104 221

HSL 270.77, 0.63%, 0.64%

LAB 55.09, 46.12, -50.95

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 26 / 0 / 52 / 13

HEX #A3DD69

RGB 163 221 105

HSL 90, 0.63%, 0.64%

LAB 82.12, -37.58, 50.49

 

CMYK 52 / 0 / 0 / 13

HEX #69DDDD

RGB 105 221 221

HSL 180, 0.63%, 0.64%

LAB 81.8, -32.64, -10.03

 

Description

Color code: HEX #A468DD | qconv.com Color code: HEX #A468DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 104 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 104 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 53 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 53% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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