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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46DE3 it is the complementary color #5B921C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46DE3 shade: #A96DDE, #BA7FF1, #CB91FF, #DCA3FF and #EDB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46DE3 shade: #A46DE3, #935BD0, #8249BD, #7137AA and #602597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46DE3 shade: #A46DE3, #C46DE3, #E36DE2, #E36DC2 and #E36DA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46DE3 shade: #A46DE3, #846DE3 and #6D6DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46DE3 shade matches the following richer shades: #A46DE3 and #A35FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46DE3 shade: #A46DE3, #A57BD5, #A689C7, #A797B9 and #A8A5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46DE3 shade: #6D77E3, #826DE3, #A26DE3, #C16DE3 and #E16DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46DE3 shade: #7928D5, #8E4ADC, #A46DE3, #B990E9 and #CFB2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46DE3 shade: #A46DE3, #E36D96 and #6DE373

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46DE3 shade: #A46DE3, #E3A26D and #6DE3A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46DE3 shade: #A46DE3, #E36D96, #AEE36D and #6DE3B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46DE3 shade: #A46DE3, #E36D73, #AEE36D and #6DE3DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

Complementary color

CMYK 38 / 0 / 81 / 43

HEX #5B921C

RGB 91 146 28

HSL 87.97, 0.68%, 0.34%

LAB 54.93, -36.74, 51.98

 

CMYK 24 / 51 / 0 / 13

HEX #A96DDE

RGB 169 109 222

HSL 271.86, 0.63%, 0.65%

LAB 56.73, 44.95, -48.86

 

CMYK 23 / 47 / 0 / 5

HEX #BA7FF1

RGB 186 127 241

HSL 271.05, 0.8%, 0.72%

LAB 63.32, 44.07, -48.9

 

CMYK 20 / 43 / 0 / 0

HEX #CB91FF

RGB 203 145 255

HSL 271.64, 1%, 0.78%

LAB 69.59, 42.12, -46.57

 

CMYK 14 / 36 / 0 / 0

HEX #DCA3FF

RGB 220 163 255

HSL 277.17, 1%, 0.82%

LAB 75.22, 37.3, -37.64

 

CMYK 7 / 29 / 0 / 0

HEX #EDB5FF

RGB 237 181 255

HSL 285.41, 1%, 0.85%

LAB 80.89, 32.82, -28.77

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 29 / 56 / 0 / 18

HEX #935BD0

RGB 147 91 208

HSL 268.72, 0.55%, 0.59%

LAB 49.79, 45.77, -52.14

 

CMYK 31 / 61 / 0 / 26

HEX #8249BD

RGB 130 73 189

HSL 269.48, 0.47%, 0.51%

LAB 43.04, 46.7, -52.09

 

CMYK 34 / 68 / 0 / 33

HEX #7137AA

RGB 113 55 170

HSL 270.26, 0.51%, 0.44%

LAB 36.26, 47.5, -51.91

 

CMYK 36 / 75 / 0 / 41

HEX #602597

RGB 96 37 151

HSL 271.05, 0.61%, 0.37%

LAB 29.52, 47.96, -51.45

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 14 / 52 / 0 / 11

HEX #C46DE3

RGB 196 109 227

HSL 284.24, 0.68%, 0.66%

LAB 60.09, 53.18, -46.15

 

CMYK 0 / 52 / 0 / 11

HEX #E36DE2

RGB 227 109 226

HSL 300.51, 0.68%, 0.66%

LAB 63.97, 61.29, -39.22

 

CMYK 0 / 52 / 15 / 11

HEX #E36DC2

RGB 227 109 194

HSL 316.78, 0.68%, 0.66%

LAB 62.65, 56.08, -23.28

 

CMYK 0 / 52 / 28 / 11

HEX #E36DA3

RGB 227 109 163

HSL 332.54, 0.68%, 0.66%

LAB 61.58, 51.69, -7.2

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 42 / 52 / 0 / 11

HEX #846DE3

RGB 132 109 227

HSL 251.69, 0.68%, 0.66%

LAB 53.37, 37, -57.24

 

CMYK 52 / 52 / 0 / 11

HEX #6D6DE3

RGB 109 109 227

HSL 240, 0.68%, 0.66%

LAB 51.54, 31.97, -60.29

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 32 / 61 / 0 / 5

HEX #A35FF1

RGB 163 95 241

HSL 267.95, 0.84%, 0.66%

LAB 54.37, 55.33, -63.32

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 23 / 42 / 0 / 16

HEX #A57BD5

RGB 165 123 213

HSL 268, 0.52%, 0.66%

LAB 58.95, 34, -40.33

 

CMYK 17 / 31 / 0 / 22

HEX #A689C7

RGB 166 137 199

HSL 268.06, 0.36%, 0.66%

LAB 61.76, 23.15, -28.06

 

CMYK 10 / 18 / 0 / 27

HEX #A797B9

RGB 167 151 185

HSL 268.24, 0.2%, 0.66%

LAB 64.84, 12.49, -15.47

 

CMYK 2 / 4 / 0 / 33

HEX #A8A5AB

RGB 168 165 171

HSL 270, 0.03%, 0.66%

LAB 68.15, 2.22, -2.72

 

CMYK 52 / 48 / 0 / 11

HEX #6D77E3

RGB 109 119 227

HSL 234.92, 0.68%, 0.66%

LAB 54.02, 25.94, -56.31

 

CMYK 43 / 52 / 0 / 11

HEX #826DE3

RGB 130 109 227

HSL 250.68, 0.68%, 0.66%

LAB 53.2, 36.54, -57.53

 

CMYK 29 / 52 / 0 / 11

HEX #A26DE3

RGB 162 109 227

HSL 266.95, 0.68%, 0.66%

LAB 56.25, 44.32, -52.47

 

CMYK 15 / 52 / 0 / 11

HEX #C16DE3

RGB 193 109 227

HSL 282.71, 0.68%, 0.66%

LAB 59.73, 52.38, -46.74

 

CMYK 1 / 52 / 0 / 11

HEX #E16DE3

RGB 225 109 227

HSL 298.98, 0.68%, 0.66%

LAB 63.75, 60.93, -40.14

 

CMYK 43 / 81 / 0 / 16

HEX #7928D5

RGB 121 40 213

HSL 268.09, 0.68%, 0.5%

LAB 38.53, 65.57, -73.4

 

CMYK 35 / 66 / 0 / 14

HEX #8E4ADC

RGB 142 74 220

HSL 267.95, 0.68%, 0.58%

LAB 46.73, 56.34, -63.93

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 21 / 38 / 0 / 9

HEX #B990E9

RGB 185 144 233

HSL 267.64, 0.67%, 0.74%

LAB 66.63, 32.63, -39.28

 

CMYK 14 / 26 / 0 / 6

HEX #CFB2F0

RGB 207 178 240

HSL 268.06, 0.67%, 0.82%

LAB 76.92, 22.07, -27.03

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 0 / 52 / 34 / 11

HEX #E36D96

RGB 227 109 150

HSL 339.15, 0.68%, 0.66%

LAB 61.19, 50.06, -0.28

 

CMYK 52 / 0 / 49 / 11

HEX #6DE373

RGB 109 227 115

HSL 123.05, 0.68%, 0.66%

LAB 81.53, -55.71, 44.47

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 0 / 29 / 52 / 11

HEX #E3A26D

RGB 227 162 109

HSL 26.95, 0.68%, 0.66%

LAB 71.74, 18.2, 36.98

 

CMYK 52 / 0 / 29 / 11

HEX #6DE3A2

RGB 109 227 162

HSL 146.95, 0.68%, 0.66%

LAB 82.27, -47.96, 21.8

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 0 / 52 / 34 / 11

HEX #E36D96

RGB 227 109 150

HSL 339.15, 0.68%, 0.66%

LAB 61.19, 50.06, -0.28

 

CMYK 23 / 0 / 52 / 11

HEX #AEE36D

RGB 174 227 109

HSL 86.95, 0.68%, 0.66%

LAB 84.5, -35.91, 51.62

 

CMYK 52 / 0 / 19 / 11

HEX #6DE3B9

RGB 109 227 185

HSL 158.64, 0.68%, 0.66%

LAB 82.75, -43.2, 10.43

 

CMYK 28 / 52 / 0 / 11

HEX #A46DE3

RGB 164 109 227

HSL 267.97, 0.68%, 0.66%

LAB 56.46, 44.82, -52.13

 

CMYK 0 / 52 / 49 / 11

HEX #E36D73

RGB 227 109 115

HSL 356.95, 0.68%, 0.66%

LAB 60.34, 46.38, 18.7

 

CMYK 23 / 0 / 52 / 11

HEX #AEE36D

RGB 174 227 109

HSL 86.95, 0.68%, 0.66%

LAB 84.5, -35.91, 51.62

 

CMYK 52 / 0 / 3 / 11

HEX #6DE3DD

RGB 109 227 221

HSL 176.95, 0.68%, 0.66%

LAB 83.66, -34.66, -7.27

 

Description

Color code: HEX #A46DE3 | qconv.com Color code: HEX #A46DE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 109 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 109 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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