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Color name
HEX #A46FDC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46FDC it is the complementary color #5B9023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46FDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46FDC shade: #A96FD7, #BA81EA, #CB93FD, #DCA5FF and #EDB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46FDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46FDC shade: #A46FDC, #935DC9, #824BB6, #7139A3 and #602790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46FDC shade: #A46FDC, #C16FDC, #DC6FD9, #DC6FBC and #DC6F9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46FDC shade: #A46FDC, #866FDC and #6F6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46FDC shade matches the following richer shades: #A46FDC, #A360EA and #A352F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46FDC shade: #A46FDC, #A47DCD, #A58CBF, #A59AB0 and #A5A9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46FDC shade: #6F74DC, #866FDC, #A36FDC, #C06FDC and #DC6FDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46FDC shade: #7A30C8, #8F4ED4, #A46FDC, #B990E4 and #CEB1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46FDC shade: #A46FDC, #DC6F91 and #6FDC78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46FDC shade: #A46FDC, #DCA36F and #6FDCA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46FDC shade: #A46FDC, #DC6F91, #A7DC6F and #6FDCB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46FDC shade: #A46FDC, #DC6F71, #A7DC6F and #6FDCDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

Complementary color

CMYK 37 / 0 / 76 / 44

HEX #5B9023

RGB 91 144 35

HSL 89.17, 0.61%, 0.35%

LAB 54.34, -35.45, 49.06

 

CMYK 21 / 48 / 0 / 16

HEX #A96FD7

RGB 169 111 215

HSL 273.46, 0.57%, 0.64%

LAB 56.79, 42.26, -44.82

 

CMYK 21 / 45 / 0 / 8

HEX #BA81EA

RGB 186 129 234

HSL 272.57, 0.71%, 0.71%

LAB 63.41, 41.41, -44.88

 

CMYK 20 / 42 / 0 / 1

HEX #CB93FD

RGB 203 147 253

HSL 271.7, 0.96%, 0.78%

LAB 69.93, 40.6, -44.93

 

CMYK 14 / 35 / 0 / 0

HEX #DCA5FF

RGB 220 165 255

HSL 276.67, 1%, 0.82%

LAB 75.67, 36.22, -36.95

 

CMYK 7 / 28 / 0 / 0

HEX #EDB7FF

RGB 237 183 255

HSL 285, 1%, 0.86%

LAB 81.34, 31.76, -28.07

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 27 / 54 / 0 / 21

HEX #935DC9

RGB 147 93 201

HSL 270, 0.5%, 0.58%

LAB 49.8, 42.99, -48.11

 

CMYK 29 / 59 / 0 / 29

HEX #824BB6

RGB 130 75 182

HSL 270.84, 0.42%, 0.5%

LAB 43, 43.92, -48.06

 

CMYK 31 / 65 / 0 / 36

HEX #7139A3

RGB 113 57 163

HSL 271.7, 0.48%, 0.43%

LAB 36.14, 44.76, -47.91

 

CMYK 33 / 73 / 0 / 44

HEX #602790

RGB 96 39 144

HSL 272.57, 0.57%, 0.36%

LAB 29.29, 45.33, -47.53

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 12 / 50 / 0 / 14

HEX #C16FDC

RGB 193 111 220

HSL 285.14, 0.61%, 0.65%

LAB 59.77, 49.93, -42.75

 

CMYK 0 / 50 / 1 / 14

HEX #DC6FD9

RGB 220 111 217

HSL 301.65, 0.61%, 0.65%

LAB 63.01, 56.86, -35.76

 

CMYK 0 / 50 / 15 / 14

HEX #DC6FBC

RGB 220 111 188

HSL 317.61, 0.61%, 0.65%

LAB 61.84, 52.08, -21.19

 

CMYK 0 / 50 / 28 / 14

HEX #DC6F9E

RGB 220 111 158

HSL 334.13, 0.61%, 0.65%

LAB 60.83, 47.77, -5.54

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 39 / 50 / 0 / 14

HEX #866FDC

RGB 134 111 220

HSL 252.66, 0.61%, 0.65%

LAB 53.6, 34.38, -52.92

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 30 / 59 / 0 / 8

HEX #A360EA

RGB 163 96 234

HSL 269.13, 0.77%, 0.65%

LAB 54.13, 53.15, -59.8

 

CMYK 35 / 67 / 0 / 2

HEX #A352F9

RGB 163 82 249

HSL 269.1, 0.93%, 0.65%

LAB 52.58, 63.55, -70.67

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 20 / 39 / 0 / 20

HEX #A47DCD

RGB 164 125 205

HSL 269.25, 0.44%, 0.65%

LAB 58.94, 30.72, -35.83

 

CMYK 14 / 27 / 0 / 25

HEX #A58CBF

RGB 165 140 191

HSL 269.41, 0.28%, 0.65%

LAB 62.1, 19.35, -23.04

 

CMYK 6 / 13 / 0 / 31

HEX #A59AB0

RGB 165 154 176

HSL 270, 0.12%, 0.65%

LAB 65.16, 8.26, -9.98

 

CMYK 2 / 0 / 4 / 34

HEX #A5A9A2

RGB 165 169 162

HSL 94.29, 0.04%, 0.65%

LAB 68.74, -2.74, 3.1

 

CMYK 50 / 47 / 0 / 14

HEX #6F74DC

RGB 111 116 220

HSL 237.25, 0.61%, 0.65%

LAB 52.99, 26.03, -54.01

 

CMYK 39 / 50 / 0 / 14

HEX #866FDC

RGB 134 111 220

HSL 252.66, 0.61%, 0.65%

LAB 53.6, 34.38, -52.92

 

CMYK 26 / 50 / 0 / 14

HEX #A36FDC

RGB 163 111 220

HSL 268.62, 0.61%, 0.65%

LAB 56.41, 41.8, -48.29

 

CMYK 13 / 50 / 0 / 14

HEX #C06FDC

RGB 192 111 220

HSL 284.59, 0.61%, 0.65%

LAB 59.66, 49.65, -42.94

 

CMYK 0 / 50 / 1 / 14

HEX #DC6FDA

RGB 220 111 218

HSL 301.1, 0.61%, 0.65%

LAB 63.05, 57.04, -36.25

 

CMYK 39 / 76 / 0 / 22

HEX #7A30C8

RGB 122 48 200

HSL 269.21, 0.61%, 0.49%

LAB 38.59, 59.64, -65.77

 

CMYK 33 / 63 / 0 / 17

HEX #8F4ED4

RGB 143 78 212

HSL 269.1, 0.61%, 0.57%

LAB 47.03, 52.63, -58.88

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 19 / 37 / 0 / 11

HEX #B990E4

RGB 185 144 228

HSL 269.29, 0.61%, 0.73%

LAB 66.41, 31.51, -36.86

 

CMYK 13 / 25 / 0 / 7

HEX #CEB1EC

RGB 206 177 236

HSL 269.49, 0.61%, 0.81%

LAB 76.45, 21.46, -25.59

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 0 / 50 / 34 / 14

HEX #DC6F91

RGB 220 111 145

HSL 341.28, 0.61%, 0.65%

LAB 60.45, 46.12, 1.4

 

CMYK 50 / 0 / 45 / 14

HEX #6FDC78

RGB 111 220 120

HSL 124.95, 0.61%, 0.65%

LAB 79.57, -51.72, 39.61

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 0 / 26 / 50 / 14

HEX #DCA36F

RGB 220 163 111

HSL 28.62, 0.61%, 0.65%

LAB 71.25, 14.99, 35.15

 

CMYK 50 / 0 / 26 / 14

HEX #6FDCA3

RGB 111 220 163

HSL 148.62, 0.61%, 0.65%

LAB 80.3, -44.3, 18.56

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 0 / 50 / 34 / 14

HEX #DC6F91

RGB 220 111 145

HSL 341.28, 0.61%, 0.65%

LAB 60.45, 46.12, 1.4

 

CMYK 24 / 0 / 50 / 14

HEX #A7DC6F

RGB 167 220 111

HSL 89.17, 0.61%, 0.65%

LAB 82.14, -35.05, 47.74

 

CMYK 50 / 0 / 16 / 14

HEX #6FDCB9

RGB 111 220 185

HSL 160.73, 0.61%, 0.65%

LAB 80.78, -39.64, 7.62

 

CMYK 25 / 50 / 0 / 14

HEX #A46FDC

RGB 164 111 220

HSL 269.17, 0.61%, 0.65%

LAB 56.51, 42.07, -48.11

 

CMYK 0 / 50 / 49 / 14

HEX #DC6F71

RGB 220 111 113

HSL 358.9, 0.61%, 0.65%

LAB 59.69, 42.69, 18.79

 

CMYK 24 / 0 / 50 / 14

HEX #A7DC6F

RGB 167 220 111

HSL 89.17, 0.61%, 0.65%

LAB 82.14, -35.05, 47.74

 

CMYK 50 / 0 / 1 / 14

HEX #6FDCDA

RGB 111 220 218

HSL 178.9, 0.61%, 0.65%

LAB 81.64, -31.71, -8.67

 

Description

Color code: HEX #A46FDC | qconv.com Color code: HEX #A46FDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 111 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 111 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 50 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 50% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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