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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A47664 it is the complementary color #5B899B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A47664. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A47664 shade: #A9765F, #BA8872, #CB9A85, #DCAC98 and #EDBEAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A47664. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A47664 shade: #A47664, #936451, #82523E, #71402B and #602E18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A47664 shade: #A47664, #A46564 and #A46464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A47664 shade: #A47664, #A48764, #A49964, #9EA464 and #8DA464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A47664 shade matches the following richer shades: #A47664, #B86E50, #CC653D, #DF5C29 and #F35415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A47664 shade: #A47664, #907F78, #7C888C, #6990A0 and #5599B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A47664 shade: #A46475, #A46464, #A47564, #A48664 and #A49764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A47664 shade: #735043, #8D6352, #A47664, #B38D7E and #C2A498

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A47664 shade: #A47664, #86A464 and #646DA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A47664 shade: #A47664, #64A475 and #7564A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A47664 shade: #A47664, #86A464, #6493A4 and #8264A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A47664 shade: #A47664, #73A464, #6493A4 and #9564A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

Complementary color

CMYK 41 / 12 / 0 / 39

HEX #5B899B

RGB 91 137 155

HSL 196.88, 0.26%, 0.48%

LAB 54.53, -10.77, -14.52

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 27 / 39 / 27

HEX #BA8872

RGB 186 136 114

HSL 18.33, 0.34%, 0.59%

LAB 61.01, 16.22, 19.33

 

CMYK 0 / 24 / 34 / 20

HEX #CB9A85

RGB 203 154 133

HSL 18, 0.4%, 0.66%

LAB 67.65, 15.43, 18.11

 

CMYK 0 / 22 / 31 / 14

HEX #DCAC98

RGB 220 172 152

HSL 17.65, 0.49%, 0.73%

LAB 74.18, 14.74, 17.01

 

CMYK 0 / 20 / 28 / 7

HEX #EDBEAB

RGB 237 190 171

HSL 17.27, 0.65%, 0.8%

LAB 80.61, 14.12, 15.98

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 32 / 45 / 42

HEX #936451

RGB 147 100 81

HSL 17.27, 0.29%, 0.45%

LAB 46.86, 16.59, 18.43

 

CMYK 0 / 37 / 52 / 49

HEX #82523E

RGB 130 82 62

HSL 17.65, 0.35%, 0.38%

LAB 39.8, 17.73, 20.03

 

CMYK 0 / 43 / 62 / 56

HEX #71402B

RGB 113 64 43

HSL 18, 0.45%, 0.31%

LAB 32.59, 19.1, 21.9

 

CMYK 0 / 52 / 75 / 62

HEX #602E18

RGB 96 46 24

HSL 18.33, 0.6%, 0.24%

LAB 25.28, 20.77, 24.1

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 38 / 39 / 36

HEX #A46564

RGB 164 101 100

HSL 0.94, 0.26%, 0.52%

LAB 49.64, 25.28, 11.32

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 18 / 39 / 36

HEX #A48764

RGB 164 135 100

HSL 32.81, 0.26%, 0.52%

LAB 58.17, 6.01, 22.96

 

CMYK 0 / 7 / 39 / 36

HEX #A49964

RGB 164 153 100

HSL 49.69, 0.26%, 0.52%

LAB 63.01, -3.93, 29.32

 

CMYK 4 / 0 / 39 / 36

HEX #9EA464

RGB 158 164 100

HSL 65.63, 0.26%, 0.52%

LAB 65.55, -12.29, 32.49

 

CMYK 14 / 0 / 39 / 36

HEX #8DA464

RGB 141 164 100

HSL 81.56, 0.26%, 0.52%

LAB 64.27, -19.1, 30.59

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 40 / 57 / 28

HEX #B86E50

RGB 184 110 80

HSL 17.31, 0.42%, 0.52%

LAB 53.94, 26.35, 29.14

 

CMYK 0 / 50 / 70 / 20

HEX #CC653D

RGB 204 101 61

HSL 16.78, 0.58%, 0.52%

LAB 54.53, 37.9, 40.91

 

CMYK 0 / 59 / 82 / 13

HEX #DF5C29

RGB 223 92 41

HSL 16.81, 0.74%, 0.52%

LAB 55.59, 48.65, 52.74

 

CMYK 0 / 65 / 91 / 5

HEX #F35415

RGB 243 84 21

HSL 17.03, 0.9%, 0.52%

LAB 57.51, 58.67, 63.16

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 12 / 17 / 44

HEX #907F78

RGB 144 127 120

HSL 17.5, 0.1%, 0.52%

LAB 54.52, 5.27, 6.17

 

CMYK 11 / 3 / 0 / 45

HEX #7C888C

RGB 124 136 140

HSL 195, 0.07%, 0.52%

LAB 55.87, -3.51, -3.64

 

CMYK 34 / 10 / 0 / 37

HEX #6990A0

RGB 105 144 160

HSL 197.45, 0.22%, 0.52%

LAB 57.55, -9.35, -12.77

 

CMYK 53 / 15 / 0 / 30

HEX #5599B3

RGB 85 153 179

HSL 196.6, 0.38%, 0.52%

LAB 59.86, -14.17, -20.16

 

CMYK 0 / 39 / 29 / 36

HEX #A46475

RGB 164 100 117

HSL 344.06, 0.26%, 0.52%

LAB 49.85, 28.1, 1.49

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 29 / 39 / 36

HEX #A47564

RGB 164 117 100

HSL 15.94, 0.26%, 0.52%

LAB 53.53, 16.2, 16.7

 

CMYK 0 / 18 / 39 / 36

HEX #A48664

RGB 164 134 100

HSL 31.88, 0.26%, 0.52%

LAB 57.91, 6.57, 22.61

 

CMYK 0 / 8 / 39 / 36

HEX #A49764

RGB 164 151 100

HSL 47.81, 0.26%, 0.52%

LAB 62.46, -2.85, 28.61

 

CMYK 0 / 30 / 42 / 55

HEX #735043

RGB 115 80 67

HSL 16.25, 0.26%, 0.36%

LAB 37.46, 12.88, 13.52

 

CMYK 0 / 30 / 42 / 45

HEX #8D6352

RGB 141 99 82

HSL 17.29, 0.26%, 0.44%

LAB 45.9, 14.73, 16.43

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 0 / 21 / 30 / 30

HEX #B38D7E

RGB 179 141 126

HSL 16.98, 0.26%, 0.6%

LAB 61.77, 12.17, 13.49

 

CMYK 0 / 15 / 22 / 24

HEX #C2A498

RGB 194 164 152

HSL 17.14, 0.26%, 0.68%

LAB 69.67, 9.09, 10.3

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 18 / 0 / 39 / 36

HEX #86A464

RGB 134 164 100

HSL 88.13, 0.26%, 0.52%

LAB 63.79, -21.82, 29.87

 

CMYK 39 / 34 / 0 / 36

HEX #646DA4

RGB 100 109 164

HSL 231.56, 0.26%, 0.52%

LAB 47.4, 10.76, -30.7

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 39 / 0 / 29 / 36

HEX #64A475

RGB 100 164 117

HSL 135.94, 0.26%, 0.52%

LAB 62.12, -30.94, 18.09

 

CMYK 29 / 39 / 0 / 36

HEX #7564A4

RGB 117 100 164

HSL 255.94, 0.26%, 0.52%

LAB 46.41, 21.23, -32.14

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 18 / 0 / 39 / 36

HEX #86A464

RGB 134 164 100

HSL 88.13, 0.26%, 0.52%

LAB 63.79, -21.82, 29.87

 

CMYK 39 / 10 / 0 / 36

HEX #6493A4

RGB 100 147 164

HSL 195.94, 0.26%, 0.52%

LAB 58.28, -11.37, -13.98

 

CMYK 21 / 39 / 0 / 36

HEX #8264A4

RGB 130 100 164

HSL 268.13, 0.26%, 0.52%

LAB 47.68, 25.21, -30.08

 

CMYK 0 / 28 / 39 / 36

HEX #A47664

RGB 164 118 100

HSL 16.88, 0.26%, 0.52%

LAB 53.78, 15.63, 17.04

 

CMYK 30 / 0 / 39 / 36

HEX #73A464

RGB 115 164 100

HSL 105.94, 0.26%, 0.52%

LAB 62.61, -28.85, 28.11

 

CMYK 39 / 10 / 0 / 36

HEX #6493A4

RGB 100 147 164

HSL 195.94, 0.26%, 0.52%

LAB 58.28, -11.37, -13.98

 

CMYK 9 / 39 / 0 / 36

HEX #9564A4

RGB 149 100 164

HSL 285.94, 0.26%, 0.52%

LAB 49.72, 31.23, -26.74

 

Description

Color code: HEX #A47664 | qconv.com Color code: HEX #A47664 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 118 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 118 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 39 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 39% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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