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Color name
HEX #A4782C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4782C it is the complementary color #5B87D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4782C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4782C shade: #A97827, #BA8A3A, #CB9C4D, #DCAE60 and #EDC073

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4782C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4782C shade: #A4782C, #936619, #825406, #714200 and #603000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4782C shade: #A5782B, #A5582B, #A5372B and #A52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4782C shade: #A5782B, #A5992B, #90A52B, #6FA52B and #4EA52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4782C shade matches the following richer shades: #A5782B, #B67D1A and #C7810A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4782C shade: #A5782B, #94743C, #836F4D, #726B5E and #61666F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4782C shade: #A5382B, #A5582B, #A5782B, #A5992B and #90A52B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4782C shade: #63491A, #846023, #A5782B, #C59034 and #D1A252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4782C shade: #A4782C, #40A52B and #482BA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4782C shade: #A4782C, #2BA578 and #782BA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4782C shade: #A4782C, #40A52B, #2B58A5 and #902BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4782C shade: #A4782C, #2BA53C, #2B58A5 and #A52B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

Complementary color

CMYK 57 / 36 / 0 / 17

HEX #5B87D3

RGB 91 135 211

HSL 218, 0.58%, 0.59%

LAB 56.34, 7.41, -43.68

 

CMYK 0 / 29 / 77 / 34

HEX #A97827

RGB 169 120 39

HSL 37.38, 0.63%, 0.41%

LAB 54.04, 11.67, 49.46

 

CMYK 0 / 26 / 69 / 27

HEX #BA8A3A

RGB 186 138 58

HSL 37.5, 0.52%, 0.48%

LAB 60.71, 10.16, 48.5

 

CMYK 0 / 23 / 62 / 20

HEX #CB9C4D

RGB 203 156 77

HSL 37.62, 0.55%, 0.55%

LAB 67.28, 8.9, 47.25

 

CMYK 0 / 21 / 56 / 14

HEX #DCAE60

RGB 220 174 96

HSL 37.74, 0.64%, 0.62%

LAB 73.76, 7.82, 45.93

 

CMYK 0 / 19 / 51 / 7

HEX #EDC073

RGB 237 192 115

HSL 37.87, 0.77%, 0.69%

LAB 80.15, 6.9, 44.6

 

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

CMYK 0 / 31 / 83 / 42

HEX #936619

RGB 147 102 25

HSL 37.87, 0.71%, 0.34%

LAB 46.68, 11.32, 47.19

 

CMYK 0 / 35 / 95 / 49

HEX #825406

RGB 130 84 6

HSL 37.74, 0.91%, 0.27%

LAB 39.75, 13.36, 46.52

 

CMYK 0 / 42 / 100 / 56

HEX #714200

RGB 113 66 0

HSL 35.04, 1%, 0.22%

LAB 32.72, 15.85, 42.56

 

CMYK 0 / 50 / 100 / 62

HEX #603000

RGB 96 48 0

HSL 30, 1%, 0.19%

LAB 25.57, 18.6, 35.81

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 47 / 74 / 35

HEX #A5582B

RGB 165 88 43

HSL 22.13, 0.59%, 0.41%

LAB 45.84, 28.04, 39.13

 

CMYK 0 / 67 / 74 / 35

HEX #A5372B

RGB 165 55 43

HSL 5.9, 0.59%, 0.41%

LAB 39.42, 44.58, 32.1

 

CMYK 0 / 74 / 74 / 35

HEX #A52B2B

RGB 165 43 43

HSL 0, 0.59%, 0.41%

LAB 37.67, 49.38, 30.1

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 7 / 74 / 35

HEX #A5992B

RGB 165 153 43

HSL 54.1, 0.59%, 0.41%

LAB 62.47, -8.16, 55.87

 

CMYK 13 / 0 / 74 / 35

HEX #90A52B

RGB 144 165 43

HSL 70.33, 0.59%, 0.41%

LAB 64.17, -23.54, 56.91

 

CMYK 33 / 0 / 74 / 35

HEX #6FA52B

RGB 111 165 43

HSL 86.56, 0.59%, 0.41%

LAB 62.05, -36.84, 54.12

 

CMYK 53 / 0 / 74 / 35

HEX #4EA52B

RGB 78 165 43

HSL 102.79, 0.59%, 0.41%

LAB 60.52, -47.93, 52.09

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 31 / 86 / 29

HEX #B67D1A

RGB 182 125 26

HSL 38.08, 0.75%, 0.41%

LAB 56.77, 14.26, 57.2

 

CMYK 0 / 35 / 95 / 22

HEX #C7810A

RGB 199 129 10

HSL 37.78, 0.9%, 0.41%

LAB 59.77, 19.28, 64.1

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 22 / 59 / 42

HEX #94743C

RGB 148 116 60

HSL 38.18, 0.42%, 0.41%

LAB 50.82, 5.74, 35.28

 

CMYK 0 / 15 / 41 / 49

HEX #836F4D

RGB 131 111 77

HSL 37.78, 0.26%, 0.41%

LAB 47.92, 2.76, 21.85

 

CMYK 0 / 6 / 18 / 55

HEX #726B5E

RGB 114 107 94

HSL 39, 0.1%, 0.41%

LAB 45.5, 0.34, 8.27

 

CMYK 13 / 8 / 0 / 56

HEX #61666F

RGB 97 102 111

HSL 218.57, 0.07%, 0.41%

LAB 43.05, 0.08, -5.72

 

CMYK 0 / 66 / 74 / 35

HEX #A5382B

RGB 165 56 43

HSL 6.39, 0.59%, 0.41%

LAB 39.58, 44.14, 32.28

 

CMYK 0 / 47 / 74 / 35

HEX #A5582B

RGB 165 88 43

HSL 22.13, 0.59%, 0.41%

LAB 45.84, 28.04, 39.13

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 7 / 74 / 35

HEX #A5992B

RGB 165 153 43

HSL 54.1, 0.59%, 0.41%

LAB 62.47, -8.16, 55.87

 

CMYK 13 / 0 / 74 / 35

HEX #90A52B

RGB 144 165 43

HSL 70.33, 0.59%, 0.41%

LAB 64.17, -23.54, 56.91

 

CMYK 0 / 26 / 74 / 61

HEX #63491A

RGB 99 73 26

HSL 38.63, 0.58%, 0.25%

LAB 32.9, 5.7, 31.4

 

CMYK 0 / 27 / 73 / 48

HEX #846023

RGB 132 96 35

HSL 37.73, 0.58%, 0.33%

LAB 43.35, 8.26, 39.12

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 27 / 74 / 23

HEX #C59034

RGB 197 144 52

HSL 38.07, 0.58%, 0.49%

LAB 63.4, 11.38, 54.31

 

CMYK 0 / 22 / 61 / 18

HEX #D1A252

RGB 209 162 82

HSL 37.8, 0.58%, 0.57%

LAB 69.47, 8.57, 47.5

 

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

CMYK 61 / 0 / 74 / 35

HEX #40A52B

RGB 64 165 43

HSL 109.67, 0.59%, 0.41%

LAB 60.05, -51.68, 51.45

 

CMYK 56 / 74 / 0 / 35

HEX #482BA5

RGB 72 43 165

HSL 254.26, 0.59%, 0.41%

LAB 28.96, 44.81, -61.01

 

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

CMYK 74 / 0 / 27 / 35

HEX #2BA578

RGB 43 165 120

HSL 157.87, 0.59%, 0.41%

LAB 60.59, -43.83, 14.01

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

CMYK 61 / 0 / 74 / 35

HEX #40A52B

RGB 64 165 43

HSL 109.67, 0.59%, 0.41%

LAB 60.05, -51.68, 51.45

 

CMYK 74 / 47 / 0 / 35

HEX #2B58A5

RGB 43 88 165

HSL 217.87, 0.59%, 0.41%

LAB 38.22, 12, -46.06

 

CMYK 13 / 74 / 0 / 35

HEX #902BA5

RGB 144 43 165

HSL 289.67, 0.59%, 0.41%

LAB 38.5, 58.22, -45.07

 

CMYK 0 / 27 / 73 / 36

HEX #A4782C

RGB 164 120 44

HSL 38, 0.58%, 0.41%

LAB 53.5, 9.65, 46.58

 

CMYK 74 / 0 / 64 / 35

HEX #2BA53C

RGB 43 165 60

HSL 128.36, 0.59%, 0.41%

LAB 59.66, -54.34, 43.89

 

CMYK 74 / 47 / 0 / 35

HEX #2B58A5

RGB 43 88 165

HSL 217.87, 0.59%, 0.41%

LAB 38.22, 12, -46.06

 

CMYK 0 / 74 / 10 / 35

HEX #A52B95

RGB 165 43 149

HSL 307.87, 0.59%, 0.41%

LAB 41.05, 60.18, -31.17

 

Description

Color code: HEX #A4782C | qconv.com Color code: HEX #A4782C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 120 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 120 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 73 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 73% 36% C M Y K

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Provide designers and agencies with accurate color values.

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