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Color name
HEX #A4701D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4701D it is the complementary color #5B8FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4701D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4701D shade: #A97018, #BA822B, #CB943E, #DCA651 and #EDB864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4701D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4701D shade: #A4701D, #935E0A, #824C00, #713A00 and #602800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4701D shade: #A4701D, #A44B1D, #A4271D and #A41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4701D shade: #A4701D, #A4951D, #8FA41D, #6BA41D and #46A41D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4701D shade matches the following richer shades: #A4701D and #B4740D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4701D shade: #A4701D, #956C2C, #85693C, #75654C and #66625B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4701D shade: #A4261D, #A44A1D, #A46E1D, #A4921D and #92A41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4701D shade: #5E4010, #815816, #A4701D, #C78823 and #DB9C38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4701D shade: #A4701D, #38A41D and #381DA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4701D shade: #A4701D, #1DA46E and #6E1DA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4701D shade: #A4701D, #38A41D, #1D53A4 and #891DA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4701D shade: #A4701D, #1DA42A, #1D53A4 and #A41D97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

Complementary color

CMYK 60 / 37 / 0 / 11

HEX #5B8FE2

RGB 91 143 226

HSL 216.89, 0.7%, 0.62%

LAB 59.31, 7.56, -47.39

 

CMYK 0 / 34 / 86 / 34

HEX #A97018

RGB 169 112 24

HSL 36.41, 0.75%, 0.38%

LAB 51.94, 15.65, 53.15

 

CMYK 0 / 30 / 77 / 27

HEX #BA822B

RGB 186 130 43

HSL 36.5, 0.62%, 0.45%

LAB 58.58, 13.84, 52.89

 

CMYK 0 / 27 / 69 / 20

HEX #CB943E

RGB 203 148 62

HSL 36.6, 0.58%, 0.52%

LAB 65.14, 12.32, 51.94

 

CMYK 0 / 25 / 63 / 14

HEX #DCA651

RGB 220 166 81

HSL 36.69, 0.67%, 0.59%

LAB 71.61, 11.01, 50.72

 

CMYK 0 / 22 / 58 / 7

HEX #EDB864

RGB 237 184 100

HSL 36.79, 0.79%, 0.66%

LAB 78, 9.89, 49.4

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 36 / 93 / 42

HEX #935E0A

RGB 147 94 10

HSL 36.79, 0.87%, 0.31%

LAB 44.56, 15.55, 50.06

 

CMYK 0 / 42 / 100 / 49

HEX #824C00

RGB 130 76 0

HSL 35.08, 1%, 0.25%

LAB 37.69, 17.95, 46.95

 

CMYK 0 / 49 / 100 / 56

HEX #713A00

RGB 113 58 0

HSL 30.8, 1%, 0.22%

LAB 30.73, 20.62, 41.21

 

CMYK 0 / 58 / 100 / 62

HEX #602800

RGB 96 40 0

HSL 25, 1%, 0.19%

LAB 23.69, 23.3, 33.99

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 54 / 82 / 36

HEX #A44B1D

RGB 164 75 29

HSL 20.44, 0.7%, 0.38%

LAB 42.78, 34.01, 42.86

 

CMYK 0 / 76 / 82 / 36

HEX #A4271D

RGB 164 39 29

HSL 4.44, 0.7%, 0.38%

LAB 36.8, 49.95, 37.18

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 9 / 82 / 36

HEX #A4951D

RGB 164 149 29

HSL 53.33, 0.7%, 0.38%

LAB 61.2, -7.02, 59.32

 

CMYK 13 / 0 / 82 / 36

HEX #8FA41D

RGB 143 164 29

HSL 69.33, 0.7%, 0.38%

LAB 63.74, -24.08, 60.85

 

CMYK 35 / 0 / 82 / 36

HEX #6BA41D

RGB 107 164 29

HSL 85.33, 0.7%, 0.38%

LAB 61.45, -38.64, 57.95

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 36 / 93 / 29

HEX #B4740D

RGB 180 116 13

HSL 37.01, 0.87%, 0.38%

LAB 54.26, 18.1, 58.5

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 28 / 70 / 42

HEX #956C2C

RGB 149 108 44

HSL 36.57, 0.54%, 0.38%

LAB 48.63, 9.67, 40.97

 

CMYK 0 / 21 / 55 / 48

HEX #85693C

RGB 133 105 60

HSL 36.99, 0.38%, 0.38%

LAB 46.2, 5.31, 29.35

 

CMYK 0 / 14 / 35 / 54

HEX #75654C

RGB 117 101 76

HSL 36.59, 0.21%, 0.38%

LAB 43.67, 2.35, 16.53

 

CMYK 0 / 4 / 11 / 60

HEX #66625B

RGB 102 98 91

HSL 38.18, 0.06%, 0.38%

LAB 41.71, 0.21, 4.54

 

CMYK 0 / 77 / 82 / 36

HEX #A4261D

RGB 164 38 29

HSL 4, 0.7%, 0.38%

LAB 36.68, 50.28, 37.07

 

CMYK 0 / 55 / 82 / 36

HEX #A44A1D

RGB 164 74 29

HSL 20, 0.7%, 0.38%

LAB 42.58, 34.53, 42.67

 

CMYK 0 / 33 / 82 / 36

HEX #A46E1D

RGB 164 110 29

HSL 36, 0.7%, 0.38%

LAB 50.84, 14.67, 50.22

 

CMYK 0 / 11 / 82 / 36

HEX #A4921D

RGB 164 146 29

HSL 52, 0.7%, 0.38%

LAB 60.37, -5.41, 58.6

 

CMYK 11 / 0 / 82 / 36

HEX #92A41D

RGB 146 164 29

HSL 68, 0.7%, 0.38%

LAB 63.96, -22.8, 61.13

 

CMYK 0 / 32 / 83 / 63

HEX #5E4010

RGB 94 64 16

HSL 36.92, 0.71%, 0.22%

LAB 29.62, 8.27, 32.72

 

CMYK 0 / 32 / 83 / 49

HEX #815816

RGB 129 88 22

HSL 37.01, 0.71%, 0.3%

LAB 40.74, 10.96, 42.15

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 32 / 82 / 22

HEX #C78823

RGB 199 136 35

HSL 36.95, 0.7%, 0.46%

LAB 61.54, 15.97, 59.17

 

CMYK 0 / 29 / 74 / 14

HEX #DB9C38

RGB 219 156 56

HSL 36.81, 0.69%, 0.54%

LAB 68.84, 14.59, 58.87

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 66 / 0 / 82 / 36

HEX #38A41D

RGB 56 164 29

HSL 108, 0.7%, 0.38%

LAB 59.42, -54.1, 55.35

 

CMYK 66 / 82 / 0 / 36

HEX #381DA4

RGB 56 29 164

HSL 252, 0.7%, 0.38%

LAB 24.95, 49.43, -67.06

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 82 / 0 / 33 / 36

HEX #1DA46E

RGB 29 164 110

HSL 156, 0.7%, 0.38%

LAB 59.83, -47.4, 18.46

 

CMYK 33 / 82 / 0 / 36

HEX #6E1DA4

RGB 110 29 164

HSL 276, 0.7%, 0.38%

LAB 31.52, 56.51, -56.03

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 66 / 0 / 82 / 36

HEX #38A41D

RGB 56 164 29

HSL 108, 0.7%, 0.38%

LAB 59.42, -54.1, 55.35

 

CMYK 82 / 49 / 0 / 36

HEX #1D53A4

RGB 29 83 164

HSL 216, 0.7%, 0.38%

LAB 36.23, 13.26, -48.68

 

CMYK 16 / 82 / 0 / 36

HEX #891DA4

RGB 137 29 164

HSL 288, 0.7%, 0.38%

LAB 35.75, 61.17, -48.97

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 82 / 0 / 74 / 36

HEX #1DA42A

RGB 29 164 42

HSL 125.78, 0.7%, 0.38%

LAB 58.96, -57.77, 50.47

 

CMYK 82 / 49 / 0 / 36

HEX #1D53A4

RGB 29 83 164

HSL 216, 0.7%, 0.38%

LAB 36.23, 13.26, -48.68

 

CMYK 0 / 82 / 8 / 36

HEX #A41D97

RGB 164 29 151

HSL 305.78, 0.7%, 0.38%

LAB 39.59, 64.26, -34.7

 

Description

Color code: HEX #A4701D | qconv.com Color code: HEX #A4701D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 112 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 112 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 82% 36% C M Y K

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