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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A471B3 it is the complementary color #5B8E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A471B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A471B3 shade: #A971AE, #BA83C1, #CB95D4, #DCA7E7 and #EDB9FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A471B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A471B3 shade: #A471B3, #935FA0, #824D8D, #713B7A and #602967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A471B3 shade: #A370B2, #B270AF, #B2709D, #B2708B and #B2707A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A471B3 shade: #A370B2, #9170B2, #7F70B2 and #7070B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A471B3 shade matches the following richer shades: #A370B2, #AC5EC3, #B64CD5, #C03BE7 and #C929F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A471B3 shade: #A370B2, #9982A0, #8F938E, #86A57D and #7CB76B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A471B3 shade: #7F70B2, #9170B2, #A270B2, #B270B0 and #B2709E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A471B3 shade: #794887, #9157A2, #A370B2, #B48BC0 and #C5A6CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A471B3 shade: #A471B3, #B27072 and #70B288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A471B3 shade: #A471B3, #B2A270 and #70B2A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A471B3 shade: #A471B3, #B27072, #7FB270 and #70B2B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A471B3 shade: #A471B3, #B28170, #7FB270 and #70A0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

Complementary color

CMYK 36 / 0 / 46 / 44

HEX #5B8E4C

RGB 91 142 76

HSL 106.36, 0.3%, 0.43%

LAB 54.12, -30.32, 29.79

 

CMYK 3 / 35 / 0 / 32

HEX #A971AE

RGB 169 113 174

HSL 295.08, 0.27%, 0.56%

LAB 55.38, 32.4, -23.62

 

CMYK 4 / 32 / 0 / 24

HEX #BA83C1

RGB 186 131 193

HSL 293.23, 0.33%, 0.64%

LAB 62.1, 31.67, -23.98

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 5 / 28 / 0 / 9

HEX #DCA7E7

RGB 220 167 231

HSL 289.69, 0.57%, 0.78%

LAB 75.22, 30.33, -24.65

 

CMYK 5 / 26 / 0 / 2

HEX #EDB9FA

RGB 237 185 250

HSL 288, 0.87%, 0.85%

LAB 81.62, 29.73, -24.97

 

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

CMYK 8 / 41 / 0 / 37

HEX #935FA0

RGB 147 95 160

HSL 288, 0.25%, 0.5%

LAB 48.17, 32.59, -26.82

 

CMYK 8 / 45 / 0 / 45

HEX #824D8D

RGB 130 77 141

HSL 289.69, 0.29%, 0.43%

LAB 41.18, 33.4, -26.49

 

CMYK 7 / 52 / 0 / 52

HEX #713B7A

RGB 113 59 122

HSL 291.43, 0.35%, 0.35%

LAB 34.07, 34.21, -26.09

 

CMYK 7 / 60 / 0 / 60

HEX #602967

RGB 96 41 103

HSL 293.23, 0.43%, 0.28%

LAB 26.88, 34.88, -25.5

 

CMYK 8 / 37 / 0 / 30

HEX #A370B2

RGB 163 112 178

HSL 286.36, 0.3%, 0.57%

LAB 54.65, 31.84, -27.12

 

CMYK 0 / 37 / 2 / 30

HEX #B270AF

RGB 178 112 175

HSL 302.73, 0.3%, 0.57%

LAB 56.24, 36.08, -22.8

 

CMYK 0 / 37 / 12 / 30

HEX #B2709D

RGB 178 112 157

HSL 319.09, 0.3%, 0.57%

LAB 55.57, 32.84, -13.39

 

CMYK 0 / 37 / 22 / 30

HEX #B2708B

RGB 178 112 139

HSL 335.45, 0.3%, 0.57%

LAB 54.99, 29.91, -3.77

 

CMYK 0 / 37 / 31 / 30

HEX #B2707A

RGB 178 112 122

HSL 350.91, 0.3%, 0.57%

LAB 54.51, 27.45, 5.49

 

CMYK 8 / 37 / 0 / 30

HEX #A370B2

RGB 163 112 178

HSL 286.36, 0.3%, 0.57%

LAB 54.65, 31.84, -27.12

 

CMYK 19 / 37 / 0 / 30

HEX #9170B2

RGB 145 112 178

HSL 270, 0.3%, 0.57%

LAB 52.75, 26.15, -30.21

 

CMYK 29 / 37 / 0 / 30

HEX #7F70B2

RGB 127 112 178

HSL 253.64, 0.3%, 0.57%

LAB 51.05, 20.66, -32.99

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 8 / 37 / 0 / 30

HEX #A370B2

RGB 163 112 178

HSL 286.36, 0.3%, 0.57%

LAB 54.65, 31.84, -27.12

 

CMYK 12 / 52 / 0 / 24

HEX #AC5EC3

RGB 172 94 195

HSL 286.34, 0.46%, 0.57%

LAB 52.64, 47.83, -39.97

 

CMYK 15 / 64 / 0 / 16

HEX #B64CD5

RGB 182 76 213

HSL 286.42, 0.62%, 0.57%

LAB 51.74, 62.54, -51.61

 

CMYK 17 / 74 / 0 / 9

HEX #C03BE7

RGB 192 59 231

HSL 286.4, 0.78%, 0.57%

LAB 51.95, 74.55, -61.4

 

CMYK 19 / 84 / 0 / 2

HEX #C929F9

RGB 201 41 249

HSL 286.15, 0.95%, 0.57%

LAB 52.78, 84.32, -70.11

 

CMYK 8 / 37 / 0 / 30

HEX #A370B2

RGB 163 112 178

HSL 286.36, 0.3%, 0.57%

LAB 54.65, 31.84, -27.12

 

CMYK 4 / 19 / 0 / 37

HEX #9982A0

RGB 153 130 160

HSL 286, 0.14%, 0.57%

LAB 57.34, 14.43, -12.72

 

CMYK 3 / 0 / 3 / 42

HEX #8F938E

RGB 143 147 142

HSL 108, 0.02%, 0.57%

LAB 60.48, -2.42, 2.13

 

CMYK 19 / 0 / 24 / 35

HEX #86A57D

RGB 134 165 125

HSL 106.5, 0.18%, 0.57%

LAB 64.53, -18.48, 17.3

 

CMYK 32 / 0 / 42 / 28

HEX #7CB76B

RGB 124 183 107

HSL 106.58, 0.35%, 0.57%

LAB 68.91, -33.68, 32.68

 

CMYK 29 / 37 / 0 / 30

HEX #7F70B2

RGB 127 112 178

HSL 253.64, 0.3%, 0.57%

LAB 51.05, 20.66, -32.99

 

CMYK 19 / 37 / 0 / 30

HEX #9170B2

RGB 145 112 178

HSL 270, 0.3%, 0.57%

LAB 52.75, 26.15, -30.21

 

CMYK 9 / 37 / 0 / 30

HEX #A270B2

RGB 162 112 178

HSL 285.45, 0.3%, 0.57%

LAB 54.54, 31.52, -27.3

 

CMYK 0 / 37 / 1 / 30

HEX #B270B0

RGB 178 112 176

HSL 301.82, 0.3%, 0.57%

LAB 56.28, 36.27, -23.31

 

CMYK 0 / 37 / 11 / 30

HEX #B2709E

RGB 178 112 158

HSL 318.18, 0.3%, 0.57%

LAB 55.61, 33.01, -13.92

 

CMYK 10 / 47 / 0 / 47

HEX #794887

RGB 121 72 135

HSL 286.67, 0.3%, 0.41%

LAB 38.64, 32.13, -26.9

 

CMYK 10 / 46 / 0 / 36

HEX #9157A2

RGB 145 87 162

HSL 286.4, 0.3%, 0.49%

LAB 46.24, 36.89, -31.02

 

CMYK 8 / 37 / 0 / 30

HEX #A370B2

RGB 163 112 178

HSL 286.36, 0.3%, 0.57%

LAB 54.65, 31.84, -27.12

 

CMYK 6 / 28 / 0 / 25

HEX #B48BC0

RGB 180 139 192

HSL 286.42, 0.3%, 0.65%

LAB 63.32, 25.04, -21.61

 

CMYK 5 / 20 / 0 / 19

HEX #C5A6CF

RGB 197 166 207

HSL 285.37, 0.3%, 0.73%

LAB 71.99, 18.69, -16.63

 

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

CMYK 0 / 37 / 36 / 30

HEX #B27072

RGB 178 112 114

HSL 358.18, 0.3%, 0.57%

LAB 54.31, 26.4, 9.89

 

CMYK 37 / 0 / 24 / 30

HEX #70B288

RGB 112 178 136

HSL 141.82, 0.3%, 0.57%

LAB 67.32, -30.28, 14.95

 

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

CMYK 0 / 9 / 37 / 30

HEX #B2A270

RGB 178 162 112

HSL 45.45, 0.3%, 0.57%

LAB 66.88, -1.6, 28.15

 

CMYK 37 / 0 / 9 / 30

HEX #70B2A2

RGB 112 178 162

HSL 165.45, 0.3%, 0.57%

LAB 67.94, -24.73, 1.53

 

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

CMYK 0 / 37 / 36 / 30

HEX #B27072

RGB 178 112 114

HSL 358.18, 0.3%, 0.57%

LAB 54.31, 26.4, 9.89

 

CMYK 29 / 0 / 37 / 30

HEX #7FB270

RGB 127 178 112

HSL 106.36, 0.3%, 0.57%

LAB 67.67, -29.54, 28.49

 

CMYK 37 / 0 / 1 / 30

HEX #70B2B0

RGB 112 178 176

HSL 178.18, 0.3%, 0.57%

LAB 68.33, -21.4, -5.63

 

CMYK 8 / 37 / 0 / 30

HEX #A471B3

RGB 164 113 179

HSL 286.36, 0.3%, 0.57%

LAB 55.03, 31.8, -27.1

 

CMYK 0 / 28 / 37 / 30

HEX #B28170

RGB 178 129 112

HSL 15.45, 0.3%, 0.57%

LAB 58.35, 16.64, 16.68

 

CMYK 29 / 0 / 37 / 30

HEX #7FB270

RGB 127 178 112

HSL 106.36, 0.3%, 0.57%

LAB 67.67, -29.54, 28.49

 

CMYK 37 / 10 / 0 / 30

HEX #70A0B2

RGB 112 160 178

HSL 196.36, 0.3%, 0.57%

LAB 63.18, -11.43, -14.44

 

Description

Color code: HEX #A471B3 | qconv.com Color code: HEX #A471B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 113 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 113 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 37 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 37% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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