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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A47A3B it is the complementary color #5B85C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A47A3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A47A3B shade: #A97A36, #BA8C49, #CB9E5C, #DCB06F and #EDC282

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A47A3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A47A3B shade: #A47A3B, #936828, #825615, #714402 and #603200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A47A3B shade: #A47A3B, #A45E3B, #A4413B and #A43B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A47A3B shade: #A47A3B, #A4973B, #96A43B, #79A43B and #5DA43B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A47A3B shade matches the following richer shades: #A47A3B, #B77E29, #C98217 and #DB8505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A47A3B shade: #A47A3B, #92774D, #80735F, #6E6F71 and #5C6C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A47A3B shade: #A4423B, #A45E3B, #A47A3B, #A4963B and #96A43B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A47A3B shade: #684D25, #866430, #A47A3B, #BE904B and #C9A369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A47A3B shade: #A47A3B, #50A43B and #503BA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A47A3B shade: #A47A3B, #3BA47A and #7A3BA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A47A3B shade: #A47A3B, #50A43B, #3B65A4 and #8F3BA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A47A3B shade: #A47A3B, #3BA446, #3B65A4 and #A43B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

Complementary color

CMYK 54 / 32 / 0 / 23

HEX #5B85C4

RGB 91 133 196

HSL 216, 0.47%, 0.56%

LAB 55.06, 3.78, -37.22

 

CMYK 0 / 28 / 68 / 34

HEX #A97A36

RGB 169 122 54

HSL 35.48, 0.52%, 0.44%

LAB 54.68, 11.32, 43.33

 

CMYK 0 / 25 / 61 / 27

HEX #BA8C49

RGB 186 140 73

HSL 35.58, 0.45%, 0.51%

LAB 61.37, 10.04, 41.96

 

CMYK 0 / 22 / 55 / 20

HEX #CB9E5C

RGB 203 158 92

HSL 35.68, 0.52%, 0.58%

LAB 67.96, 8.96, 40.56

 

CMYK 0 / 20 / 50 / 14

HEX #DCB06F

RGB 220 176 111

HSL 35.78, 0.61%, 0.65%

LAB 74.45, 8.04, 39.19

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 29 / 73 / 42

HEX #936828

RGB 147 104 40

HSL 35.89, 0.57%, 0.37%

LAB 47.31, 10.83, 41.42

 

CMYK 0 / 34 / 84 / 49

HEX #825615

RGB 130 86 21

HSL 35.78, 0.72%, 0.3%

LAB 40.34, 12.58, 42.23

 

CMYK 0 / 40 / 98 / 56

HEX #714402

RGB 113 68 2

HSL 35.68, 0.97%, 0.23%

LAB 33.24, 14.7, 42.12

 

CMYK 0 / 48 / 100 / 62

HEX #603200

RGB 96 50 0

HSL 31.25, 1%, 0.19%

LAB 26.06, 17.39, 36.27

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 43 / 64 / 36

HEX #A45E3B

RGB 164 94 59

HSL 20, 0.47%, 0.44%

LAB 47.25, 25.25, 32.08

 

CMYK 0 / 60 / 64 / 36

HEX #A4413B

RGB 164 65 59

HSL 3.43, 0.47%, 0.44%

LAB 41.2, 40.53, 24.67

 

CMYK 0 / 64 / 64 / 36

HEX #A43B3B

RGB 164 59 59

HSL 0, 0.47%, 0.44%

LAB 40.14, 43.34, 23.34

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 8 / 64 / 36

HEX #A4973B

RGB 164 151 59

HSL 52.57, 0.47%, 0.44%

LAB 61.95, -6.63, 48.71

 

CMYK 9 / 0 / 64 / 36

HEX #96A43B

RGB 150 164 59

HSL 68, 0.47%, 0.44%

LAB 64.44, -19.51, 51.03

 

CMYK 26 / 0 / 64 / 36

HEX #79A43B

RGB 121 164 59

HSL 84.57, 0.47%, 0.44%

LAB 62.45, -31.38, 48.29

 

CMYK 43 / 0 / 64 / 36

HEX #5DA43B

RGB 93 164 59

HSL 100.57, 0.47%, 0.44%

LAB 60.95, -41.51, 46.23

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 31 / 78 / 28

HEX #B77E29

RGB 183 126 41

HSL 35.92, 0.63%, 0.44%

LAB 57.22, 14.65, 52.27

 

CMYK 0 / 35 / 89 / 21

HEX #C98217

RGB 201 130 23

HSL 36.07, 0.79%, 0.44%

LAB 60.29, 19.82, 61.86

 

CMYK 0 / 39 / 98 / 14

HEX #DB8505

RGB 219 133 5

HSL 35.89, 0.96%, 0.44%

LAB 63.22, 25.69, 68.43

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 18 / 47 / 43

HEX #92774D

RGB 146 119 77

HSL 36.52, 0.31%, 0.44%

LAB 51.66, 4.73, 27

 

CMYK 0 / 10 / 26 / 50

HEX #80735F

RGB 128 115 95

HSL 36.36, 0.15%, 0.44%

LAB 49.1, 1.64, 12.92

 

CMYK 3 / 2 / 0 / 56

HEX #6E6F71

RGB 110 111 113

HSL 220, 0.01%, 0.44%

LAB 46.81, 0.03, -1.25

 

CMYK 30 / 18 / 0 / 48

HEX #5C6C84

RGB 92 108 132

HSL 216, 0.18%, 0.44%

LAB 45.17, 0.01, -15.22

 

CMYK 0 / 60 / 64 / 36

HEX #A4423B

RGB 164 66 59

HSL 4, 0.47%, 0.44%

LAB 41.38, 40.05, 24.9

 

CMYK 0 / 43 / 64 / 36

HEX #A45E3B

RGB 164 94 59

HSL 20, 0.47%, 0.44%

LAB 47.25, 25.25, 32.08

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 9 / 64 / 36

HEX #A4963B

RGB 164 150 59

HSL 52, 0.47%, 0.44%

LAB 61.67, -6.09, 48.41

 

CMYK 9 / 0 / 64 / 36

HEX #96A43B

RGB 150 164 59

HSL 68, 0.47%, 0.44%

LAB 64.44, -19.51, 51.03

 

CMYK 0 / 26 / 64 / 59

HEX #684D25

RGB 104 77 37

HSL 35.82, 0.48%, 0.28%

LAB 34.77, 6.47, 27.74

 

CMYK 0 / 25 / 64 / 47

HEX #866430

RGB 134 100 48

HSL 36.28, 0.47%, 0.36%

LAB 44.8, 7.68, 34.22

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 0 / 24 / 61 / 25

HEX #BE904B

RGB 190 144 75

HSL 36, 0.47%, 0.52%

LAB 62.85, 9.71, 42.78

 

CMYK 0 / 19 / 48 / 21

HEX #C9A369

RGB 201 163 105

HSL 36.25, 0.47%, 0.6%

LAB 69.21, 6.59, 35.3

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 51 / 0 / 64 / 36

HEX #50A43B

RGB 80 164 59

HSL 108, 0.47%, 0.44%

LAB 60.4, -45.56, 45.46

 

CMYK 51 / 64 / 0 / 36

HEX #503BA4

RGB 80 59 164

HSL 252, 0.47%, 0.44%

LAB 32.95, 36.84, -53.85

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 64 / 0 / 26 / 36

HEX #3BA47A

RGB 59 164 122

HSL 156, 0.47%, 0.44%

LAB 60.68, -40.28, 13.08

 

CMYK 26 / 64 / 0 / 36

HEX #7A3BA4

RGB 122 59 164

HSL 276, 0.47%, 0.44%

LAB 37.75, 46.08, -45.87

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 51 / 0 / 64 / 36

HEX #50A43B

RGB 80 164 59

HSL 108, 0.47%, 0.44%

LAB 60.4, -45.56, 45.46

 

CMYK 64 / 38 / 0 / 36

HEX #3B65A4

RGB 59 101 164

HSL 216, 0.47%, 0.44%

LAB 42.64, 5.9, -38.37

 

CMYK 13 / 64 / 0 / 36

HEX #8F3BA4

RGB 143 59 164

HSL 288, 0.47%, 0.44%

LAB 40.65, 51.18, -41.05

 

CMYK 0 / 26 / 64 / 36

HEX #A47A3B

RGB 164 122 59

HSL 36, 0.47%, 0.44%

LAB 54.16, 9.42, 40.12

 

CMYK 64 / 0 / 57 / 36

HEX #3BA446

RGB 59 164 70

HSL 126.29, 0.47%, 0.44%

LAB 59.82, -49.67, 39.5

 

CMYK 64 / 38 / 0 / 36

HEX #3B65A4

RGB 59 101 164

HSL 216, 0.47%, 0.44%

LAB 42.64, 5.9, -38.37

 

CMYK 0 / 64 / 6 / 36

HEX #A43B9A

RGB 164 59 154

HSL 305.71, 0.47%, 0.44%

LAB 43.29, 54.68, -30.68

 

Description

Color code: HEX #A47A3B | qconv.com Color code: HEX #A47A3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 122 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 122 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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