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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A485EF it is the complementary color #5B7A10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A485EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A485EF shade: #A985EA, #BA97FD, #CBA9FF, #DCBBFF and #EDCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A485EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A485EF shade: #A485EF, #9373DC, #8261C9, #714FB6 and #603DA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A485EF shade: #A485EF, #C085EF, #DD85EF, #EF85E4 and #EF85C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A485EF shade: #A485EF, #8785EF and #8585EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A485EF shade matches the following richer shades: #A485EF and #9F79FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A485EF shade: #A485EF, #A890E4, #AD9BD8, #B2A6CD and #B6B1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A485EF shade: #859FEF, #8685EF, #A385EF, #BF85EF and #DB85EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A485EF shade: #6D3CE5, #8860EA, #A485EF, #BFA9F3 and #DACEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A485EF shade: #A485EF, #EF85BB and #91EF85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A485EF shade: #A485EF, #EFA385 and #85EFA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A485EF shade: #A485EF, #EF85BB, #D1EF85 and #85EFB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A485EF shade: #A485EF, #EF859C, #D1EF85 and #85EFD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

Complementary color

CMYK 25 / 0 / 87 / 52

HEX #5B7A10

RGB 91 122 16

HSL 77.55, 0.77%, 0.27%

LAB 47.21, -26.11, 48.48

 

CMYK 28 / 43 / 0 / 8

HEX #A985EA

RGB 169 133 234

HSL 261.39, 0.71%, 0.72%

LAB 62.63, 34.5, -46.21

 

CMYK 26 / 40 / 0 / 1

HEX #BA97FD

RGB 186 151 253

HSL 260.59, 0.96%, 0.79%

LAB 69.23, 33.67, -46.15

 

CMYK 20 / 34 / 0 / 0

HEX #CBA9FF

RGB 203 169 255

HSL 263.72, 1%, 0.83%

LAB 75.01, 29.04, -38.1

 

CMYK 14 / 27 / 0 / 0

HEX #DCBBFF

RGB 220 187 255

HSL 269.12, 1%, 0.87%

LAB 80.73, 24.35, -29.15

 

CMYK 7 / 20 / 0 / 0

HEX #EDCDFF

RGB 237 205 255

HSL 278.4, 1%, 0.9%

LAB 86.45, 20.05, -20.31

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 33 / 48 / 0 / 14

HEX #9373DC

RGB 147 115 220

HSL 258.29, 0.6%, 0.66%

LAB 55.72, 35.35, -49.48

 

CMYK 35 / 52 / 0 / 21

HEX #8261C9

RGB 130 97 201

HSL 259.04, 0.49%, 0.58%

LAB 48.9, 36.39, -49.64

 

CMYK 38 / 57 / 0 / 29

HEX #714FB6

RGB 113 79 182

HSL 259.81, 0.41%, 0.51%

LAB 41.97, 37.53, -49.81

 

CMYK 41 / 63 / 0 / 36

HEX #603DA3

RGB 96 61 163

HSL 260.59, 0.46%, 0.44%

LAB 34.94, 38.73, -49.95

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 20 / 44 / 0 / 6

HEX #C085EF

RGB 192 133 239

HSL 273.4, 0.77%, 0.73%

LAB 65.13, 42.02, -44.89

 

CMYK 8 / 44 / 0 / 6

HEX #DD85EF

RGB 221 133 239

HSL 289.81, 0.77%, 0.73%

LAB 68.3, 50.21, -39.7

 

CMYK 0 / 44 / 5 / 6

HEX #EF85E4

RGB 239 133 228

HSL 306.23, 0.77%, 0.73%

LAB 69.98, 53.45, -30.86

 

CMYK 0 / 44 / 17 / 6

HEX #EF85C7

RGB 239 133 199

HSL 322.64, 0.77%, 0.73%

LAB 68.93, 48.78, -16.39

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 44 / 44 / 0 / 6

HEX #8785EF

RGB 135 133 239

HSL 241.13, 0.77%, 0.73%

LAB 60.03, 27.07, -53.29

 

CMYK 44 / 44 / 0 / 6

HEX #8585EF

RGB 133 133 239

HSL 240, 0.77%, 0.73%

LAB 59.88, 26.6, -53.53

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 36 / 52 / 0 / 2

HEX #9F79FA

RGB 159 121 250

HSL 257.67, 0.93%, 0.73%

LAB 59.84, 42.7, -59.55

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 26 / 37 / 0 / 11

HEX #A890E4

RGB 168 144 228

HSL 257.14, 0.61%, 0.73%

LAB 64.86, 26.54, -39.4

 

CMYK 20 / 28 / 0 / 15

HEX #AD9BD8

RGB 173 155 216

HSL 257.7, 0.44%, 0.73%

LAB 67.49, 18.99, -28.65

 

CMYK 13 / 19 / 0 / 20

HEX #B2A6CD

RGB 178 166 205

HSL 258.46, 0.28%, 0.73%

LAB 70.28, 12, -18.28

 

CMYK 6 / 9 / 0 / 24

HEX #B6B1C2

RGB 182 177 194

HSL 257.65, 0.12%, 0.73%

LAB 73.08, 5.02, -8

 

CMYK 44 / 33 / 0 / 6

HEX #859FEF

RGB 133 159 239

HSL 225.28, 0.77%, 0.73%

LAB 66.53, 11.47, -43.03

 

CMYK 44 / 44 / 0 / 6

HEX #8685EF

RGB 134 133 239

HSL 240.57, 0.77%, 0.73%

LAB 59.96, 26.84, -53.41

 

CMYK 32 / 44 / 0 / 6

HEX #A385EF

RGB 163 133 239

HSL 256.98, 0.77%, 0.73%

LAB 62.33, 34.13, -49.49

 

CMYK 20 / 44 / 0 / 6

HEX #BF85EF

RGB 191 133 239

HSL 272.83, 0.77%, 0.73%

LAB 65.03, 41.74, -45.06

 

CMYK 8 / 44 / 0 / 6

HEX #DB85EF

RGB 219 133 239

HSL 288.68, 0.77%, 0.73%

LAB 68.07, 49.64, -40.07

 

CMYK 52 / 74 / 0 / 10

HEX #6D3CE5

RGB 109 60 229

HSL 257.4, 0.76%, 0.57%

LAB 41.44, 59.72, -77.84

 

CMYK 42 / 59 / 0 / 8

HEX #8860EA

RGB 136 96 234

HSL 257.39, 0.77%, 0.65%

LAB 51.31, 47.19, -64.47

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 21 / 30 / 0 / 5

HEX #BFA9F3

RGB 191 169 243

HSL 257.84, 0.76%, 0.81%

LAB 73.5, 22.79, -34.04

 

CMYK 12 / 17 / 0 / 3

HEX #DACEF8

RGB 218 206 248

HSL 257.14, 0.75%, 0.89%

LAB 84.91, 12.09, -19.08

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 0 / 44 / 22 / 6

HEX #EF85BB

RGB 239 133 187

HSL 329.43, 0.77%, 0.73%

LAB 68.54, 47.01, -10.26

 

CMYK 39 / 0 / 44 / 6

HEX #91EF85

RGB 145 239 133

HSL 113.21, 0.77%, 0.73%

LAB 86.72, -48.02, 42.59

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 0 / 32 / 44 / 6

HEX #EFA385

RGB 239 163 133

HSL 16.98, 0.77%, 0.73%

LAB 73.7, 24.72, 26.98

 

CMYK 44 / 0 / 32 / 6

HEX #85EFA3

RGB 133 239 163

HSL 136.98, 0.77%, 0.73%

LAB 86.68, -46.79, 27.46

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 0 / 44 / 22 / 6

HEX #EF85BB

RGB 239 133 187

HSL 329.43, 0.77%, 0.73%

LAB 68.54, 47.01, -10.26

 

CMYK 13 / 0 / 44 / 6

HEX #D1EF85

RGB 209 239 133

HSL 76.98, 0.77%, 0.73%

LAB 90.31, -26.03, 47.86

 

CMYK 44 / 0 / 23 / 6

HEX #85EFB8

RGB 133 239 184

HSL 148.87, 0.77%, 0.73%

LAB 87.09, -42.89, 17.21

 

CMYK 31 / 44 / 0 / 6

HEX #A485EF

RGB 164 133 239

HSL 257.55, 0.77%, 0.73%

LAB 62.42, 34.4, -49.34

 

CMYK 0 / 44 / 35 / 6

HEX #EF859C

RGB 239 133 156

HSL 346.98, 0.77%, 0.73%

LAB 67.67, 42.94, 5.88

 

CMYK 13 / 0 / 44 / 6

HEX #D1EF85

RGB 209 239 133

HSL 76.98, 0.77%, 0.73%

LAB 90.31, -26.03, 47.86

 

CMYK 44 / 0 / 10 / 6

HEX #85EFD8

RGB 133 239 216

HSL 166.98, 0.77%, 0.73%

LAB 87.81, -36.1, 1.57

 

Description

Color code: HEX #A485EF | qconv.com Color code: HEX #A485EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 133 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 133 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 44 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 44% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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