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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A481CE it is the complementary color #5B7E31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A481CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A481CE shade: #A981C9, #BA93DC, #CBA5EF, #DCB7FF and #EDC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A481CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A481CE shade: #A481CE, #936FBB, #825DA8, #714B95 and #603982

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A481CE shade: #A482CE, #B982CE, #CD82CE, #CE82BA and #CE82A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A481CE shade: #A482CE, #9082CE and #8282CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A481CE shade matches the following richer shades: #A482CE, #A374DC, #A266EA and #A058F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A481CE shade: #A482CE, #A690C0, #A79EB2, #A8ACA4 and #A9BA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A481CE shade: #8288CE, #9082CE, #A482CE, #B882CE and #CD82CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A481CE shade: #7947B6, #8F64C2, #A482CE, #BA9FDA and #CFBDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A481CE shade: #A481CE, #CE829C and #82CE85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A481CE shade: #A481CE, #CEA482 and #82CEA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A481CE shade: #A481CE, #CE829C, #ACCE82 and #82CEB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A481CE shade: #A481CE, #CE8285, #ACCE82 and #82CECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

Complementary color

CMYK 28 / 0 / 61 / 51

HEX #5B7E31

RGB 91 126 49

HSL 87.27, 0.44%, 0.34%

LAB 48.72, -25.86, 37.17

 

CMYK 16 / 36 / 0 / 21

HEX #A981C9

RGB 169 129 201

HSL 273.33, 0.4%, 0.65%

LAB 60.21, 29.07, -31.57

 

CMYK 15 / 33 / 0 / 14

HEX #BA93DC

RGB 186 147 220

HSL 272.05, 0.51%, 0.72%

LAB 66.88, 28.38, -31.71

 

CMYK 15 / 31 / 0 / 6

HEX #CBA5EF

RGB 203 165 239

HSL 270.81, 0.7%, 0.79%

LAB 73.44, 27.73, -31.86

 

CMYK 14 / 28 / 0 / 0

HEX #DCB7FF

RGB 220 183 255

HSL 270.83, 1%, 0.86%

LAB 79.79, 26.51, -30.59

 

CMYK 7 / 21 / 0 / 0

HEX #EDC9FF

RGB 237 201 255

HSL 280, 1%, 0.89%

LAB 85.5, 22.18, -21.74

 

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

CMYK 21 / 41 / 0 / 27

HEX #936FBB

RGB 147 111 187

HSL 268.42, 0.36%, 0.58%

LAB 53.12, 29.46, -34.8

 

CMYK 23 / 45 / 0 / 34

HEX #825DA8

RGB 130 93 168

HSL 269.6, 0.3%, 0.51%

LAB 46.18, 30.31, -34.77

 

CMYK 24 / 50 / 0 / 42

HEX #714B95

RGB 113 75 149

HSL 270.81, 0.33%, 0.44%

LAB 39.09, 31.23, -34.75

 

CMYK 26 / 56 / 0 / 49

HEX #603982

RGB 96 57 130

HSL 272.05, 0.39%, 0.37%

LAB 31.86, 32.2, -34.71

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 10 / 37 / 0 / 19

HEX #B982CE

RGB 185 130 206

HSL 283.42, 0.44%, 0.66%

LAB 62.28, 34.53, -31.03

 

CMYK 0 / 37 / 0 / 19

HEX #CD82CE

RGB 205 130 206

HSL 299.21, 0.44%, 0.66%

LAB 64.48, 40.75, -27.45

 

CMYK 0 / 37 / 10 / 19

HEX #CE82BA

RGB 206 130 186

HSL 315.79, 0.44%, 0.66%

LAB 63.86, 37.51, -17.14

 

CMYK 0 / 37 / 20 / 19

HEX #CE82A5

RGB 206 130 165

HSL 332.37, 0.44%, 0.66%

LAB 63.18, 34.11, -6.26

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 30 / 37 / 0 / 19

HEX #9082CE

RGB 144 130 206

HSL 251.05, 0.44%, 0.66%

LAB 58.37, 22.23, -37.43

 

CMYK 37 / 37 / 0 / 19

HEX #8282CE

RGB 130 130 206

HSL 240, 0.44%, 0.66%

LAB 57.24, 18.31, -39.28

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 26 / 47 / 0 / 14

HEX #A374DC

RGB 163 116 220

HSL 267.12, 0.6%, 0.66%

LAB 57.51, 39.03, -46.55

 

CMYK 31 / 56 / 0 / 8

HEX #A266EA

RGB 162 102 234

HSL 267.27, 0.76%, 0.66%

LAB 55.2, 49.78, -58.08

 

CMYK 35 / 65 / 0 / 3

HEX #A058F8

RGB 160 88 248

HSL 267, 0.92%, 0.66%

LAB 53.2, 59.87, -69.12

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 14 / 25 / 0 / 25

HEX #A690C0

RGB 166 144 192

HSL 267.5, 0.28%, 0.66%

LAB 63.23, 17.62, -21.87

 

CMYK 6 / 11 / 0 / 30

HEX #A79EB2

RGB 167 158 178

HSL 267, 0.11%, 0.66%

LAB 66.43, 7.12, -9.18

 

CMYK 2 / 0 / 5 / 33

HEX #A8ACA4

RGB 168 172 164

HSL 90, 0.05%, 0.66%

LAB 69.83, -2.91, 3.61

 

CMYK 9 / 0 / 19 / 27

HEX #A9BA96

RGB 169 186 150

HSL 88.33, 0.21%, 0.66%

LAB 73.39, -12.39, 16.32

 

CMYK 37 / 34 / 0 / 19

HEX #8288CE

RGB 130 136 206

HSL 235.26, 0.44%, 0.66%

LAB 58.8, 14.78, -36.84

 

CMYK 30 / 37 / 0 / 19

HEX #9082CE

RGB 144 130 206

HSL 251.05, 0.44%, 0.66%

LAB 58.37, 22.23, -37.43

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 11 / 37 / 0 / 19

HEX #B882CE

RGB 184 130 206

HSL 282.63, 0.44%, 0.66%

LAB 62.18, 34.22, -31.2

 

CMYK 0 / 37 / 0 / 19

HEX #CD82CE

RGB 205 130 206

HSL 299.21, 0.44%, 0.66%

LAB 64.48, 40.75, -27.45

 

CMYK 34 / 61 / 0 / 29

HEX #7947B6

RGB 121 71 182

HSL 267.03, 0.44%, 0.5%

LAB 41.13, 43.92, -51.11

 

CMYK 26 / 48 / 0 / 24

HEX #8F64C2

RGB 143 100 194

HSL 267.45, 0.44%, 0.58%

LAB 50.51, 36.31, -42.98

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 15 / 27 / 0 / 15

HEX #BA9FDA

RGB 186 159 218

HSL 267.46, 0.44%, 0.74%

LAB 69.68, 21.26, -26.29

 

CMYK 10 / 17 / 0 / 10

HEX #CFBDE5

RGB 207 189 229

HSL 267, 0.43%, 0.82%

LAB 79.22, 13.83, -17.59

 

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

CMYK 0 / 37 / 24 / 19

HEX #CE829C

RGB 206 130 156

HSL 339.47, 0.44%, 0.66%

LAB 62.92, 32.77, -1.53

 

CMYK 37 / 0 / 35 / 19

HEX #82CE85

RGB 130 206 133

HSL 122.37, 0.44%, 0.66%

LAB 76.43, -38.27, 29.09

 

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

CMYK 0 / 20 / 37 / 19

HEX #CEA482

RGB 206 164 130

HSL 26.84, 0.44%, 0.66%

LAB 70.37, 10.81, 23.53

 

CMYK 37 / 0 / 20 / 19

HEX #82CEA4

RGB 130 206 164

HSL 146.84, 0.44%, 0.66%

LAB 77.02, -32.69, 13.56

 

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

CMYK 0 / 37 / 24 / 19

HEX #CE829C

RGB 206 130 156

HSL 339.47, 0.44%, 0.66%

LAB 62.92, 32.77, -1.53

 

CMYK 17 / 0 / 37 / 19

HEX #ACCE82

RGB 172 206 130

HSL 86.84, 0.44%, 0.66%

LAB 78.77, -24.3, 34.17

 

CMYK 37 / 0 / 13 / 19

HEX #82CEB3

RGB 130 206 179

HSL 158.68, 0.44%, 0.66%

LAB 77.37, -29.59, 6.03

 

CMYK 20 / 37 / 0 / 19

HEX #A481CE

RGB 164 129 206

HSL 267.27, 0.44%, 0.66%

LAB 59.93, 28.68, -34.85

 

CMYK 0 / 37 / 35 / 19

HEX #CE8285

RGB 206 130 133

HSL 357.63, 0.44%, 0.66%

LAB 62.32, 29.68, 10.73

 

CMYK 17 / 0 / 37 / 19

HEX #ACCE82

RGB 172 206 130

HSL 86.84, 0.44%, 0.66%

LAB 78.77, -24.3, 34.17

 

CMYK 37 / 0 / 2 / 19

HEX #82CECA

RGB 130 206 202

HSL 176.84, 0.44%, 0.66%

LAB 77.97, -24.37, -5.46

 

Description

Color code: HEX #A481CE | qconv.com Color code: HEX #A481CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 129 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 129 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 37 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 37% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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