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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49213 it is the complementary color #5B6DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49213 shade: #A9920E, #BAA421, #CBB634, #DCC847 and #EDDA5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49213 shade: #A49213, #938000, #826E00, #715C00 and #604A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49213 shade: #A49213, #A46B13, #A44413, #A41C13 and #A41313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49213 shade: #A49213, #8FA413, #68A413, #40A413 and #19A413

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49213 shade matches the following richer shades: #A49213 and #B39D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49213 shade: #A49213, #958722, #867B30, #77703F and #68654E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49213 shade: #A44313, #A46A13, #A49013, #90A413 and #6AA413

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49213 shade: #5A500A, #7F710E, #A49213, #C9B317 and #E5CD24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49213 shade: #A49213, #13A41C and #5613A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49213 shade: #A49213, #13A490 and #9013A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49213 shade: #A49213, #13A41C, #1326A4 and #A4139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49213 shade: #A49213, #13A448, #1326A4 and #A4136F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

Complementary color

CMYK 61 / 54 / 0 / 7

HEX #5B6DEC

RGB 91 109 236

HSL 232.55, 0.79%, 0.64%

LAB 50.94, 31.49, -66.36

 

CMYK 0 / 14 / 92 / 34

HEX #A9920E

RGB 169 146 14

HSL 51.1, 0.85%, 0.36%

LAB 60.8, -3.5, 62.72

 

CMYK 0 / 12 / 82 / 27

HEX #BAA421

RGB 186 164 33

HSL 51.37, 0.7%, 0.43%

LAB 67.35, -5.04, 64.29

 

CMYK 0 / 10 / 74 / 20

HEX #CBB634

RGB 203 182 52

HSL 51.66, 0.59%, 0.5%

LAB 73.8, -6.32, 64.62

 

CMYK 0 / 9 / 68 / 14

HEX #DCC847

RGB 220 200 71

HSL 51.95, 0.68%, 0.57%

LAB 80.17, -7.4, 64.25

 

CMYK 0 / 8 / 62 / 7

HEX #EDDA5A

RGB 237 218 90

HSL 52.24, 0.8%, 0.64%

LAB 86.45, -8.32, 63.5

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 0 / 13 / 100 / 42

HEX #938000

RGB 147 128 0

HSL 52.24, 1%, 0.29%

LAB 53.64, -4.03, 58.77

 

CMYK 0 / 15 / 100 / 49

HEX #826E00

RGB 130 110 0

HSL 50.77, 1%, 0.25%

LAB 46.84, -1.98, 53.14

 

CMYK 0 / 19 / 100 / 56

HEX #715C00

RGB 113 92 0

HSL 48.85, 1%, 0.22%

LAB 39.86, 0.19, 47.37

 

CMYK 0 / 23 / 100 / 62

HEX #604A00

RGB 96 74 0

HSL 46.25, 1%, 0.19%

LAB 32.67, 2.5, 41.45

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 0 / 35 / 88 / 36

HEX #A46B13

RGB 164 107 19

HSL 36.41, 0.79%, 0.36%

LAB 50.04, 16.08, 52.88

 

CMYK 0 / 59 / 88 / 36

HEX #A44413

RGB 164 68 19

HSL 20.28, 0.79%, 0.36%

LAB 41.33, 37.29, 45.87

 

CMYK 0 / 83 / 88 / 36

HEX #A41C13

RGB 164 28 19

HSL 3.72, 0.79%, 0.36%

LAB 35.54, 53.02, 41.19

 

CMYK 0 / 88 / 88 / 36

HEX #A41313

RGB 164 19 19

HSL 0, 0.79%, 0.36%

LAB 34.81, 55.09, 40.61

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 13 / 0 / 88 / 36

HEX #8FA413

RGB 143 164 19

HSL 68.69, 0.79%, 0.36%

LAB 63.7, -24.39, 63.16

 

CMYK 37 / 0 / 88 / 36

HEX #68A413

RGB 104 164 19

HSL 84.83, 0.79%, 0.36%

LAB 61.26, -40.13, 60.12

 

CMYK 61 / 0 / 88 / 36

HEX #40A413

RGB 64 164 19

HSL 101.38, 0.79%, 0.36%

LAB 59.61, -52.67, 58.06

 

CMYK 85 / 0 / 88 / 36

HEX #19A413

RGB 25 164 19

HSL 117.52, 0.79%, 0.36%

LAB 58.79, -59.63, 57.03

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 0 / 12 / 98 / 30

HEX #B39D04

RGB 179 157 4

HSL 52.46, 0.96%, 0.36%

LAB 64.73, -5.02, 67.55

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 0 / 9 / 77 / 42

HEX #958722

RGB 149 135 34

HSL 52.7, 0.63%, 0.36%

LAB 55.92, -6.07, 52.44

 

CMYK 0 / 8 / 64 / 47

HEX #867B30

RGB 134 123 48

HSL 52.33, 0.47%, 0.36%

LAB 51.21, -5.52, 41.36

 

CMYK 0 / 6 / 47 / 53

HEX #77703F

RGB 119 112 63

HSL 52.5, 0.31%, 0.36%

LAB 46.8, -4.77, 28.11

 

CMYK 0 / 3 / 25 / 59

HEX #68654E

RGB 104 101 78

HSL 53.08, 0.14%, 0.36%

LAB 42.46, -3, 13.48

 

CMYK 0 / 59 / 88 / 36

HEX #A44313

RGB 164 67 19

HSL 19.86, 0.79%, 0.36%

LAB 41.14, 37.79, 45.71

 

CMYK 0 / 35 / 88 / 36

HEX #A46A13

RGB 164 106 19

HSL 36, 0.79%, 0.36%

LAB 49.8, 16.65, 52.68

 

CMYK 0 / 12 / 88 / 36

HEX #A49013

RGB 164 144 19

HSL 51.72, 0.79%, 0.36%

LAB 59.79, -4.6, 60.71

 

CMYK 12 / 0 / 88 / 36

HEX #90A413

RGB 144 164 19

HSL 68.28, 0.79%, 0.36%

LAB 63.78, -23.95, 63.25

 

CMYK 35 / 0 / 88 / 36

HEX #6AA413

RGB 106 164 19

HSL 84, 0.79%, 0.36%

LAB 61.36, -39.38, 60.26

 

CMYK 0 / 11 / 89 / 65

HEX #5A500A

RGB 90 80 10

HSL 52.5, 0.8%, 0.2%

LAB 33.84, -3.87, 38.62

 

CMYK 0 / 11 / 89 / 50

HEX #7F710E

RGB 127 113 14

HSL 52.57, 0.8%, 0.28%

LAB 47.44, -4.82, 50.37

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 0 / 11 / 89 / 21

HEX #C9B317

RGB 201 179 23

HSL 52.58, 0.79%, 0.44%

LAB 72.71, -6.54, 71.64

 

CMYK 0 / 10 / 84 / 10

HEX #E5CD24

RGB 229 205 36

HSL 52.54, 0.79%, 0.52%

LAB 82.08, -7.47, 77.49

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 88 / 0 / 83 / 36

HEX #13A41C

RGB 19 164 28

HSL 123.72, 0.79%, 0.36%

LAB 58.76, -59.76, 54.79

 

CMYK 48 / 88 / 0 / 36

HEX #5613A4

RGB 86 19 164

HSL 267.72, 0.79%, 0.36%

LAB 27.09, 56.24, -63.42

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 88 / 0 / 12 / 36

HEX #13A490

RGB 19 164 144

HSL 171.72, 0.79%, 0.36%

LAB 60.52, -39.65, 0.43

 

CMYK 12 / 88 / 0 / 36

HEX #9013A4

RGB 144 19 164

HSL 291.72, 0.79%, 0.36%

LAB 36.13, 64.73, -48.29

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 88 / 0 / 83 / 36

HEX #13A41C

RGB 19 164 28

HSL 123.72, 0.79%, 0.36%

LAB 58.76, -59.76, 54.79

 

CMYK 88 / 77 / 0 / 36

HEX #1326A4

RGB 19 38 164

HSL 232.14, 0.79%, 0.36%

LAB 24.34, 42.13, -68.14

 

CMYK 0 / 88 / 6 / 36

HEX #A4139A

RGB 164 19 154

HSL 304.14, 0.79%, 0.36%

LAB 39.06, 66.75, -37.36

 

CMYK 0 / 11 / 88 / 36

HEX #A49213

RGB 164 146 19

HSL 52.55, 0.79%, 0.36%

LAB 60.34, -5.68, 61.15

 

CMYK 88 / 0 / 56 / 36

HEX #13A448

RGB 19 164 72

HSL 141.93, 0.79%, 0.36%

LAB 59.12, -55.32, 37.52

 

CMYK 88 / 77 / 0 / 36

HEX #1326A4

RGB 19 38 164

HSL 232.14, 0.79%, 0.36%

LAB 24.34, 42.13, -68.14

 

CMYK 0 / 88 / 32 / 36

HEX #A4136F

RGB 164 19 111

HSL 321.93, 0.79%, 0.36%

LAB 36.94, 61.11, -14.05

 

Description

Color code: HEX #A49213 | qconv.com Color code: HEX #A49213 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 146 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 146 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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