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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49365 it is the complementary color #5B6C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49365 shade: #A99360, #BAA573, #CBB786, #DCC999 and #EDDBAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49365 shade: #A49365, #938152, #826F3F, #715D2C and #604B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49365 shade: #A49364, #A48264, #A47064 and #A46464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49365 shade: #A49364, #A4A464, #93A464, #82A464 and #70A464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49365 shade matches the following richer shades: #A49364, #B89C50, #CCA53D, #DFAE29 and #F3B715

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49365 shade: #A49364, #908A78, #7C818C, #6977A0 and #556EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49365 shade: #A47064, #A48164, #A49264, #A4A364 and #94A464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49365 shade: #736643, #8D7D52, #A49364, #B3A57E and #C2B798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49365 shade: #A49365, #6AA464 and #7864A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49365 shade: #A49365, #64A492 and #9264A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49365 shade: #A49365, #6AA464, #6476A4 and #9F64A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49365 shade: #A49365, #64A472, #6476A4 and #A46496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

Complementary color

CMYK 41 / 30 / 0 / 40

HEX #5B6C9A

RGB 91 108 154

HSL 223.81, 0.26%, 0.48%

LAB 46.02, 5.91, -27.01

 

CMYK 0 / 13 / 43 / 34

HEX #A99360

RGB 169 147 96

HSL 41.92, 0.3%, 0.52%

LAB 61.78, 0.99, 29.99

 

CMYK 0 / 11 / 38 / 27

HEX #BAA573

RGB 186 165 115

HSL 42.25, 0.34%, 0.59%

LAB 68.45, 0.41, 28.73

 

CMYK 0 / 10 / 34 / 20

HEX #CBB786

RGB 203 183 134

HSL 42.61, 0.4%, 0.66%

LAB 75, -0.08, 27.55

 

CMYK 0 / 9 / 30 / 14

HEX #DCC999

RGB 220 201 153

HSL 42.99, 0.49%, 0.73%

LAB 81.45, -0.5, 26.44

 

CMYK 0 / 8 / 27 / 7

HEX #EDDBAC

RGB 237 219 172

HSL 43.38, 0.64%, 0.8%

LAB 87.8, -0.87, 25.4

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

CMYK 0 / 12 / 44 / 42

HEX #938152

RGB 147 129 82

HSL 43.38, 0.28%, 0.45%

LAB 54.57, 0.04, 27.96

 

CMYK 0 / 15 / 52 / 49

HEX #826F3F

RGB 130 111 63

HSL 42.99, 0.35%, 0.38%

LAB 47.59, 0.76, 29.33

 

CMYK 0 / 18 / 61 / 56

HEX #715D2C

RGB 113 93 44

HSL 42.61, 0.44%, 0.31%

LAB 40.44, 1.68, 30.74

 

CMYK 0 / 22 / 74 / 62

HEX #604B19

RGB 96 75 25

HSL 42.25, 0.59%, 0.24%

LAB 33.11, 2.92, 32.01

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 32 / 39 / 36

HEX #A47064

RGB 164 112 100

HSL 11.25, 0.26%, 0.52%

LAB 52.29, 19.05, 15

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 0 / 39 / 36

HEX #A4A464

RGB 164 164 100

HSL 60, 0.26%, 0.52%

LAB 66.03, -9.83, 33.2

 

CMYK 10 / 0 / 39 / 36

HEX #93A464

RGB 147 164 100

HSL 75.94, 0.26%, 0.52%

LAB 64.7, -16.72, 31.24

 

CMYK 21 / 0 / 39 / 36

HEX #82A464

RGB 130 164 100

HSL 91.88, 0.26%, 0.52%

LAB 63.52, -23.34, 29.48

 

CMYK 32 / 0 / 39 / 36

HEX #70A464

RGB 112 164 100

HSL 108.75, 0.26%, 0.52%

LAB 62.44, -29.9, 27.86

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 15 / 57 / 28

HEX #B89C50

RGB 184 156 80

HSL 43.85, 0.42%, 0.52%

LAB 65.39, 0.95, 43.1

 

CMYK 0 / 19 / 70 / 20

HEX #CCA53D

RGB 204 165 61

HSL 43.64, 0.58%, 0.52%

LAB 69.53, 3.51, 56.97

 

CMYK 0 / 22 / 82 / 13

HEX #DFAE29

RGB 223 174 41

HSL 43.85, 0.74%, 0.52%

LAB 73.62, 6.16, 68.79

 

CMYK 0 / 25 / 91 / 5

HEX #F3B715

RGB 243 183 21

HSL 43.78, 0.9%, 0.52%

LAB 77.86, 9.62, 77.76

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 4 / 17 / 44

HEX #908A78

RGB 144 138 120

HSL 45, 0.1%, 0.52%

LAB 57.52, -0.97, 10.45

 

CMYK 11 / 8 / 0 / 45

HEX #7C818C

RGB 124 129 140

HSL 221.25, 0.07%, 0.52%

LAB 53.9, 0.49, -6.57

 

CMYK 34 / 26 / 0 / 37

HEX #6977A0

RGB 105 119 160

HSL 224.73, 0.22%, 0.52%

LAB 50.38, 5.06, -23.71

 

CMYK 53 / 39 / 0 / 30

HEX #556EB3

RGB 85 110 179

HSL 224.04, 0.38%, 0.52%

LAB 47.41, 10.89, -39.51

 

CMYK 0 / 32 / 39 / 36

HEX #A47064

RGB 164 112 100

HSL 11.25, 0.26%, 0.52%

LAB 52.29, 19.05, 15

 

CMYK 0 / 21 / 39 / 36

HEX #A48164

RGB 164 129 100

HSL 27.19, 0.26%, 0.52%

LAB 56.6, 9.39, 20.86

 

CMYK 0 / 11 / 39 / 36

HEX #A49264

RGB 164 146 100

HSL 43.13, 0.26%, 0.52%

LAB 61.11, -0.11, 26.84

 

CMYK 0 / 1 / 39 / 36

HEX #A4A364

RGB 164 163 100

HSL 59.06, 0.26%, 0.52%

LAB 65.75, -9.3, 32.85

 

CMYK 10 / 0 / 39 / 36

HEX #94A464

RGB 148 164 100

HSL 75, 0.26%, 0.52%

LAB 64.78, -16.32, 31.35

 

CMYK 0 / 11 / 42 / 55

HEX #736643

RGB 115 102 67

HSL 43.75, 0.26%, 0.36%

LAB 43.58, -0.31, 21.67

 

CMYK 0 / 11 / 42 / 45

HEX #8D7D52

RGB 141 125 82

HSL 43.73, 0.26%, 0.44%

LAB 52.88, -0.3, 25.68

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 8 / 30 / 30

HEX #B3A57E

RGB 179 165 126

HSL 44.15, 0.26%, 0.6%

LAB 68.02, -1.03, 22.09

 

CMYK 0 / 6 / 22 / 24

HEX #C2B798

RGB 194 183 152

HSL 44.29, 0.26%, 0.68%

LAB 74.57, -1.14, 17.19

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

CMYK 35 / 0 / 39 / 36

HEX #6AA464

RGB 106 164 100

HSL 114.38, 0.26%, 0.52%

LAB 62.11, -31.95, 27.37

 

CMYK 27 / 39 / 0 / 36

HEX #7864A4

RGB 120 100 164

HSL 258.75, 0.26%, 0.52%

LAB 46.69, 22.14, -31.68

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

CMYK 39 / 0 / 11 / 36

HEX #64A492

RGB 100 164 146

HSL 163.13, 0.26%, 0.52%

LAB 62.79, -24.82, 2.88

 

CMYK 11 / 39 / 0 / 36

HEX #9264A4

RGB 146 100 164

HSL 283.13, 0.26%, 0.52%

LAB 49.38, 30.27, -27.29

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

CMYK 35 / 0 / 39 / 36

HEX #6AA464

RGB 106 164 100

HSL 114.38, 0.26%, 0.52%

LAB 62.11, -31.95, 27.37

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 3 / 39 / 0 / 36

HEX #9F64A4

RGB 159 100 164

HSL 295.31, 0.26%, 0.52%

LAB 50.88, 34.44, -24.85

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164 147 101

HSL 43.81, 0.26%, 0.52%

LAB 61.39, -0.54, 26.67

 

CMYK 39 / 0 / 30 / 36

HEX #64A472

RGB 100 164 114

HSL 133.13, 0.26%, 0.52%

LAB 62.06, -31.5, 19.65

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 0 / 39 / 9 / 36

HEX #A46496

RGB 164 100 150

HSL 313.13, 0.26%, 0.52%

LAB 50.93, 33.45, -16.49

 

Description

Color code: HEX #A49365 | qconv.com Color code: HEX #A49365 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 147 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 147 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 38 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 38% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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