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Color name
HEX #A49A27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49A27 it is the complementary color #5B65D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49A27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49A27 shade: #A99A22, #BAAC35, #CBBE48, #DCD05B and #EDE26E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49A27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49A27 shade: #A49A27, #938814, #827601, #716400 and #605200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49A27 shade: #A59B26, #A57926, #A55626, #A53426 and #A52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49A27 shade: #A59B26, #8DA526, #6BA526, #49A526 and #26A526

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49A27 shade matches the following richer shades: #A59B26, #B5A816 and #C6B605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49A27 shade: #A59B26, #948D37, #847F47, #737158 and #636368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49A27 shade: #A55726, #A57826, #A59A26, #8EA526 and #6CA526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49A27 shade: #625C17, #837B1E, #A59B26, #C6BA2E and #D4C949

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49A27 shade: #A49A27, #26A535 and #6826A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49A27 shade: #A49A27, #26A59A and #9A26A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49A27 shade: #A49A27, #26A535, #2631A5 and #A52696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49A27 shade: #A49A27, #26A55B, #2631A5 and #A52670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

Complementary color

CMYK 58 / 53 / 0 / 15

HEX #5B65D8

RGB 91 101 216

HSL 235.2, 0.62%, 0.6%

LAB 47.61, 29.82, -60.46

 

CMYK 0 / 9 / 80 / 34

HEX #A99A22

RGB 169 154 34

HSL 53.33, 0.67%, 0.4%

LAB 63.06, -7.28, 59.63

 

CMYK 0 / 8 / 72 / 27

HEX #BAAC35

RGB 186 172 53

HSL 53.68, 0.56%, 0.47%

LAB 69.61, -8.45, 59.69

 

CMYK 0 / 6 / 65 / 20

HEX #CBBE48

RGB 203 190 72

HSL 54.05, 0.56%, 0.54%

LAB 76.06, -9.42, 59.13

 

CMYK 0 / 5 / 59 / 14

HEX #DCD05B

RGB 220 208 91

HSL 54.42, 0.65%, 0.61%

LAB 82.42, -10.23, 58.24

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26E

RGB 237 226 110

HSL 54.8, 0.78%, 0.68%

LAB 88.7, -10.91, 57.2

 

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

CMYK 0 / 7 / 86 / 42

HEX #938814

RGB 147 136 20

HSL 54.8, 0.76%, 0.33%

LAB 55.95, -8.03, 56.67

 

CMYK 0 / 9 / 99 / 49

HEX #827601

RGB 130 118 1

HSL 54.42, 0.98%, 0.26%

LAB 49.14, -6.48, 54.57

 

CMYK 0 / 12 / 100 / 56

HEX #716400

RGB 113 100 0

HSL 53.1, 1%, 0.22%

LAB 42.19, -4.49, 49.03

 

CMYK 0 / 15 / 100 / 62

HEX #605200

RGB 96 82 0

HSL 51.25, 1%, 0.19%

LAB 35.05, -2.36, 43.12

 

CMYK 0 / 6 / 77 / 35

HEX #A59B26

RGB 165 155 38

HSL 55.28, 0.63%, 0.4%

LAB 63, -9.45, 58.13

 

CMYK 0 / 27 / 77 / 35

HEX #A57926

RGB 165 121 38

HSL 39.21, 0.63%, 0.4%

LAB 53.83, 9.25, 49.51

 

CMYK 0 / 48 / 77 / 35

HEX #A55626

RGB 165 86 38

HSL 22.68, 0.63%, 0.4%

LAB 45.35, 28.9, 41.13

 

CMYK 0 / 68 / 77 / 35

HEX #A53426

RGB 165 52 38

HSL 6.61, 0.63%, 0.4%

LAB 38.89, 45.64, 34.38

 

CMYK 0 / 77 / 77 / 35

HEX #A52626

RGB 165 38 38

HSL 0, 0.63%, 0.4%

LAB 36.98, 50.91, 32.31

 

CMYK 0 / 6 / 77 / 35

HEX #A59B26

RGB 165 155 38

HSL 55.28, 0.63%, 0.4%

LAB 63, -9.45, 58.13

 

CMYK 15 / 0 / 77 / 35

HEX #8DA526

RGB 141 165 38

HSL 71.34, 0.63%, 0.4%

LAB 63.93, -25.06, 58.3

 

CMYK 35 / 0 / 77 / 35

HEX #6BA526

RGB 107 165 38

HSL 87.4, 0.63%, 0.4%

LAB 61.81, -38.63, 55.54

 

CMYK 56 / 0 / 77 / 35

HEX #49A526

RGB 73 165 38

HSL 103.46, 0.63%, 0.4%

LAB 60.31, -49.69, 53.58

 

CMYK 77 / 0 / 77 / 35

HEX #26A526

RGB 38 165 38

HSL 120, 0.63%, 0.4%

LAB 59.4, -57.19, 52.38

 

CMYK 0 / 6 / 77 / 35

HEX #A59B26

RGB 165 155 38

HSL 55.28, 0.63%, 0.4%

LAB 63, -9.45, 58.13

 

CMYK 0 / 7 / 88 / 29

HEX #B5A816

RGB 181 168 22

HSL 55.09, 0.78%, 0.4%

LAB 67.94, -9.66, 67.27

 

CMYK 0 / 8 / 97 / 22

HEX #C6B605

RGB 198 182 5

HSL 55.03, 0.95%, 0.4%

LAB 73.2, -9.66, 74.41

 

CMYK 0 / 6 / 77 / 35

HEX #A59B26

RGB 165 155 38

HSL 55.28, 0.63%, 0.4%

LAB 63, -9.45, 58.13

 

CMYK 0 / 5 / 63 / 42

HEX #948D37

RGB 148 141 55

HSL 55.48, 0.46%, 0.4%

LAB 57.68, -8.6, 45.49

 

CMYK 0 / 4 / 46 / 48

HEX #847F47

RGB 132 127 71

HSL 55.08, 0.3%, 0.4%

LAB 52.44, -6.59, 31

 

CMYK 0 / 2 / 23 / 55

HEX #737158

RGB 115 113 88

HSL 55.56, 0.13%, 0.4%

LAB 47.18, -3.73, 14.19

 

CMYK 5 / 5 / 0 / 59

HEX #636368

RGB 99 99 104

HSL 240, 0.02%, 0.4%

LAB 42.12, 1.07, -2.83

 

CMYK 0 / 47 / 77 / 35

HEX #A55726

RGB 165 87 38

HSL 23.15, 0.63%, 0.4%

LAB 45.57, 28.36, 41.35

 

CMYK 0 / 27 / 77 / 35

HEX #A57826

RGB 165 120 38

HSL 38.74, 0.63%, 0.4%

LAB 53.57, 9.81, 49.26

 

CMYK 0 / 7 / 77 / 35

HEX #A59A26

RGB 165 154 38

HSL 54.8, 0.63%, 0.4%

LAB 62.72, -8.91, 57.88

 

CMYK 14 / 0 / 77 / 35

HEX #8EA526

RGB 142 165 38

HSL 70.87, 0.63%, 0.4%

LAB 64, -24.64, 58.39

 

CMYK 35 / 0 / 77 / 35

HEX #6CA526

RGB 108 165 38

HSL 86.93, 0.63%, 0.4%

LAB 61.86, -38.26, 55.61

 

CMYK 0 / 6 / 77 / 62

HEX #625C17

RGB 98 92 23

HSL 55.2, 0.62%, 0.24%

LAB 38.4, -6.42, 38.3

 

CMYK 0 / 6 / 77 / 49

HEX #837B1E

RGB 131 123 30

HSL 55.25, 0.63%, 0.32%

LAB 50.79, -7.95, 48.48

 

CMYK 0 / 6 / 77 / 35

HEX #A59B26

RGB 165 155 38

HSL 55.28, 0.63%, 0.4%

LAB 63, -9.45, 58.13

 

CMYK 0 / 6 / 77 / 22

HEX #C6BA2E

RGB 198 186 46

HSL 55.26, 0.62%, 0.48%

LAB 74.39, -10.8, 67.02

 

CMYK 0 / 5 / 66 / 17

HEX #D4C949

RGB 212 201 73

HSL 55.25, 0.62%, 0.56%

LAB 79.76, -11.17, 62.81

 

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

CMYK 77 / 0 / 68 / 35

HEX #26A535

RGB 38 165 53

HSL 127.09, 0.63%, 0.4%

LAB 59.51, -55.88, 46.75

 

CMYK 37 / 77 / 0 / 35

HEX #6826A5

RGB 104 38 165

HSL 271.18, 0.63%, 0.4%

LAB 31.91, 52.37, -56.03

 

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

CMYK 77 / 0 / 7 / 35

HEX #26A59A

RGB 38 165 154

HSL 174.8, 0.63%, 0.4%

LAB 61.36, -35.6, -3.94

 

CMYK 7 / 77 / 0 / 35

HEX #9A26A5

RGB 154 38 165

HSL 294.8, 0.63%, 0.4%

LAB 39.53, 61.99, -43.33

 

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

CMYK 77 / 0 / 68 / 35

HEX #26A535

RGB 38 165 53

HSL 127.09, 0.63%, 0.4%

LAB 59.51, -55.88, 46.75

 

CMYK 77 / 70 / 0 / 35

HEX #2631A5

RGB 38 49 165

HSL 234.8, 0.63%, 0.4%

LAB 27.64, 37.13, -63.27

 

CMYK 0 / 77 / 9 / 35

HEX #A52696

RGB 165 38 150

HSL 307.09, 0.63%, 0.4%

LAB 40.55, 61.9, -32.56

 

CMYK 0 / 6 / 76 / 36

HEX #A49A27

RGB 164 154 39

HSL 55.2, 0.62%, 0.4%

LAB 62.63, -9.32, 57.42

 

CMYK 77 / 0 / 45 / 35

HEX #26A55B

RGB 38 165 91

HSL 145.04, 0.63%, 0.4%

LAB 59.96, -50.51, 28.91

 

CMYK 77 / 70 / 0 / 35

HEX #2631A5

RGB 38 49 165

HSL 234.8, 0.63%, 0.4%

LAB 27.64, 37.13, -63.27

 

CMYK 0 / 77 / 32 / 35

HEX #A52670

RGB 165 38 112

HSL 325.04, 0.63%, 0.4%

LAB 38.82, 56.74, -11.8

 

Description

Color code: HEX #A49A27 | qconv.com Color code: HEX #A49A27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 154 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 154 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 76 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 76% 36% C M Y K

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Provide designers and agencies with accurate color values.

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