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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49ACA it is the complementary color #5B6535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49ACA shade: #A99AC5, #BAACD8, #CBBEEB, #DCD0FE and #EDE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49ACA shade: #A49ACA, #9388B7, #8276A4, #716491 and #60527E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49ACA shade: #A49ACA, #B19ACA, #BE9ACA, #CA9AC9 and #CA9ABC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49ACA shade: #A49ACA and #9A9ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49ACA shade matches the following richer shades: #A49ACA, #9D8ED6, #9682E2, #8F75EF and #8769FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49ACA shade: #A49ACA, #ABA7BD, #B3B3B1, #BABFA5 and #C1CC98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49ACA shade: #9AAACA, #9A9DCA, #A49ACA, #B09ACA and #BD9ACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49ACA shade: #7364AD, #8C7FBB, #A49ACA, #BDB5D8 and #D5D0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49ACA shade: #A49ACA, #CA9AB7 and #A4CA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49ACA shade: #A49ACA, #CAA49A and #9ACAA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49ACA shade: #A49ACA, #CA9AB7, #C0CA9A and #9ACAAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49ACA shade: #A49ACA, #CA9AA9, #C0CA9A and #9ACABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

Complementary color

CMYK 10 / 0 / 48 / 60

HEX #5B6535

RGB 91 101 53

HSL 72.5, 0.31%, 0.3%

LAB 40.88, -12.23, 25.8

 

CMYK 14 / 22 / 0 / 23

HEX #A99AC5

RGB 169 154 197

HSL 260.93, 0.27%, 0.69%

LAB 66.2, 14.04, -20.12

 

CMYK 14 / 20 / 0 / 15

HEX #BAACD8

RGB 186 172 216

HSL 259.09, 0.36%, 0.76%

LAB 72.83, 13.62, -20.39

 

CMYK 14 / 19 / 0 / 8

HEX #CBBEEB

RGB 203 190 235

HSL 257.33, 0.53%, 0.83%

LAB 79.34, 13.24, -20.68

 

CMYK 13 / 18 / 0 / 0

HEX #DCD0FE

RGB 220 208 254

HSL 255.65, 0.96%, 0.91%

LAB 85.75, 12.88, -20.97

 

CMYK 7 / 11 / 0 / 0

HEX #EDE2FF

RGB 237 226 255

HSL 262.76, 1%, 0.94%

LAB 91.51, 9, -12.7

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 20 / 26 / 0 / 28

HEX #9388B7

RGB 147 136 183

HSL 254.04, 0.25%, 0.63%

LAB 59.19, 14.01, -23.12

 

CMYK 21 / 28 / 0 / 36

HEX #8276A4

RGB 130 118 164

HSL 255.65, 0.2%, 0.55%

LAB 52.27, 14.52, -22.96

 

CMYK 22 / 31 / 0 / 43

HEX #716491

RGB 113 100 145

HSL 257.33, 0.18%, 0.48%

LAB 45.18, 15.1, -22.83

 

CMYK 24 / 35 / 0 / 51

HEX #60527E

RGB 96 82 126

HSL 259.09, 0.21%, 0.41%

LAB 37.89, 15.77, -22.75

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 12 / 24 / 0 / 21

HEX #B19ACA

RGB 177 154 202

HSL 268.75, 0.31%, 0.7%

LAB 67.07, 17.72, -21.51

 

CMYK 6 / 24 / 0 / 21

HEX #BE9ACA

RGB 190 154 202

HSL 285, 0.31%, 0.7%

LAB 68.26, 22, -19.59

 

CMYK 0 / 24 / 0 / 21

HEX #CA9AC9

RGB 202 154 201

HSL 301.25, 0.31%, 0.7%

LAB 69.39, 25.81, -17.21

 

CMYK 0 / 24 / 7 / 21

HEX #CA9ABC

RGB 202 154 188

HSL 317.5, 0.31%, 0.7%

LAB 68.97, 23.43, -10.62

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 24 / 24 / 0 / 21

HEX #9A9ACA

RGB 154 154 202

HSL 240, 0.31%, 0.7%

LAB 65.16, 10.41, -24.6

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 27 / 34 / 0 / 16

HEX #9D8ED6

RGB 157 142 214

HSL 252.5, 0.47%, 0.7%

LAB 62.82, 21.07, -34.89

 

CMYK 34 / 42 / 0 / 11

HEX #9682E2

RGB 150 130 226

HSL 252.5, 0.62%, 0.7%

LAB 59.83, 29.06, -46.3

 

CMYK 40 / 51 / 0 / 6

HEX #8F75EF

RGB 143 117 239

HSL 252.79, 0.79%, 0.7%

LAB 56.87, 38.26, -58.29

 

CMYK 46 / 58 / 0 / 2

HEX #8769FB

RGB 135 105 251

HSL 252.33, 0.95%, 0.7%

LAB 54.26, 46.64, -69.2

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 10 / 12 / 0 / 26

HEX #ABA7BD

RGB 171 167 189

HSL 250.91, 0.14%, 0.7%

LAB 69.45, 5.76, -10.75

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B1

RGB 179 179 177

HSL 60, 0.01%, 0.7%

LAB 72.89, -0.37, 1.01

 

CMYK 3 / 0 / 14 / 25

HEX #BABFA5

RGB 186 191 165

HSL 71.54, 0.17%, 0.7%

LAB 76.32, -6.32, 12.54

 

CMYK 5 / 0 / 25 / 20

HEX #C1CC98

RGB 193 204 152

HSL 72.69, 0.34%, 0.7%

LAB 80.06, -12.45, 24.72

 

CMYK 24 / 16 / 0 / 21

HEX #9AAACA

RGB 154 170 202

HSL 220, 0.31%, 0.7%

LAB 69.39, 1.46, -18.15

 

CMYK 24 / 22 / 0 / 21

HEX #9A9DCA

RGB 154 157 202

HSL 236.25, 0.31%, 0.7%

LAB 65.94, 8.71, -23.4

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 13 / 24 / 0 / 21

HEX #B09ACA

RGB 176 154 202

HSL 267.5, 0.31%, 0.7%

LAB 66.98, 17.4, -21.65

 

CMYK 6 / 24 / 0 / 21

HEX #BD9ACA

RGB 189 154 202

HSL 283.75, 0.31%, 0.7%

LAB 68.16, 21.66, -19.74

 

CMYK 34 / 42 / 0 / 32

HEX #7364AD

RGB 115 100 173

HSL 252.33, 0.31%, 0.54%

LAB 46.68, 23.05, -37.02

 

CMYK 25 / 32 / 0 / 27

HEX #8C7FBB

RGB 140 127 187

HSL 253, 0.31%, 0.62%

LAB 56.43, 18, -29.7

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 13 / 16 / 0 / 15

HEX #BDB5D8

RGB 189 181 216

HSL 253.71, 0.31%, 0.78%

LAB 75.34, 9.66, -16.56

 

CMYK 7 / 10 / 0 / 10

HEX #D5D0E6

RGB 213 208 230

HSL 253.64, 0.31%, 0.86%

LAB 84.47, 5.83, -10.22

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 0 / 24 / 9 / 21

HEX #CA9AB7

RGB 202 154 183

HSL 323.75, 0.31%, 0.7%

LAB 68.81, 22.56, -8.07

 

CMYK 19 / 0 / 24 / 21

HEX #A4CA9A

RGB 164 202 154

HSL 107.5, 0.31%, 0.7%

LAB 77.56, -21.64, 19.92

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 0 / 19 / 24 / 21

HEX #CAA49A

RGB 202 164 154

HSL 12.5, 0.31%, 0.7%

LAB 70.48, 12.44, 10.46

 

CMYK 24 / 0 / 19 / 21

HEX #9ACAA4

RGB 154 202 164

HSL 132.5, 0.31%, 0.7%

LAB 77.16, -23.29, 13.94

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 0 / 24 / 9 / 21

HEX #CA9AB7

RGB 202 154 183

HSL 323.75, 0.31%, 0.7%

LAB 68.81, 22.56, -8.07

 

CMYK 5 / 0 / 24 / 21

HEX #C0CA9A

RGB 192 202 154

HSL 72.5, 0.31%, 0.7%

LAB 79.49, -11.51, 22.88

 

CMYK 24 / 0 / 14 / 21

HEX #9ACAAD

RGB 154 202 173

HSL 143.75, 0.31%, 0.7%

LAB 77.36, -21.6, 9.4

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 0 / 24 / 16 / 21

HEX #CA9AA9

RGB 202 154 169

HSL 341.25, 0.31%, 0.7%

LAB 68.41, 20.22, -0.86

 

CMYK 5 / 0 / 24 / 21

HEX #C0CA9A

RGB 192 202 154

HSL 72.5, 0.31%, 0.7%

LAB 79.49, -11.51, 22.88

 

CMYK 24 / 0 / 7 / 21

HEX #9ACABB

RGB 154 202 187

HSL 161.25, 0.31%, 0.7%

LAB 77.7, -18.79, 2.36

 

Description

Color code: HEX #A49ACA | qconv.com Color code: HEX #A49ACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 154 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 154 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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