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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49DB3 it is the complementary color #5B624C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49DB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49DB3 shade: #A99DAE, #BAAFC1, #CBC1D4, #DCD3E7 and #EDE5FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49DB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49DB3 shade: #A49DB3, #938BA0, #82798D, #71677A and #605567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49DB3 shade: #A49DB3, #AA9DB3, #B09DB3, #B39DB0 and #B39DAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49DB3 shade: #A49DB3, #9E9DB3 and #9D9DB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49DB3 shade matches the following richer shades: #A49DB3, #9F8FC1, #9980CF, #9472DD and #8F64EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49DB3 shade: #A49DB3, #A9ABA5, #AEB997, #B3C789 and #B8D57B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49DB3 shade: #9DA1B3, #9E9DB3, #A49DB3, #AA9DB3 and #B09DB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49DB3 shade: #796E8F, #8E85A1, #A49DB3, #B9B4C5 and #CFCBD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49DB3 shade: #A49DB3, #B39DA7 and #9EB39D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49DB3 shade: #A49DB3, #B3A49D and #9DB3A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49DB3 shade: #A49DB3, #B39DA7, #ACB39D and #9DB3A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49DB3 shade: #A49DB3, #B39DA1, #ACB39D and #9DB3AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

Complementary color

CMYK 7 / 0 / 22 / 62

HEX #5B624C

RGB 91 98 76

HSL 79.09, 0.13%, 0.34%

LAB 40.38, -7.08, 11.64

 

CMYK 3 / 10 / 0 / 32

HEX #A99DAE

RGB 169 157 174

HSL 282.35, 0.09%, 0.65%

LAB 66.22, 7.58, -7.24

 

CMYK 4 / 9 / 0 / 24

HEX #BAAFC1

RGB 186 175 193

HSL 276.67, 0.13%, 0.72%

LAB 72.86, 7.28, -7.74

 

CMYK 4 / 9 / 0 / 17

HEX #CBC1D4

RGB 203 193 212

HSL 271.58, 0.18%, 0.79%

LAB 79.38, 7, -8.24

 

CMYK 5 / 9 / 0 / 9

HEX #DCD3E7

RGB 220 211 231

HSL 267, 0.29%, 0.87%

LAB 85.79, 6.74, -8.72

 

CMYK 5 / 8 / 0 / 2

HEX #EDE5FA

RGB 237 229 250

HSL 262.86, 0.68%, 0.94%

LAB 92.11, 6.5, -9.2

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 8 / 13 / 0 / 37

HEX #938BA0

RGB 147 139 160

HSL 262.86, 0.1%, 0.59%

LAB 59.16, 7.16, -10.04

 

CMYK 8 / 14 / 0 / 45

HEX #82798D

RGB 130 121 141

HSL 267, 0.08%, 0.51%

LAB 52.22, 7.49, -9.6

 

CMYK 7 / 16 / 0 / 52

HEX #71677A

RGB 113 103 122

HSL 271.58, 0.08%, 0.44%

LAB 45.1, 7.86, -9.15

 

CMYK 7 / 17 / 0 / 60

HEX #605567

RGB 96 85 103

HSL 276.67, 0.1%, 0.37%

LAB 37.78, 8.28, -8.71

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 5 / 12 / 0 / 30

HEX #AA9DB3

RGB 170 157 179

HSL 275.45, 0.13%, 0.66%

LAB 66.45, 8.92, -9.67

 

CMYK 2 / 12 / 0 / 30

HEX #B09DB3

RGB 176 157 179

HSL 291.82, 0.13%, 0.66%

LAB 66.97, 11.01, -8.84

 

CMYK 0 / 12 / 2 / 30

HEX #B39DB0

RGB 179 157 176

HSL 308.18, 0.13%, 0.66%

LAB 67.15, 11.49, -6.88

 

CMYK 0 / 12 / 5 / 30

HEX #B39DAA

RGB 179 157 170

HSL 324.55, 0.13%, 0.66%

LAB 66.98, 10.37, -3.78

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 12 / 12 / 0 / 30

HEX #9E9DB3

RGB 158 157 179

HSL 242.73, 0.13%, 0.66%

LAB 65.47, 4.81, -11.25

 

CMYK 12 / 12 / 0 / 30

HEX #9D9DB3

RGB 157 157 179

HSL 240, 0.13%, 0.66%

LAB 65.39, 4.47, -11.38

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 18 / 26 / 0 / 24

HEX #9F8FC1

RGB 159 143 193

HSL 259.2, 0.29%, 0.66%

LAB 62.39, 16.14, -23.76

 

CMYK 26 / 38 / 0 / 19

HEX #9980CF

RGB 153 128 207

HSL 258.99, 0.45%, 0.66%

LAB 58.71, 26.24, -37.4

 

CMYK 33 / 48 / 0 / 13

HEX #9472DD

RGB 148 114 221

HSL 259.07, 0.61%, 0.66%

LAB 55.64, 36.44, -50.17

 

CMYK 39 / 57 / 0 / 8

HEX #8F64EB

RGB 143 100 235

HSL 259.11, 0.77%, 0.66%

LAB 52.9, 46.76, -62.44

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 1 / 0 / 4 / 33

HEX #A9ABA5

RGB 169 171 165

HSL 80, 0.03%, 0.66%

LAB 69.67, -1.83, 2.83

 

CMYK 6 / 0 / 18 / 27

HEX #AEB997

RGB 174 185 151

HSL 79.41, 0.2%, 0.66%

LAB 73.5, -9.87, 16

 

CMYK 10 / 0 / 31 / 22

HEX #B3C789

RGB 179 199 137

HSL 79.35, 0.36%, 0.66%

LAB 77.42, -17.28, 28.86

 

CMYK 14 / 0 / 42 / 16

HEX #B8D57B

RGB 184 213 123

HSL 79.33, 0.52%, 0.66%

LAB 81.41, -24.08, 41.24

 

CMYK 12 / 10 / 0 / 30

HEX #9DA1B3

RGB 157 161 179

HSL 229.09, 0.13%, 0.66%

LAB 66.45, 2.25, -9.79

 

CMYK 12 / 12 / 0 / 30

HEX #9E9DB3

RGB 158 157 179

HSL 242.73, 0.13%, 0.66%

LAB 65.47, 4.81, -11.25

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 5 / 12 / 0 / 30

HEX #AA9DB3

RGB 170 157 179

HSL 275.45, 0.13%, 0.66%

LAB 66.45, 8.92, -9.67

 

CMYK 2 / 12 / 0 / 30

HEX #B09DB3

RGB 176 157 179

HSL 291.82, 0.13%, 0.66%

LAB 66.97, 11.01, -8.84

 

CMYK 15 / 23 / 0 / 44

HEX #796E8F

RGB 121 110 143

HSL 260, 0.13%, 0.5%

LAB 48.51, 11.28, -16.46

 

CMYK 12 / 17 / 0 / 37

HEX #8E85A1

RGB 142 133 161

HSL 259.29, 0.13%, 0.58%

LAB 57.17, 9.08, -13.65

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 6 / 9 / 0 / 23

HEX #B9B4C5

RGB 185 180 197

HSL 257.65, 0.13%, 0.74%

LAB 74.18, 5, -7.98

 

CMYK 4 / 6 / 0 / 16

HEX #CFCBD7

RGB 207 203 215

HSL 260, 0.13%, 0.82%

LAB 82.32, 3.6, -5.47

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 0 / 12 / 7 / 30

HEX #B39DA7

RGB 179 157 167

HSL 332.73, 0.13%, 0.66%

LAB 66.89, 9.83, -2.23

 

CMYK 12 / 0 / 12 / 30

HEX #9EB39D

RGB 158 179 157

HSL 117.27, 0.13%, 0.66%

LAB 70.83, -11.49, 8.8

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 0 / 8 / 12 / 30

HEX #B3A49D

RGB 179 164 157

HSL 19.09, 0.13%, 0.66%

LAB 68.44, 4.23, 5.59

 

CMYK 12 / 0 / 8 / 30

HEX #9DB3A4

RGB 157 179 164

HSL 139.09, 0.13%, 0.66%

LAB 70.93, -10.53, 5.1

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 0 / 12 / 7 / 30

HEX #B39DA7

RGB 179 157 167

HSL 332.73, 0.13%, 0.66%

LAB 66.89, 9.83, -2.23

 

CMYK 4 / 0 / 12 / 30

HEX #ACB39D

RGB 172 179 157

HSL 79.09, 0.13%, 0.66%

LAB 71.86, -6.45, 10.4

 

CMYK 12 / 0 / 6 / 30

HEX #9DB3A8

RGB 157 179 168

HSL 150, 0.13%, 0.66%

LAB 71.03, -9.76, 3.05

 

CMYK 8 / 12 / 0 / 30

HEX #A49DB3

RGB 164 157 179

HSL 259.09, 0.13%, 0.66%

LAB 65.95, 6.85, -10.48

 

CMYK 0 / 12 / 10 / 30

HEX #B39DA1

RGB 179 157 161

HSL 349.09, 0.13%, 0.66%

LAB 66.73, 8.77, 0.88

 

CMYK 4 / 0 / 12 / 30

HEX #ACB39D

RGB 172 179 157

HSL 79.09, 0.13%, 0.66%

LAB 71.86, -6.45, 10.4

 

CMYK 12 / 0 / 2 / 30

HEX #9DB3AF

RGB 157 179 175

HSL 169.09, 0.13%, 0.66%

LAB 71.22, -8.36, -0.53

 

Description

Color code: HEX #A49DB3 | qconv.com Color code: HEX #A49DB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 157 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 157 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 12 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 12% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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