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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4B0EE it is the complementary color #5B4F11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4B0EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4B0EE shade: #A9B0E9, #BAC2FC, #CBD4FF, #DCE6FF and #EDF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4B0EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4B0EE shade: #A4B0EE, #939EDB, #828CC8, #717AB5 and #6068A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4B0EE shade: #A4B0EE, #ACA4EE, #C0A4EE, #D4A4EE and #E8A4EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4B0EE shade: #A4B0EE and #A4A4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4B0EE shade matches the following richer shades: #A4B0EE and #9BAAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4B0EE shade: #A4B0EE, #ADB6E5, #B5BCDD, #BEC2D4 and #C7C7CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4B0EE shade: #A4D8EE, #A4C4EE, #A4B0EE, #ABA4EE and #BFA4EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4B0EE shade: #5E73E1, #8192E8, #A4B0EE, #C7CEF4 and #EAECFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4B0EE shade: #A4B0EE, #EEA4EB and #CEEEA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4B0EE shade: #A4B0EE, #EEA4B0 and #B0EEA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4B0EE shade: #A4B0EE, #EEA4EB, #EEE2A4 and #A4EEA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4B0EE shade: #A4B0EE, #EEA4D5, #EEE2A4 and #A4EEBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

Complementary color

CMYK 0 / 13 / 81 / 64

HEX #5B4F11

RGB 91 79 17

HSL 50.27, 0.69%, 0.21%

LAB 33.68, -2.47, 36

 

CMYK 27 / 24 / 0 / 9

HEX #A9B0E9

RGB 169 176 233

HSL 233.44, 0.59%, 0.79%

LAB 73.13, 10.05, -29.31

 

CMYK 26 / 23 / 0 / 1

HEX #BAC2FC

RGB 186 194 252

HSL 232.73, 0.92%, 0.86%

LAB 79.64, 9.67, -29.44

 

CMYK 20 / 17 / 0 / 0

HEX #CBD4FF

RGB 203 212 255

HSL 229.62, 1%, 0.9%

LAB 85.51, 5.74, -21.99

 

CMYK 14 / 10 / 0 / 0

HEX #DCE6FF

RGB 220 230 255

HSL 222.86, 1%, 0.93%

LAB 91.25, 1.53, -13.22

 

CMYK 7 / 3 / 0 / 0

HEX #EDF8FF

RGB 237 248 255

HSL 203.33, 1%, 0.96%

LAB 96.97, -2.31, -4.61

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 33 / 28 / 0 / 14

HEX #939EDB

RGB 147 158 219

HSL 230.83, 0.5%, 0.72%

LAB 66.34, 10.3, -32.24

 

CMYK 35 / 30 / 0 / 22

HEX #828CC8

RGB 130 140 200

HSL 231.43, 0.39%, 0.65%

LAB 59.59, 10.82, -32.22

 

CMYK 38 / 33 / 0 / 29

HEX #717AB5

RGB 113 122 181

HSL 232.06, 0.31%, 0.58%

LAB 52.69, 11.42, -32.24

 

CMYK 41 / 36 / 0 / 36

HEX #6068A2

RGB 96 104 162

HSL 232.73, 0.26%, 0.51%

LAB 45.63, 12.13, -32.32

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 28 / 31 / 0 / 7

HEX #ACA4EE

RGB 172 164 238

HSL 246.49, 0.69%, 0.79%

LAB 70.52, 18.83, -36.05

 

CMYK 19 / 31 / 0 / 7

HEX #C0A4EE

RGB 192 164 238

HSL 262.7, 0.69%, 0.79%

LAB 72.18, 24.73, -33.34

 

CMYK 11 / 31 / 0 / 7

HEX #D4A4EE

RGB 212 164 238

HSL 278.92, 0.69%, 0.79%

LAB 74.01, 30.84, -30.37

 

CMYK 3 / 31 / 0 / 7

HEX #E8A4EE

RGB 232 164 238

HSL 295.14, 0.69%, 0.79%

LAB 76, 37.07, -27.15

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 31 / 31 / 0 / 7

HEX #A4A4EE

RGB 164 164 238

HSL 240, 0.69%, 0.79%

LAB 69.91, 16.56, -37.05

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 37 / 31 / 0 / 3

HEX #9BAAF7

RGB 155 170 247

HSL 230.22, 0.85%, 0.79%

LAB 71.17, 13.05, -40.03

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 24 / 21 / 0 / 10

HEX #ADB6E5

RGB 173 182 229

HSL 230.36, 0.52%, 0.79%

LAB 74.82, 6.98, -24.52

 

CMYK 18 / 15 / 0 / 13

HEX #B5BCDD

RGB 181 188 221

HSL 229.5, 0.37%, 0.79%

LAB 76.69, 4.36, -17.31

 

CMYK 10 / 8 / 0 / 17

HEX #BEC2D4

RGB 190 194 212

HSL 229.09, 0.2%, 0.79%

LAB 78.63, 2.14, -9.47

 

CMYK 2 / 2 / 0 / 20

HEX #C7C7CB

RGB 199 199 203

HSL 240, 0.04%, 0.79%

LAB 80.35, 0.74, -2

 

CMYK 31 / 9 / 0 / 7

HEX #A4D8EE

RGB 164 216 238

HSL 197.84, 0.69%, 0.79%

LAB 83.54, -11.62, -16.2

 

CMYK 31 / 18 / 0 / 7

HEX #A4C4EE

RGB 164 196 238

HSL 214.05, 0.69%, 0.79%

LAB 78.2, -1.1, -24.29

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 28 / 31 / 0 / 7

HEX #ABA4EE

RGB 171 164 238

HSL 245.68, 0.69%, 0.79%

LAB 70.44, 18.55, -36.18

 

CMYK 20 / 31 / 0 / 7

HEX #BFA4EE

RGB 191 164 238

HSL 261.89, 0.69%, 0.79%

LAB 72.09, 24.43, -33.49

 

CMYK 58 / 49 / 0 / 12

HEX #5E73E1

RGB 94 115 225

HSL 230.38, 0.69%, 0.63%

LAB 51.92, 24.73, -58.59

 

CMYK 44 / 37 / 0 / 9

HEX #8192E8

RGB 129 146 232

HSL 230.1, 0.69%, 0.71%

LAB 62.55, 16, -45.45

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 18 / 16 / 0 / 4

HEX #C7CEF4

RGB 199 206 244

HSL 230.67, 0.67%, 0.87%

LAB 83.35, 5.31, -19.45

 

CMYK 7 / 6 / 0 / 2

HEX #EAECFB

RGB 234 236 251

HSL 232.94, 0.68%, 0.95%

LAB 93.64, 2.1, -7.47

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 0 / 31 / 1 / 7

HEX #EEA4EB

RGB 238 164 235

HSL 302.43, 0.69%, 0.79%

LAB 76.51, 38.41, -24.68

 

CMYK 13 / 0 / 31 / 7

HEX #CEEEA4

RGB 206 238 164

HSL 85.95, 0.69%, 0.79%

LAB 90.3, -22.86, 32.48

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 0 / 31 / 26 / 7

HEX #EEA4B0

RGB 238 164 176

HSL 350.27, 0.69%, 0.79%

LAB 74.74, 28.98, 4.93

 

CMYK 26 / 0 / 31 / 7

HEX #B0EEA4

RGB 176 238 164

HSL 110.27, 0.69%, 0.79%

LAB 88.48, -33.22, 29.72

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 0 / 31 / 1 / 7

HEX #EEA4EB

RGB 238 164 235

HSL 302.43, 0.69%, 0.79%

LAB 76.51, 38.41, -24.68

 

CMYK 0 / 5 / 31 / 7

HEX #EEE2A4

RGB 238 226 164

HSL 50.27, 0.69%, 0.79%

LAB 89.51, -5.07, 31.84

 

CMYK 31 / 0 / 30 / 7

HEX #A4EEA6

RGB 164 238 166

HSL 121.62, 0.69%, 0.79%

LAB 87.87, -36.77, 27.77

 

CMYK 31 / 26 / 0 / 7

HEX #A4B0EE

RGB 164 176 238

HSL 230.27, 0.69%, 0.79%

LAB 72.97, 9.84, -32.31

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D5

RGB 238 164 213

HSL 320.27, 0.69%, 0.79%

LAB 75.78, 34.61, -13.81

 

CMYK 0 / 5 / 31 / 7

HEX #EEE2A4

RGB 238 226 164

HSL 50.27, 0.69%, 0.79%

LAB 89.51, -5.07, 31.84

 

CMYK 31 / 0 / 21 / 7

HEX #A4EEBD

RGB 164 238 189

HSL 140.27, 0.69%, 0.79%

LAB 88.31, -32.79, 16.54

 

Description

Color code: HEX #A4B0EE | qconv.com Color code: HEX #A4B0EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 176 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 176 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 26 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 26% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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