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Color name
HEX #A4B332

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4B332 it is the complementary color #5B4CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4B332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4B332 shade: #A9B32D, #BAC540, #CBD753, #DCE966 and #EDFB79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4B332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4B332 shade: #A4B332, #93A11F, #828F0C, #717D00 and #606B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4B332 shade: #A4B332, #B39F32, #B37C32, #B35932 and #B33732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4B332 shade: #A4B332, #81B332, #5EB332, #3CB332 and #32B34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4B332 shade matches the following richer shades: #A4B332, #B2C51F and #C0D80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4B332 shade: #A4B332, #95A045, #878D57, #797B6A and #6B687C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4B332 shade: #B37B32, #B39D32, #A6B332, #83B332 and #61B332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4B332 shade: #697220, #869229, #A4B332, #BACA44 and #C6D364

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4B332 shade: #A4B332, #32B359 and #8C32B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4B332 shade: #A4B332, #32A6B3 and #B332A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4B332 shade: #A4B332, #32B359, #3F32B3 and #B3328C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4B332 shade: #A4B332, #32B37F, #3F32B3 and #B33265

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

Complementary color

CMYK 56 / 63 / 0 / 20

HEX #5B4CCD

RGB 91 76 205

HSL 246.98, 0.56%, 0.55%

LAB 40.9, 41.45, -65.04

 

CMYK 6 / 0 / 75 / 30

HEX #A9B32D

RGB 169 179 45

HSL 64.48, 0.6%, 0.44%

LAB 70.08, -19.77, 62.49

 

CMYK 6 / 0 / 68 / 23

HEX #BAC540

RGB 186 197 64

HSL 64.96, 0.53%, 0.51%

LAB 76.52, -20.58, 62.38

 

CMYK 6 / 0 / 61 / 16

HEX #CBD753

RGB 203 215 83

HSL 65.45, 0.62%, 0.58%

LAB 82.87, -21.23, 61.78

 

CMYK 6 / 0 / 56 / 9

HEX #DCE966

RGB 220 233 102

HSL 65.95, 0.75%, 0.66%

LAB 89.14, -21.76, 60.92

 

CMYK 6 / 0 / 52 / 2

HEX #EDFB79

RGB 237 251 121

HSL 66.46, 0.94%, 0.73%

LAB 95.32, -22.2, 59.93

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 9 / 0 / 81 / 37

HEX #93A11F

RGB 147 161 31

HSL 66.46, 0.68%, 0.38%

LAB 63.17, -20.79, 59.92

 

CMYK 9 / 0 / 92 / 44

HEX #828F0C

RGB 130 143 12

HSL 65.95, 0.85%, 0.3%

LAB 56.5, -19.68, 58.22

 

CMYK 10 / 0 / 100 / 51

HEX #717D00

RGB 113 125 0

HSL 65.76, 1%, 0.25%

LAB 49.71, -18.28, 54.52

 

CMYK 10 / 0 / 100 / 58

HEX #606B00

RGB 96 107 0

HSL 66.17, 1%, 0.21%

LAB 42.77, -16.62, 48.74

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 0 / 11 / 72 / 30

HEX #B39F32

RGB 179 159 50

HSL 50.7, 0.56%, 0.45%

LAB 65.44, -4.8, 56.53

 

CMYK 0 / 31 / 72 / 30

HEX #B37C32

RGB 179 124 50

HSL 34.42, 0.56%, 0.45%

LAB 56.32, 14.41, 47.31

 

CMYK 0 / 50 / 72 / 30

HEX #B35932

RGB 179 89 50

HSL 18.14, 0.56%, 0.45%

LAB 48.21, 33.63, 38.64

 

CMYK 0 / 69 / 72 / 30

HEX #B33732

RGB 179 55 50

HSL 2.33, 0.56%, 0.45%

LAB 42.07, 49.7, 31.71

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 28 / 0 / 72 / 30

HEX #81B332

RGB 129 179 50

HSL 83.26, 0.56%, 0.45%

LAB 67.38, -35.87, 57.19

 

CMYK 47 / 0 / 72 / 30

HEX #5EB332

RGB 94 179 50

HSL 99.53, 0.56%, 0.45%

LAB 65.63, -48.1, 54.86

 

CMYK 66 / 0 / 72 / 30

HEX #3CB332

RGB 60 179 50

HSL 115.35, 0.56%, 0.45%

LAB 64.51, -56.94, 53.36

 

CMYK 72 / 0 / 58 / 30

HEX #32B34B

RGB 50 179 75

HSL 131.63, 0.56%, 0.45%

LAB 64.5, -56.17, 42.59

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 10 / 0 / 84 / 23

HEX #B2C51F

RGB 178 197 31

HSL 66.87, 0.73%, 0.45%

LAB 75.76, -25.33, 71.68

 

CMYK 11 / 0 / 94 / 15

HEX #C0D80D

RGB 192 216 13

HSL 67.09, 0.89%, 0.45%

LAB 82.03, -28.92, 80.04

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 7 / 0 / 57 / 37

HEX #95A045

RGB 149 160 69

HSL 67.25, 0.4%, 0.45%

LAB 63.31, -17.12, 45.24

 

CMYK 4 / 0 / 38 / 45

HEX #878D57

RGB 135 141 87

HSL 66.67, 0.24%, 0.45%

LAB 56.97, -11.11, 28.08

 

CMYK 2 / 0 / 14 / 52

HEX #797B6A

RGB 121 123 106

HSL 67.06, 0.07%, 0.45%

LAB 51, -3.98, 9.05

 

CMYK 14 / 16 / 0 / 51

HEX #6B687C

RGB 107 104 124

HSL 249, 0.09%, 0.45%

LAB 44.92, 5.53, -10.69

 

CMYK 0 / 31 / 72 / 30

HEX #B37B32

RGB 179 123 50

HSL 33.95, 0.56%, 0.45%

LAB 56.07, 14.97, 47.05

 

CMYK 0 / 12 / 72 / 30

HEX #B39D32

RGB 179 157 50

HSL 49.77, 0.56%, 0.45%

LAB 64.91, -3.73, 56

 

CMYK 7 / 0 / 72 / 30

HEX #A6B332

RGB 166 179 50

HSL 66.05, 0.56%, 0.45%

LAB 69.88, -20.81, 60.49

 

CMYK 27 / 0 / 72 / 30

HEX #83B332

RGB 131 179 50

HSL 82.33, 0.56%, 0.45%

LAB 67.5, -35.1, 57.35

 

CMYK 46 / 0 / 72 / 30

HEX #61B332

RGB 97 179 50

HSL 98.14, 0.56%, 0.45%

LAB 65.76, -47.16, 55.03

 

CMYK 8 / 0 / 72 / 55

HEX #697220

RGB 105 114 32

HSL 66.59, 0.56%, 0.29%

LAB 45.83, -14.95, 42.11

 

CMYK 8 / 0 / 72 / 43

HEX #869229

RGB 134 146 41

HSL 66.86, 0.56%, 0.37%

LAB 57.83, -18.34, 51.22

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 8 / 0 / 66 / 21

HEX #BACA44

RGB 186 202 68

HSL 67.16, 0.56%, 0.53%

LAB 77.93, -22.8, 62.27

 

CMYK 6 / 0 / 53 / 17

HEX #C6D364

RGB 198 211 100

HSL 67.03, 0.56%, 0.61%

LAB 81.57, -19.98, 52.74

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 72 / 0 / 50 / 30

HEX #32B359

RGB 50 179 89

HSL 138.14, 0.56%, 0.45%

LAB 64.68, -54.17, 35.96

 

CMYK 22 / 72 / 0 / 30

HEX #8C32B3

RGB 140 50 179

HSL 281.86, 0.56%, 0.45%

LAB 39.77, 57.48, -51.41

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 72 / 7 / 0 / 30

HEX #32A6B3

RGB 50 166 179

HSL 186.05, 0.56%, 0.45%

LAB 62.68, -27.16, -15.98

 

CMYK 0 / 72 / 7 / 30

HEX #B332A6

RGB 179 50 166

HSL 306.05, 0.56%, 0.45%

LAB 45.11, 63.72, -34.83

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 72 / 0 / 50 / 30

HEX #32B359

RGB 50 179 89

HSL 138.14, 0.56%, 0.45%

LAB 64.68, -54.17, 35.96

 

CMYK 65 / 72 / 0 / 30

HEX #3F32B3

RGB 63 50 179

HSL 246.05, 0.56%, 0.45%

LAB 30.86, 44.07, -66.31

 

CMYK 0 / 72 / 22 / 30

HEX #B3328C

RGB 179 50 140

HSL 318.14, 0.56%, 0.45%

LAB 43.88, 59.93, -21.11

 

CMYK 8 / 0 / 72 / 30

HEX #A4B332

RGB 164 179 50

HSL 66.98, 0.56%, 0.45%

LAB 69.73, -21.66, 60.29

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 65 / 72 / 0 / 30

HEX #3F32B3

RGB 63 50 179

HSL 246.05, 0.56%, 0.45%

LAB 30.86, 44.07, -66.31

 

CMYK 0 / 72 / 44 / 30

HEX #B33265

RGB 179 50 101

HSL 336.28, 0.56%, 0.45%

LAB 42.47, 55.35, 0.78

 

Description

Color code: HEX #A4B332 | qconv.com Color code: HEX #A4B332 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 179 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 179 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 72% 30% C M Y K

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Provide designers and agencies with accurate color values.

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