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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4BDD0 it is the complementary color #5B422F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4BDD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4BDD0 shade: #A9BDCB, #BACFDE, #CBE1F1, #DCF3FF and #EDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4BDD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4BDD0 shade: #A4BDD0, #93ABBD, #8299AA, #718797 and #607584

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4BDD0 shade: #A4BDD0, #A4B1D0, #A4A5D0, #AEA4D0 and #BAA4D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4BDD0 shade: #A4BDD0, #A4B1D0, #A4A5D0 and #A4A4D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4BDD0 shade matches the following richer shades: #A4BDD0, #98BEDB, #8DC0E6, #82C1F1 and #77C3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4BDD0 shade: #A4BDD0, #AFBBC5, #BABAB9, #C5B8AE and #D0B7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4BDD0 shade: #A4D0CB, #A4C9D0, #A4BDD0, #A4B2D0 and #A4A6D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4BDD0 shade: #6D95B4, #88A9C2, #A4BDD0, #BFD0DE and #DAE4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4BDD0 shade: #A4BDD0, #BFA4D0 and #CFD0A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4BDD0 shade: #A4BDD0, #D0A4BD and #BDD0A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4BDD0 shade: #A4BDD0, #BFA4D0, #D0B6A4 and #B5D0A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4BDD0 shade: #A4BDD0, #CCA4D0, #D0B6A4 and #A7D0A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

Complementary color

CMYK 0 / 27 / 48 / 64

HEX #5B422F

RGB 91 66 47

HSL 25.91, 0.32%, 0.27%

LAB 30.22, 8.1, 15.78

 

CMYK 17 / 7 / 0 / 20

HEX #A9BDCB

RGB 169 189 203

HSL 204.71, 0.25%, 0.73%

LAB 75.54, -3.89, -9.35

 

CMYK 16 / 7 / 0 / 13

HEX #BACFDE

RGB 186 207 222

HSL 205, 0.35%, 0.8%

LAB 82.02, -3.97, -9.81

 

CMYK 16 / 7 / 0 / 5

HEX #CBE1F1

RGB 203 225 241

HSL 205.26, 0.58%, 0.87%

LAB 88.4, -4.05, -10.26

 

CMYK 14 / 5 / 0 / 0

HEX #DCF3FF

RGB 220 243 255

HSL 200.57, 1%, 0.93%

LAB 94.54, -5.14, -8.32

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 22 / 10 / 0 / 26

HEX #93ABBD

RGB 147 171 189

HSL 205.71, 0.24%, 0.66%

LAB 68.75, -4.29, -11.97

 

CMYK 24 / 10 / 0 / 33

HEX #8299AA

RGB 130 153 170

HSL 205.5, 0.19%, 0.59%

LAB 62.02, -4.2, -11.57

 

CMYK 25 / 11 / 0 / 41

HEX #718797

RGB 113 135 151

HSL 205.26, 0.15%, 0.52%

LAB 55.15, -4.11, -11.16

 

CMYK 27 / 11 / 0 / 48

HEX #607584

RGB 96 117 132

HSL 205, 0.16%, 0.45%

LAB 48.1, -4.02, -10.76

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 21 / 15 / 0 / 18

HEX #A4B1D0

RGB 164 177 208

HSL 222.27, 0.32%, 0.73%

LAB 72.16, 2.11, -17.19

 

CMYK 21 / 21 / 0 / 18

HEX #A4A5D0

RGB 164 165 208

HSL 238.64, 0.32%, 0.73%

LAB 69.01, 8.74, -21.97

 

CMYK 16 / 21 / 0 / 18

HEX #AEA4D0

RGB 174 164 208

HSL 253.64, 0.32%, 0.73%

LAB 69.54, 12.47, -21.08

 

CMYK 11 / 21 / 0 / 18

HEX #BAA4D0

RGB 186 164 208

HSL 270, 0.32%, 0.73%

LAB 70.56, 16.36, -19.45

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 21 / 15 / 0 / 18

HEX #A4B1D0

RGB 164 177 208

HSL 222.27, 0.32%, 0.73%

LAB 72.16, 2.11, -17.19

 

CMYK 21 / 21 / 0 / 18

HEX #A4A5D0

RGB 164 165 208

HSL 238.64, 0.32%, 0.73%

LAB 69.01, 8.74, -21.97

 

CMYK 21 / 21 / 0 / 18

HEX #A4A4D0

RGB 164 164 208

HSL 240, 0.32%, 0.73%

LAB 68.75, 9.3, -22.36

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 31 / 13 / 0 / 14

HEX #98BEDB

RGB 152 190 219

HSL 205.97, 0.48%, 0.73%

LAB 75.21, -5.93, -18.64

 

CMYK 39 / 17 / 0 / 10

HEX #8DC0E6

RGB 141 192 230

HSL 205.62, 0.64%, 0.73%

LAB 75.5, -7.26, -24.21

 

CMYK 46 / 20 / 0 / 5

HEX #82C1F1

RGB 130 193 241

HSL 205.95, 0.8%, 0.73%

LAB 75.6, -7.58, -30.04

 

CMYK 53 / 23 / 0 / 1

HEX #77C3FC

RGB 119 195 252

HSL 205.71, 0.96%, 0.73%

LAB 76.06, -7.99, -35.29

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 11 / 5 / 0 / 23

HEX #AFBBC5

RGB 175 187 197

HSL 207.27, 0.16%, 0.73%

LAB 75.26, -2.13, -6.47

 

CMYK 0 / 0 / 1 / 27

HEX #BABAB9

RGB 186 186 185

HSL 60, 0.01%, 0.73%

LAB 75.49, -0.18, 0.5

 

CMYK 0 / 7 / 12 / 23

HEX #C5B8AE

RGB 197 184 174

HSL 26.09, 0.17%, 0.73%

LAB 75.58, 2.89, 6.72

 

CMYK 0 / 12 / 22 / 18

HEX #D0B7A3

RGB 208 183 163

HSL 26.67, 0.32%, 0.73%

LAB 76.02, 5.79, 13.45

 

CMYK 21 / 0 / 2 / 18

HEX #A4D0CB

RGB 164 208 203

HSL 173.18, 0.32%, 0.73%

LAB 80.36, -15.38, -2.27

 

CMYK 21 / 3 / 0 / 18

HEX #A4C9D0

RGB 164 201 208

HSL 189.55, 0.32%, 0.73%

LAB 78.59, -10.7, -7.56

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 21 / 14 / 0 / 18

HEX #A4B2D0

RGB 164 178 208

HSL 220.91, 0.32%, 0.73%

LAB 72.42, 1.57, -16.79

 

CMYK 21 / 20 / 0 / 18

HEX #A4A6D0

RGB 164 166 208

HSL 237.27, 0.32%, 0.73%

LAB 69.27, 8.19, -21.57

 

CMYK 39 / 17 / 0 / 29

HEX #6D95B4

RGB 109 149 180

HSL 206.2, 0.32%, 0.57%

LAB 59.93, -5.66, -20.52

 

CMYK 30 / 13 / 0 / 24

HEX #88A9C2

RGB 136 169 194

HSL 205.86, 0.32%, 0.65%

LAB 67.65, -5.37, -16.47

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 14 / 6 / 0 / 13

HEX #BFD0DE

RGB 191 208 222

HSL 207.1, 0.32%, 0.81%

LAB 82.63, -2.91, -8.87

 

CMYK 8 / 3 / 0 / 7

HEX #DAE4EC

RGB 218 228 236

HSL 206.67, 0.32%, 0.89%

LAB 90.07, -1.82, -5.05

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 8 / 21 / 0 / 18

HEX #BFA4D0

RGB 191 164 208

HSL 276.82, 0.32%, 0.73%

LAB 71, 18, -18.74

 

CMYK 0 / 0 / 21 / 18

HEX #CFD0A4

RGB 207 208 164

HSL 61.36, 0.32%, 0.73%

LAB 82.41, -7.55, 21.8

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 0 / 21 / 9 / 18

HEX #D0A4BD

RGB 208 164 189

HSL 325.91, 0.32%, 0.73%

LAB 71.98, 20.24, -6.63

 

CMYK 9 / 0 / 21 / 18

HEX #BDD0A4

RGB 189 208 164

HSL 85.91, 0.32%, 0.73%

LAB 81.08, -14.16, 19.75

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 8 / 21 / 0 / 18

HEX #BFA4D0

RGB 191 164 208

HSL 276.82, 0.32%, 0.73%

LAB 71, 18, -18.74

 

CMYK 0 / 13 / 21 / 18

HEX #D0B6A4

RGB 208 182 164

HSL 24.55, 0.32%, 0.73%

LAB 75.79, 6.47, 12.58

 

CMYK 13 / 0 / 21 / 18

HEX #B5D0A4

RGB 181 208 164

HSL 96.82, 0.32%, 0.73%

LAB 80.52, -17.02, 18.9

 

CMYK 21 / 9 / 0 / 18

HEX #A4BDD0

RGB 164 189 208

HSL 205.91, 0.32%, 0.73%

LAB 75.35, -4.37, -12.38

 

CMYK 2 / 21 / 0 / 18

HEX #CCA4D0

RGB 204 164 208

HSL 294.55, 0.32%, 0.73%

LAB 72.19, 22.32, -16.82

 

CMYK 0 / 13 / 21 / 18

HEX #D0B6A4

RGB 208 182 164

HSL 24.55, 0.32%, 0.73%

LAB 75.79, 6.47, 12.58

 

CMYK 20 / 0 / 21 / 18

HEX #A7D0A4

RGB 167 208 164

HSL 115.91, 0.32%, 0.73%

LAB 79.62, -21.89, 17.5

 

Description

Color code: HEX #A4BDD0 | qconv.com Color code: HEX #A4BDD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 189 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 189 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 9 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 9% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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