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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4D085 it is the complementary color #5B2F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4D085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4D085 shade: #A9D080, #BAE293, #CBF4A6, #DCFFB9 and #EDFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4D085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4D085 shade: #A4D085, #93BE72, #82AC5F, #719A4C and #608839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4D085 shade: #A4CF85, #B8CF85, #CCCF85, #CFBF85 and #CFAB85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4D085 shade: #A4CF85, #90CF85, #85CF8F, #85CFA3 and #85CFB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4D085 shade matches the following richer shades: #A4CF85, #A2DD78, #9FEB6A and #9DF85C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4D085 shade: #A4CF85, #A6C293, #A9B4A1, #ABA7AE and #AD99BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4D085 shade: #CCCF85, #B8CF85, #A4CF85, #90CF85 and #85CF8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4D085 shade: #78B84A, #8EC468, #A4CF85, #BADBA3 and #D0E6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4D085 shade: #A4D085, #85CFBF and #CF85C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4D085 shade: #A4D085, #85A4CF and #CF85A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4D085 shade: #A4D085, #85CFBF, #B185CF and #CF8595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4D085 shade: #A4D085, #85C9CF, #B185CF and #CF8B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

Complementary color

CMYK 25 / 61 / 0 / 52

HEX #5B2F7A

RGB 91 47 122

HSL 275.2, 0.44%, 0.33%

LAB 28.54, 34.57, -35.04

 

CMYK 19 / 0 / 38 / 18

HEX #A9D080

RGB 169 208 128

HSL 89.25, 0.46%, 0.66%

LAB 79.1, -26.64, 35.58

 

CMYK 18 / 0 / 35 / 11

HEX #BAE293

RGB 186 226 147

HSL 90.38, 0.58%, 0.73%

LAB 85.47, -26.58, 34.46

 

CMYK 17 / 0 / 32 / 4

HEX #CBF4A6

RGB 203 244 166

HSL 91.54, 0.78%, 0.8%

LAB 91.75, -26.52, 33.37

 

CMYK 14 / 0 / 27 / 0

HEX #DCFFB9

RGB 220 255 185

HSL 90, 1%, 0.86%

LAB 96.1, -23.13, 29.83

 

CMYK 7 / 0 / 20 / 0

HEX #EDFFCC

RGB 237 255 204

HSL 81.18, 1%, 0.9%

LAB 97.59, -14.41, 22.45

 

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

CMYK 23 / 0 / 40 / 25

HEX #93BE72

RGB 147 190 114

HSL 93.95, 0.37%, 0.6%

LAB 72.39, -27.87, 33.82

 

CMYK 24 / 0 / 45 / 33

HEX #82AC5F

RGB 130 172 95

HSL 92.73, 0.32%, 0.52%

LAB 65.81, -27.95, 35.02

 

CMYK 27 / 0 / 51 / 40

HEX #719A4C

RGB 113 154 76

HSL 91.54, 0.34%, 0.45%

LAB 59.11, -27.99, 36.23

 

CMYK 29 / 0 / 58 / 47

HEX #608839

RGB 96 136 57

HSL 90.38, 0.41%, 0.38%

LAB 52.28, -27.95, 37.41

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 11 / 0 / 36 / 19

HEX #B8CF85

RGB 184 207 133

HSL 78.65, 0.44%, 0.67%

LAB 79.9, -19.92, 34.27

 

CMYK 1 / 0 / 36 / 19

HEX #CCCF85

RGB 204 207 133

HSL 62.43, 0.44%, 0.67%

LAB 81.38, -12.24, 36.47

 

CMYK 0 / 8 / 36 / 19

HEX #CFBF85

RGB 207 191 133

HSL 47.03, 0.44%, 0.67%

LAB 77.41, -2.82, 31.34

 

CMYK 0 / 17 / 36 / 19

HEX #CFAB85

RGB 207 171 133

HSL 30.81, 0.44%, 0.67%

LAB 72.29, 7.79, 24.5

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 30 / 0 / 36 / 19

HEX #90CF85

RGB 144 207 133

HSL 111.08, 0.44%, 0.67%

LAB 77.43, -34.21, 30.55

 

CMYK 36 / 0 / 31 / 19

HEX #85CF8F

RGB 133 207 143

HSL 128.11, 0.44%, 0.67%

LAB 77.04, -36.13, 24.73

 

CMYK 36 / 0 / 21 / 19

HEX #85CFA3

RGB 133 207 163

HSL 144.32, 0.44%, 0.67%

LAB 77.43, -32.47, 14.7

 

CMYK 36 / 0 / 12 / 19

HEX #85CFB7

RGB 133 207 183

HSL 160.54, 0.44%, 0.67%

LAB 77.89, -28.36, 4.66

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 27 / 0 / 46 / 13

HEX #A2DD78

RGB 162 221 120

HSL 95.05, 0.6%, 0.67%

LAB 82.24, -36.25, 43.48

 

CMYK 32 / 0 / 55 / 8

HEX #9FEB6A

RGB 159 235 106

HSL 95.35, 0.76%, 0.67%

LAB 85.92, -45.03, 54.46

 

CMYK 37 / 0 / 63 / 3

HEX #9DF85C

RGB 157 248 92

HSL 95, 0.92%, 0.67%

LAB 89.43, -52.42, 64.39

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 14 / 0 / 24 / 24

HEX #A6C293

RGB 166 194 147

HSL 95.74, 0.28%, 0.67%

LAB 75.32, -18.06, 20.58

 

CMYK 6 / 0 / 11 / 29

HEX #A9B4A1

RGB 169 180 161

HSL 94.74, 0.11%, 0.67%

LAB 71.99, -7.37, 8.38

 

CMYK 2 / 4 / 0 / 32

HEX #ABA7AE

RGB 171 167 174

HSL 274.29, 0.04%, 0.67%

LAB 69.01, 2.76, -3.1

 

CMYK 8 / 19 / 0 / 26

HEX #AD99BC

RGB 173 153 188

HSL 274.29, 0.21%, 0.67%

LAB 65.98, 14.02, -15.39

 

CMYK 1 / 0 / 36 / 19

HEX #CCCF85

RGB 204 207 133

HSL 62.43, 0.44%, 0.67%

LAB 81.38, -12.24, 36.47

 

CMYK 11 / 0 / 36 / 19

HEX #B8CF85

RGB 184 207 133

HSL 78.65, 0.44%, 0.67%

LAB 79.9, -19.92, 34.27

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 30 / 0 / 36 / 19

HEX #90CF85

RGB 144 207 133

HSL 111.08, 0.44%, 0.67%

LAB 77.43, -34.21, 30.55

 

CMYK 36 / 0 / 31 / 19

HEX #85CF8E

RGB 133 207 142

HSL 127.3, 0.44%, 0.67%

LAB 77.02, -36.3, 25.23

 

CMYK 35 / 0 / 60 / 28

HEX #78B84A

RGB 120 184 74

HSL 94.91, 0.44%, 0.51%

LAB 68.58, -39.5, 48.41

 

CMYK 28 / 0 / 47 / 23

HEX #8EC468

RGB 142 196 104

HSL 95.22, 0.44%, 0.59%

LAB 73.69, -33.8, 40.47

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 15 / 0 / 26 / 14

HEX #BADBA3

RGB 186 219 163

HSL 95.36, 0.44%, 0.75%

LAB 83.83, -20.88, 24.04

 

CMYK 10 / 0 / 16 / 10

HEX #D0E6C1

RGB 208 230 193

HSL 95.68, 0.43%, 0.83%

LAB 88.85, -13.86, 15.6

 

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

CMYK 36 / 0 / 8 / 19

HEX #85CFBF

RGB 133 207 191

HSL 167.03, 0.44%, 0.67%

LAB 78.1, -26.6, 0.66

 

CMYK 0 / 36 / 6 / 19

HEX #CF85C2

RGB 207 133 194

HSL 310.54, 0.44%, 0.67%

LAB 64.91, 37.62, -20.05

 

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

CMYK 36 / 21 / 0 / 19

HEX #85A4CF

RGB 133 164 207

HSL 214.86, 0.44%, 0.67%

LAB 66.55, -0.16, -25.36

 

CMYK 0 / 36 / 21 / 19

HEX #CF85A4

RGB 207 133 164

HSL 334.86, 0.44%, 0.67%

LAB 63.93, 32.7, -4.56

 

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

CMYK 36 / 0 / 8 / 19

HEX #85CFBF

RGB 133 207 191

HSL 167.03, 0.44%, 0.67%

LAB 78.1, -26.6, 0.66

 

CMYK 14 / 36 / 0 / 19

HEX #B185CF

RGB 177 133 207

HSL 275.68, 0.44%, 0.67%

LAB 62.19, 30.6, -31.8

 

CMYK 0 / 36 / 28 / 19

HEX #CF8595

RGB 207 133 149

HSL 347.03, 0.44%, 0.67%

LAB 63.52, 30.52, 3.34

 

CMYK 21 / 0 / 36 / 18

HEX #A4D085

RGB 164 208 133

HSL 95.2, 0.44%, 0.67%

LAB 78.87, -27.77, 32.66

 

CMYK 36 / 3 / 0 / 19

HEX #85C9CF

RGB 133 201 207

HSL 184.86, 0.44%, 0.67%

LAB 76.84, -19.87, -9.81

 

CMYK 14 / 36 / 0 / 19

HEX #B185CF

RGB 177 133 207

HSL 275.68, 0.44%, 0.67%

LAB 62.19, 30.6, -31.8

 

CMYK 0 / 33 / 36 / 19

HEX #CF8B85

RGB 207 139 133

HSL 4.86, 0.44%, 0.67%

LAB 64.5, 25.18, 13.81

 

Description

Color code: HEX #A4D085 | qconv.com Color code: HEX #A4D085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 208 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 208 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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